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ON FREE PUBLIC VIEW 
9 A.M. UNTIL 6 P.M. 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


FROM THURSDAY, OCTOBER 18tn, 1917 
UNTIL THE DATE OF SALE, INCLUSIVE 


THE COSTLY 
FURNISHINGS AND EMBELLISHMENTS 


REMOVED FROM THE RESIDENCE OF THE LATE 


JAMES BUCHANAN BRADY 


WIDELY KNOWN AS ‘‘DIAMOND JIM’’ BRADY 
NEW YORK CITY 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY ORDER OF THE EXECUTORS 
ON THE AFTERNOONS OF 
Pe OBER 22; 23, 24, 25, 26, 27,.29 AND 30, 1917 


AT THE AMERICAN ART GALLERIES 


BEGINNING EACH AFTERNOON AT 2.30 O’CLOCK 


ILLLUSTRATED CATALOGUE 


OF 


THE COSTLY FURNISHINGS AND 
EMBELLISHMENTS 


REMOVED FROM THE RESIDENCE OF THE LATE 


JAMES BUCHANAN BRADY 


WIDELY KNOWN AS “DIAMOND JIM” BRADY 
NEW YORK CITY 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


BY DIRECTION OF THE COLUMBIA TRUST COMPANY OF NEW YORK 
ROBERT L. GORDON, ESQ., AND RICHARD C., CROWLEY, ESQ. 
EXECUTORS 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


ON THE AFTERNOONS HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
AND HIS ASSISTANT, MR. OTTO BERNET, OF THE 
AMERICAN ART ASSOCIATION, MANAGERS 


NEW YORK 
1917 


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THE AMERICAN ART ASSOCIATION © 

DESIGNS ITS CATALOGUES AND DIRECTS | 

ALL DETAILS OF ILLUSTRATION — | 
TEXT AND TYPOGRAPHY 


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CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance may 
be rejected by the auctioneer, if, in his judgment, such bid would be 
hkely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute arise 
between two or more bidders, the auctioneer shall either decide the same 


or put up for re-sale the lot so in dispute. 


3. Payment shall be made of all or such part of the purchase 
money as may be required, and the names and addresses of the pur- 
chasers shall be given immediately on the sale of every lot, in default 
of which the lot so purchased shall be immediately put up again and 
re-sold. } 

Payment of that part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default of 
which the undersigned may either continue to hold the lots at the 
risk of the purchaser and take such action as may be necessary for 
the enforcement of the sale, or may at public or private sale, and 
' without other than this notice, re-sell the lots for the benefit of such 
purchaser, and the deficiency (if any) arising from such re-sale shall 


be a charge against such purchaser. 


4. Delivery of any purchase will be made only upon payment 
of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 
A. M. and 1 P. M., and on other days—except holidays—between the 
hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American Art 
Galleries, or other place of sale, as the case may be, and only on pre- 
senting the bill of purchase. 

Delivery may be made, at the discretion of the Association, of 


any purchase during the session of the sale at which it was sold. 


5. Shipping, boxing or wrapping of purchases is a business in 


which the Association is in no wise engaged, and will not be performed 


by the Association for purchasers. The Association will, however, 
afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of 


the parties engaged for such service. 


6. Storage of any purchase shall be at the sole risk of the pur- 
chaser. Title passes upon the fall of the auctioneer’s hammer, and 
thereafter, while the Association will exercise due caution in caring 
for and delivering such purchase, it will not hold itself responsible if 
such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 


7. Guarantee is not made either by the owner or the Association 
of the correctness of the description, genuineness or authenticity of any 
lot, and no sale will be set aside on account of any incorrectness, 
error of cataloguing, or any imperfection not noted. Every lot is 
on public exhibition one or more days prior to its sale, after which 
it is sold “‘as is” and without recourse. 

The Association exercises great care to catalogue every lot cor- 
rectly, and will give consideration to the opinion of any trustworthy 
expert to the effect that any lot has been incorrectly catalogued, and, 
in its judgment, may either sell the lot as catalogued or make mention 
of the opinion of such expert, who thereby would become responsible 
for such damage as might result were his opinion without proper 
foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


ORDER OF SALE 


FIRST SESSION—Mownpay ArrTEernoon, Ocroser 22, 1917. 


Ivories, Austrian Bronzes and Porcelain Ornaments. 


Catalogue Numbers 1 to 282, inclusive. 


SECOND SESSION—Twvespay Arrernoon, OcTosBer 23, 1917. 


Ivories, Miniatures of famous Actresses, Paintings on Porce- 
lain and Porcelain Ornaments. 
Catalogue Numbers 233 to 4238, inclusive. ° 


THIRD SESSION—Wepnespay AFTERNOON, OcTrosER 24, 1917. 


Cabinet Specimens, Bijouterie and Ivories. 
Catalogue Numbers 424 to 619, inclusive. 


FOURTH SESSION—Tuurspay ArtrEernoon, Ocroser 25, 1917. 


Cabinet Specimens, Ivories and Japanese and European Bronzes. 


Catalogue Numbers 620 to 819c, inclusive. 


FIFTH SESSION—Fripnay Arrrernoon, Octroser 26, 1917. 


Japanese and European Bronzes, Marbles and Armor. 
Catalogue Numbers 820 to 10381c, inclusive. 


SIXTH SESSION—Sarurpay AFTERNOON, OcToBER 27, 1917. 
Prints, Textiles, Rugs, Furniture, Billiard and other sporting 


Games and sporting Pictures. 
Catalogue Numbers 1082 to 1254, inclusive. 


SEVENTH SESSION—Monpay ArrEerNnoon, OcTroser 29, 1917. 


Silver and Plated Ware and Jewelry, and miscellaneous objects. 


Catalogue Numbers 1255 to 1449u, inclusive, 


EIGHTH SESSION—Tuespay AFrernoon, OctToser 30, 1917. 


China, Glassware, Linen and Cushions. 
Catalogue Numbers 1450 to 1748, inclusive. 


WOOU ONIMVUCG AO GNA HLYON AHL AO MALIA 


SNSORNCINE Steen enacted 


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FIRST AFTERNOON’S SALE 


MONDAY, OCTOBER 22, 1917 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 O CLOCK 


Catalogue Nos. 1 to 232, inclusive 


JAPANESE [IVORY CARVINGS 


1—TwELtvE SMALL JAPANESE Ivory CARVINGS 


In the form of various nuts in natural colors. 


2 JAPANESE Ivory CARVING 


Group of twelve chestnuts in natural color. 


8—TuHIRTEEN JAPANESE Ivory CARVINGS 


Cherries, strewberries, loquats and other small fruits, natural- 
istically colored. 


4—_THREE JAPANESE Ivory CARVINGS 


A bunch of raisins and two other fruit groups, the latter signed 
“Banzosai” and “Sonzan.” 


5—Four JAPANESE Ivory CarvINGS 


In form of luscious red apples, whole, split and partly peeled. 


6—THREE JAPANESE Ivory CARVINGS 


Ripe yellow bananas, with the skin partly turned back; signature 
on one: Sonzan. 


Y—SEVEN JAPANESE CARVED Ivory ORNAMENTS 


Peaches, tangerines, a pear, a lime and an orange, all in natural- 
istic coloring. 


8—Four JAPANESE Ivory CARVINGS 


Vegetables in natural colors—beans, radishes, a cucumber and 
an egg-plant. 


First Afternoon 


9—NinE JAPANESE Carvep Ivory NETSUKES 
Including an old woman, by Saigyoku; a boy eating melon, by 
Yasumasa; a demon, by Gyokusan; a monk and gong, by Ko- 
kuun; and a Shishi boy, a demon and bell, and Daruma, by 
Homei. 


10—Grovur or TwELVE JAPANESE Ivory CARVINGS 


Netsukes and other ornaments, all carved with figures, the sig- 
natures including those of Toshihide, Homei, Taimei, Hoyu and 
Gyokusan. 


11—Ser or Ten Japanese Ivory Carvines 
“Hinaningyo”’; stately dolls for the Girls’ Festival. By I-ko. 


On three lacquer stands. 


12—ELEVEN JAPANESE Ivory CaRVINGS 


Including elaborate netsukes and other ornaments, all carved as 
figures; signatures include Seiryo, Gyokumin, Gyokuko, Homeli, 
Gyokugan, Masayuki and Tomayuki. 


138—-THREE JAPANESE Ivory Carvines 


Sword-guard maker, by Kanmei; carpenter, by Soshu; and 
Tokiwagozen and children (the latter unsigned). 


14—Two JapPpaANESE Ivory Carvines 


A turtle, in crawling attitude, and a crab with all claws articu- 
lated. 


15—Two JApaAnEsE Carvep Ivory Snurr BorrieEs 


Flask shape, elaborately carved in relief with birds and luxuriant 
blossoms. Signed: Kanemitsu. 


16—JapaNEsE CARVED Ivory Snurr BorrrE 


Quadrilateral; carved with figures in high relief, and delicately 


colored. Signed: To Ho. 
Height, 31%, inches. 


17—JAPANESE Carvep Ivory Snurr Borrue 


Inverted pear shape, flattened, with mandarin hat stopper. 
Carved in bold relief with boys at play, and richly colored. 
Signed: Mitsukiyo. 

Height, 3%, inches. 


First Afternoon 


18—TIwo JAPANESE Carvep Ivory Snurr Borries 


In shape of a fish and a double-gourd, both highly ornate. One 
signed: Kanemitsu. 


19—Carvep Ivory VASE 


Stained and painted in imitation of a Chinese “red hawthorn” 
vase, in miniature. 
Height, 41% inches. 


20—Two JAPANESE Ivory CARVINGS 


Orange and pepper trees in miniature, naturalistically tinted. 


21—-Pair JAPANESE CARVED Ivory VASEs 


Pear shape, with slender necks expanding at the lip, and adorned 
all around with relief masks for the classic No dance, the masks 


variously tinted. Signed: Uchida. 
Height, 3°, inches. 


22-——_CarvEp Ivory VASE 


Figure of a standing bird, with tail curled under between two 
chariot wheels, and bearing on its back a horn-shaped incense 


or taper holder, all painted in polychrome. 
Height, 3%, inches. 


93—JAPANESE CarRveED Ivory Twin Snurr Bortrues 


Two slender cylinders joined by bird and demon grotesques, 
their covers made one in the grasp of a three-clawed dragon. 


Tinted in coral-red and malachite-green. 
Height, 31 inches. 


24-—JAPANESE Carvep Ivory VasE 
Bottle-form; carved in delicate relief and cavo-rilievo, with plan- 
tain-leaf and scepter-head borders, and garlands, and the whole 


tinted in crimson, green and yellow. 
Height, 3% inches. 


25—JAPANESE Carvep Ivory Box witH Cover 
Flattened barrel-form, with quatrefoil contour, the detachable 
base equivalent in size to the cover, the whole carved and painted 


in imitation of cinnabar lacquer. 
Height, 4%, inches. 


296—JAPANESE CARVED Ivory SNUFF JAR 


Carved as a standing Fu, in rich caparisoning ; mother-of-pearl we 


stopper. Signed: T'anzan. 


First Afternoon 


27—Five JAPANESE Carvep Ivory BuLossoms 
Rose, chrysanthemum and other flowers, each naturalistically 
colored and with its separate stem. 


Greatest length, 7 inches. 
28—Turee JAPANESE Ivory CARVINGS 
Snail, snail and bamboo, and figure in ancient hat. Signed: 
Sonzan. 


29—Four JAPANESE Ivory CARVINGS 


Buddha enthroned, seated in attitude of meditation. Signed: 
Koji. Three small rabbits, in different attitudes. 


30—EvurorEAN Carvep Ivory MEMENTO 


A globe, one hemisphere carved in the interior with the unhappy 
Queen of Scots standing before a bishop and flanked by two 
ladies, the inscription below the group, “Maria Stuart.” The 
two quarter-spheres, opening as doors to the crypt, are carved 
with other figures. 


31—JAPpANESE Ivory Carvine 


An open lotus blossom, with bud, stem and leaves. Signed: 
Kazutami. 


32—Ivory Carvine 


Figure of a young woman, nude, on the back of a tiger, one 
elbow resting on the tiger’s head. 


Height, 31%, inches. 
33—Two European Ivory Carvines 
Cupid seated on a rock, piping, and portrait bust of a young 
lady. 
Height of latter, 414 inches. 
34—Two Japanese Ivory Carvines 


Figures of warriors, their armor tinted. Signed: Nenpo. 
Height (of taller), 4 inches. 


35—Two Carvep Ivory Rovcet Boxes 


One carved with chrysanthemums and the other with dragons 
among clouds. 


36—JAPANESE CarvED Ivory ANIMAL STATUETTE 


Figure of a large old rabbit seated on his haunches. Signed: 
Shuichi. 


First Afternoon 


387—J APANESE Ivory CARVING AND CrysTAL Batu 


The carving a group of three rearing horses, back to back, their 
necks supporting the crystal globe. 


38—JAPANESE Ivory Carvinc AND CrystTaL BAL 
Group of three heron standing on an oval plinth, the crystal 
globe resting on their heads. Signed: Ryubi. 
Height with globe, 3%, inches. 


39— JAPANESE Carvep Ivory STAND AND CrystTaL Bau 


Stand carved in chrysanthemum pattern, the stem further carved 
with figures in a bamboo grove. 


40—JAPANESE Ivory Carvine AND CrystaL BALu 


Three serpents, coiled above as many skulls, a ball of crystal 
resting on their heads. 
Height, 334 inches. 


41— JAPANESE Ivory CARVING 


Three lions upholding a crystal ball. 
Height, 314 inches. 


42— JAPANESE Ivory Carvine AND CrystTaL Bau 


The ivory stand a group of snails, extending from their shells, 
the crystal ball resting in a cup which they support. Signed: 


Sonzan. 
Height (with ball), 5 inches. 


43—Two JAPANESE Ivory Carvincs 


Groups of three storks and three tigers, the storks standing, the 
lithe bodies of the great cats sinuously assembled. 


44— JAPANESE Ivory CaArvING 


Daikoku, god of wealth, seated on a rice bag and holding a 
tsuchi. Signed: Chikakazu. 


45—JAPANESE Ivory CARVING 


Seated figure of a man in richly embroidered robes, smiling, and 
in the attitude of a juggler tossing balls. Signed: Yugetsu. 


46—JAPANESE CarvED Ivory SNUFFBOX 


All surfaces richly carved with chrysanthemum blossoms in low 


relief. 
Length, 4 inches. 


First Afternoon 


47—Two Curnest Carvep Ivory Carp Cases 
One carved with a foliated medallion in cavo-rilievo and a dragon 
in bold relief, the other most intricately carved with landscape 

and figures on a swastika grill background. 
Lengths, 4 and 41% inches. 


48—JAPANESE CArvED Ivory VasE 
A tusk tip, carved and undercut with Fu-lions and brocade 


balls; green-tinted base. 
Height, 51%, inches. 


49—TrHrREE JAPANESE CARVED Ivory Harr OrNAMENTS 


Two side combs, one adorned with chickens in metal appliqué, 
and a hairpin, its shaft carved lacquer and tips of ivory richly 
carved. One signed: Jysetsu. 


Length of combs, 3% and 85% inches; of hairpin, 7% inches. 


50—Two Japanese Ivory Carvines 
A lady’s comb and a paper knife, both pierced with fine lattice 


patterns. 
Length of each, 151% inches. 


51—JaPAaNESE Carvep Ivory Paper Knire 
A tusk, its tip forming the knife handle, and the blade finely 
carved with a priest and demon among clouds. Signed: Shige- 


kane. 
Length, 16%, inches. 


52—East Inpia Ivory Tusk 


Slender and plain, with smooth polish. 
Length, 1914 inches. 


538—Two East Inpian Carvep Ivory Paper Currers 
Two Persian miniatures inserted in each handle. 


Lengths, 14 and 125% inches. 


54—Two East Inpian Carvep Ivory Paper Knives 
One with Persian miniatures inserted in its richly carved handle. 


Lengths, 16 and 133% inches. 


55—JApANESE Ivory Carvinae 


Yamabushi sounding a call on a shell horn, above seated Tengu. 


Signed: Yasuhiro. 
Height, 4 inches. 


First Afternoor 


56—JAPANESE CARVED Ivory Group 


Horai-san; the cheerful, aged couple and the stork and hairy 
tortoise, symbolical of happiness and long life. Signed: Cho- 


getsu. 
Height, 41%, inches.. 


57—Two JAPANESE CARVED Ivory TABLE SCREENS 


A disk in conventional standard, which is set into a teakwood 
base. One face carved with a mountain landscape and the other 
with a phoenix. 
Height, 6 inches.. 
58—JapaneEsE Ivory Carvine 
Two demons upholding a skull. Signed: Seizan. 


Height, 41%, inches.. 


59—JapaNeEsE Ivory Carvine 
Boy and cat playing with a mask. Signed: Goko. 
Length, 5 inches. 


60—TuHREE JAPANESE CARVED Ivory STATUETTES 


Figures of wrestlers, standing and seated, one with the cham-- 
pion’s sword. Largest signed: Nankoku. 


Height, 414 inches.. 
61—THREE JAPANESE Ivory CaRVINGS 


In the form of open clam shells, with village scenes with nu- 
merous miniature figures carved inside. Signed: Saneyoshi. 


62— JAPANESE CARVING AND CrysTAL Bah 


Three geese, back to back, holding a large crystal ball on their 
heads. 


683—Two JAPANESE Ivory Carvines AND CrystTaL BALLS 


The crystal globes, of large size, rest in cups poised upon the- 
tops of four-legged table-stands of Chinese pattern, carved with 


scrolls. 
Height of stands, 3%, inches.. 


64—JAPANESE Ivory CarvVING AND CrystaL Batu 


Carved ivory pedestal in chrysanthemum design, the standard’ 
intricately carved with butterflies and flowers; large crystal ball. 


Height with ball, 61% inches.. 


65—JaApPaNESE Carvep Ivory ANIMAL GrRouP 
Camel and bulldogs, the dogs with painted heads. 
Height of camel, 3%, inches.. 


First Afternoon 


66— JAPANESE Carvep Ivory AniImMaL GROUP 
Russian wolfhound, bulldog and dachshund. 
Height of hound, 314, inches. 


67—JapaNEsE Carvep Ivory Group 
Fox and goose. 
Length, 6%, inches. 
JAPANESE Ivory CARVING 
A lively chick, coming out of an egg. Signed: Ryusai. 
Length, 444 inches. 


68 


69—JAPANESE CarveEpD. Ivory ANIMAL STATUETTE 
Figure of a stalking and angry tiger. Signed: Gyoku Yen. 
Length, 8°, inches. 


70—JapaNnEsE Carvep Ivory AnimaL Group 
Three pigs following one another, posed on section of tusk. 
Length, 81/, inches. 


Y1—Two JApANnEsE Carvep Ivory ANIMAL STATUETTES 
A belled cow mooing and a bull bellowing. 
Lengths, 4% and 4%, inches. 


72—Two Japanese Ivory Carvines 
Bull and bear, fighting. By Kanshi. On carved teakwood base. 
Length of base, 9 inches. 


738—Five JAPANESE Ivory Carvines 
An irregular ball of ivory carved as two fighting chicks and 
signed Shoichi; three other chicks and a larger bird. 


Length of last, 5 inches. 


74—Four JapaNnEsE Ivory Carvines 
Tiger, lion and lioness, and a lion’s head. The tiger is signed 
Gyoku Yen, and the lions seem to be by the same hand. 
Length of tiger, 81%, inches. 


SMALL BRONZES 


75—Five Bronze PAPpERWEIGH1S 
A tiger in green and the same gilded, and two bulldogs, all by 
the Tiffany Studios, New York, and a European production 
showing two peasants in a boat. 


76—Turee Aso Trays 
Two guarded by owls and one by an elephant. 


First Afternoon 


77—Turee Bronze Docs 


One performing, signed: E. Samson, France; one seated, stamped 
“Made in Austria”; and one standing. 


78—Five AvustriAN BronzeEs 


Figures of Turkish children with books, and a boy with a bam- 
boo pole. 


79—Fovur AvustTriAN BronzeEs 


A hunter and his mount, a donkey, monkeys and a group at a 


bench. 


80—Six AvustTriAN BronzeEs 


Three Turkish merchants on their mats, and Turkish children 
at their lessons. 


81—Two AvustrIAN BronzE Groups 


A white slave exhibited for sale, and two Turkish conjurors with 
a serpent. | 


82—TureEe Austrian BronzeEs 
Seated Turks, reading and writing. 


83—Turer Austrian BRronzeEs 
Two whirling dervishes, and a Turk in a yellow robe, seated. 


84—THREE VIENNA Bronze FicurEs 


An Arab sleeping, a Mohammedan at prayer on his rug, and a 


young woman reclining on a divan. 
Lengths, 414, and 61% inches. 


85—Turer Vienna Bronze Ficures 
A Turkish runner, a kneeling Arab with his gun ready, and a 


water carrier. 
Heights, 3, 334 and 5 inches. 


86—Turee AvustriAN Bronzes 
Man riding an elephant, tiger-hunting with an elephant, and a 
cigar cutter in form of a hippopotamus which appears to be 
swallowing a man. 


First Afternoon 


87—Turee Vienna Bronze Ficures 
Turkish boy smoking a cigar, another heating water and a third 
smoking a pipe, all reclining and the pipe smoker leaning across 
an ivory tusk. 
Lengths, 5, 514 and 714 inches. 
88—THrREE VieENNA BRONZES 
Travelers riding on camels, one animal bearing two passengers. 


Heights, 314, 4 and 6 inches. 


89—THREE VIENNA BRONZES 
Travelers riding asses, one about to mount. 


Heights, 3 and 41% inches. 


90—Fovur VIENNA BRONZES 


Groups of figures afoot and mounted, including a camel train 
laden with merchandise, travelers near a palm tree and suc- 
cessful hunters. 
Lengths, 4°, to 634 inches. 
91—TuHreEE VieNNA Bronze Groups 
Traveling in state on an elephant, travelers with camel, and an 


Arab on horseback, waving his gun aloft. 


Heights, 31%, and 4%, inches. 


92-—THREE VIENNA BronzE Groups 
Two Arab huntsmen on horseback and one on a camel. 


Heights, 31, and 4 inches. 


93—Two Vienna BronzeEs 
A cobbler at work and four children at play. 


Length of bases, 314 and 5 inches. 


94—Two ViENNA Bronzzs 
Woman spinning and man sawing ivory. 
Heights, 31%, and 4 inches. 
95—TureEE Vienna Bronzzs 


Tobacco box with a very busy figure seated on top, cigarette 
lighter held by a boy, and ash receiver presided over by a boy 
bearing a jeweled box. 


96—Two Vienna Bronzzs 
Group of two figures, seated on a bench, playing chess, and a 


scissors grinder sharpening a hatchet. 
Heights, 4144 and 454 inches. 


First Afternoon 


97—THREE VIENNA Bronze Ficures 


Arabs; an armed man and a writer, seated, and a girl standing, 
carrying a water pitcher. 
Heights, 354 to 55% inches. 
98—THREE VIENNA BronzeEs 


A young woman musician, two men scraping a hide, and a trophy 
of arms. 
Height of former, 54% inches; length of latter, 64%, and 9 inches. 
99—THREE VIENNA BRONZES 


An Arab warrior at devotion, his weapons lying on the rug at 
his knees, a Turkish runner, and a water carrier standing on an 
onyx cube. 
Heights, 414, 64%, and 814 inches. 
100—Pair Austrian Bronze CANDLESTICKS 


Egyptian caryatids supporting architectural candle cups, each 
with a palm tree rising from the base beside it, and in front of 
the tree standing an armed Arab and a young woman water 
carrier. 
Height, 7 inches. 
101—Bronze STATUETTE 


Standing figure nearly nude, in Oriental headdress, on a cir- 
cular base, in the attitude of playing the flute. Touched with 
vermilion and black enamel. 
Height, 6%, inches. 
102—Two Vienna Bronze Ficure Grovurs 


A money changer and his customer, and an itinerant musician 
playing while his boy sings and his performing monkey eats 


fruit, 
Height, 5 inches. 


1083—Two Vienna Bronze Ficure Grovurs 


A bird merchant attended by a dog and monkey, and a pur- 
chaser dickering with a seller of ivory. 
Heights, 454 and 51/ inches. 
104—Two Vienna Bronze Ficure Groves 


A deal in ivory, and a turbaned patriarch addressing three au- 
ditors engaged with coffee and tobacco. 
Heights, 334 and 4% inches. 


105—Two AvstTriAN ORNAMENTAL GROUPS 


Merchants of ivory, passing through an arched gateway with 
crenelated parapet, in stone composition, and a beggar asking 
alms of two men at their ease on the porch of a ruin, in metal. 


Height, 5 inches. 


First Afternoon 


106—Turee Vienna Bronze Stanpine Ficures 
An armed Arab, a dervish and an itinerant dispenser of 


beverages. 
Heights, 6, 6% and 7%, inches. 


107—Two Vienna BronzeEs 
Two women, attended, traveling on a camel, and a man riding 


an ass. 
Heights, 514 and 5%, inches. 


108—Two Vienna Bronzes 
The vendor of beauty, and a rug merchant. 
Heights, 41, and 7, inches. 


109—Two Austrian Bronze Ficure£s 


A man running, and a smiling young person serving coffee, both 


in picturesque and colorful costume. 
Heights, 9 and 11 inches. 


110—Two Austrian Bronze Ficures 


An Arab running, with gun poised aloft, and a negro guardian 


seated on a bench, nude to the waist. 
Heights, 81%, and 6 inches. 


111—Two Austrian Bronze Ficures 


A decorator of vases, at work, and a man testing the edge of his 


sword. 
Heights, 51,4 and 7 inches. 


112—AuvstrRiAN Bronze SMOKER’s COMPANION 


Standing figure of a Turk, holding a hexagonal ash receiver on 
one hand, his other hand resting on a large hexagonal cigar 
container, at the base of which is a small cylindrical taper holder. 


Heights, 75% inches. 
118—Virnna Bronze Ficure 
A turbaned jeweler standing beside tables of his wares. 
Height, 734 inches. 
114—Vienna Bronze Ficure 


An Arab merchant seated on a carpet, his stock of weapons 
about him, holding up for view a sword with jeweled scabbard. 


Height, 454 inches. 


115—Turee Austrian Bronzzs 


An Arab who has brought his horse to a halt and is aiming his 
gun above the animal’s head, and two other Arabs on camel 


back. 
Heights, 634, 7 and 714 inches. 


First Afternoon 


116—TIwo Austrian Bronze Ficure Grovurs 


An Arab on horseback, about to fire, his horse looking keenly 
in the direction in which the gun is pointed; and an Arab lead- 
ing a camel, on which an unveiled beauty is riding under the 
shelter of a canopy. 


Heights, 61% and 8 inches. 
117—Vienna Bronze Ficure 


A bearded, turbaned man attentively studying a tablet, while 
smoking a long pipe. At his elbow are books, and beside him 
is a table with lamp and coffee cup. 


Height, 5°, inches. 
118—Vienna Bronze Ficure Group 
An offering to the harem. 
Height, 67% inches. 
119—Two Vienna Bronze STATUETTES 
Standing figures of Arabs, armed and richly gowned. 
Heights, 9%, and 95% inches. 


120—Two Vienna Bronze Groups 


Young woman water carrier lifting an amphora to a Bedouin 
on camel back, and a performing monkey on an ass, awaiting 
the word from his master who stands at the beast’s head. 


Heights, 81/, and 10% inches. 


121—Vienna Bronze ORNAMENT 
A Moorish gateway with fountain, and figure standing beside it. 


Height, 8% inches. 


122—Virnna Bronze Tosacco Box 


In form of a pineapple naturalistically colored, setting in a 
bamboo cart drawn by a barefooted Turk. 


Height, 6% inches. 
123—Vienna Bronze STATUETTE 
An Arab courier running, posed on a stone base. 


Height, 91% inches. 


124——Vienna Bronze STATUETTE 
An Arab scout, on stone base. 
Height, 8% inches. 
125—Vienna Bronze Group 


An itinerant entertainer with his performing monkey and various 


accessories. 
Height, 11%, inches. 


First Afternoon 


126—Vienna Bronze Group 
A son of the desert, on his camel, about to shoot a lion which 
has jumped at him. 
Height, 81/, inches. 
127—Vienna Bronze Group 
Water carrier raising her amphora to a man on a camel. 
Height, 10 inches. 


128—Vienna Bronze STATUETTE 
An Oriental musician, seated, playing a primitive stringed in- 


strument. 
Height, 81%, inches. 


JAPANESE AND CHINESE IVORY CARVINGS 


129—Two JAPANESE CARVED IvoRIEs 


Clusters of narcissus in bloom, some of the blossoms being carved 


of mother-of-pearl; leaves tinted green. 
Height, 6%, inches. 


180—JAPANESE CarvED Ivory TABLE SCREEN 


Semicircular, in carved teakwood stand. Outer surface carved 
in relief with boys in a garden, and a phoenix overspreading the 
visible landscape. Signed: Kenko. 
Height, 6 inches, 
131—JapanesE Ivory Carvine 


White and brown hen with tail feathers in flutter, on carved 


wood stand. 
Length, 41% inches. 


182—Pair JAPANESE Ivory CARVINGS 


Cock and hen of long-billed aquatic bird of richly colored 
plumage, standing on lotus seed-pods, each with a freshly caught 


fish in its beak. 
Height, 5 inches. 


133 


THREE JAPANESE Ivory CARVINGS 


Birds, one perched on a leafless tree, one on a tree stump; and 
the third, which is in the attitude of looking for food on the 
ground, is on a carved wood stand. Signed. 


Height, 43, and 51, inches. 
1384—Two JAPANESE Ivory Carvines 


Birds perched upon rocks about which flowers bloom. Signed. 
Height, 514 and 6 inches. 


First Afternoon 


185—Patr JAPANESE Ivory Carvines witH MOoTHER-OF-PEARL 
Two birds, their heads carved in ivory and their bodies formed 
of delicately carved plates of mother-of-pearl in the guise of 
plumage, over wood; perched on carved teakwood base of 


rockery. 
Length, 9 inches. 


1386—TI'wo JAPANESE Ivory CaRVINGS 


Birds of different species, perched on branches issuing from 
rocks which are overspread with leaves. All in colors. Signed: 


Gyoku Yen. 


137—JapranrsE Carvep Ivory ELEPHANT 
Elaborately caparisoned, with mother-of-pearl and studdings 
of jewels, and bearing on its back a chrysanthemum-flower cup, 
holding a crystal ball. Signed: Koji. 
Height, 5 inches. 
138—TureEE Carvinecs 
A European ivory cup, with three animal-feet and recurving 
animalistic handles, the rim foliated and the sides carved with 
European horsemen; and two Chinese bone cylindrical brush 
holders, carved with Chinese pavilions, gardens and figures. 


Heights, 334, 354 and 4& inches. 


1389—Turee Bonet VAsEs 
Carved with Chinese landscapes, architecture and figures, in re- 


lef on a pierced diaper ground. 
Heights, 334 and 4%, inches. 


140—JapaANEsE Carvep Ivory Box witH Cover 
Oval, the cover dome-shaped. The entire exterior of box and 
cover carved with masks in high relief, the bottom of the box 
carved on both its surfaces with other masks, and the under 
surface of the cover with still another one. All told, forty-four 
masks. By Te Min. 
Height, 31, inches. 
141— Japanese Carvep Ivory Group 
Man seated on a bench, his tobacco-set by his side, apparently 
in happy frame of mind with a humorous boy by his side. By 
Somin. 
Length, 45% inches. 
142—JapanrEsE Ivory Carvine 
Boy playing with a basket of fruit. Signed: Doben. 
Height, 41%, inches. 


First Afternoon 


143—JapaNnEsE Carvep Ivory Group 
An old man and woman, cooking, she blowing the coals. Signed: 
Miso. 
Length, 63% inches. 
144—Easr Inpian Ivory Carvine 
Double-canopied state conveyance, with two occupants and 
driver, who sits astride the pole. 


Length, 5 inches. 
145—JapaneEsE Ivory Carvine 
Man walking, with two pet monkeys and well-trained dog. Signed: 
Chosaku. 
Height, 6 inches. 
146—Two Japanese Ivory Carvines 
Puppies at play, signed Kazen, and bear and buffalo in combat. 
(Puppies on carved teakwood stand. ) 


Length of fighting group, 5%, inches. 


147—Tureret JAPANESE Ivory Carvines 
Boys playing drums. Signatures, “Mintei” and “Minri.” 
Height, 3 inches. 


148—JAPANESE CARVED Ivory Group 


Three figures, in an allegorical or religious representation. 
Signed: Seido. 
Height, 434 inches. 
149—Bone Carvine 
Chinese house boat, with delicate pierced work in superstructure, 


ornamental plants, draperies, and several figures. 


Length, 7 inches. 


150—JapanresE Ivory Carvine 
Fisherman in his boat, which is carefully carved and put to- 
gether, with some fish lying on deck above the well hatches. 


Length, 81, inches. 


151—JapanesE Ivory Carvine 
River ferryboat, with boatman and three passengers and a mon- 
key. Signed: Gyoku Dai. 
Length, 61, inches. 
152—JapanrEsE Carvep Ivory Group 


An eagle pounces upon a fox. Signed: Harumasa. 


Height, 4 inches. 


First Afternoon 


153—JapanesE Ivory Carvine 
Figure of a No dancer in action. Signed: Shunyei. 


Height, 514 inches. 


154—JapaNneEsE Ivory Carvine 
Standing figure of a child carrying a shrine. Signed: Yo-shi. 
Height, 6 inches. 


155—JapanrEsE Ivory Carvine 
Kinko Sennin, god of the sea, riding on the back of a shachs 
fish over the waves. Signed: Gyoku Ren. 


Height, 61, inches. 
156—JAaPpANESE Ivory Carvine 


Young Japanese woman seated, dressing her hair at a swinging 


mirror. Signed: Gashi. 
Height, 41% inches, 
157—JapanEsE Carvep Ivory Group 


Girl and man on an, excursion, the man in the act of pressing 
wine upon the smiling and reluctant fair one, from a hio bottle. 


Signed: Rei-kaku. 
Height, 4°34 inches. 


158—JapanesE Ivory Ficure 
An aged musician playing a native instrument. Signed: Toyo- 
kazu. . 


Height, 61/, inches. 
159—Two Japanese Ivory Ficures 
Boys catching dragon-flies; by Ryu-ichi and Gyokuzan. 
Heights, 47% and 6 inches. 


160—Turee JAPANESE Ivory FicureEs 
Military officers, standing; one with binoculars, by Ryomin, 
one with watch by Yoshikane, and oie with binoculars by Gyo- 


kushi. 
Heights, 634, 5% and 55% inches. 


161—JapanesE Ivory Carvine 
A crab, with all claws articulated, and movable eyes. 


Length, 8°4, inches. 
162—JapanesE Ivory Carvine 
Crocodile, with a lion in his jaws. Signed: Oshin. 


Length, 11 inches. 


First Afternoon 


1683—JAPANESE Ivory CARVING 
A large owl on a tree root, with a frog in his grasp. Signed: 
Ryu-ka. 
Height, 6 inches. 
164—JaPpaANEsE Ivory Carvine 
A large crab with all claws articulated and movable eyes. 


Length, 91% inches. 


165—Two Japanest Bone Carvines 
Tusk shape, intricately carved and pierced in designs of dragons 
among waves. The larger signed: Hakumin. 


Lengths, 13 and 81% inches. 
166—JapranesE Ivory Carvine 
Farmer plowing, with buffalo. Signed: Seichiku. 
Length, 91%, inches. 
167—Two Japanese Ivory Carvines 
Roosters seated, with huge combs and tails erect. By Mitsu- 
sada. 


Heights, 8 and 6 inches. 
168—JaprpaNEsSE Ivory CaRvING 


Tusk with three bears following one another over it. Signed: 
Teruichi. 


Length, 12%, inches. 
169—Evropean Carvep Ivory PowpER-HORN 
Carved with a medallion portrait inscribed Henricus ILII above a 
royal escutcheon, and with ancient hunting scenes. 


Length, 11 inches. 


170— Japanese. Carvep Ivory Cast witH THREE DRAWERS 


Richly carved floral decoration, and three foliated panels carved 
with figures in domestic scenes. Signed: Shoyei. 
Height, 3°34 inches. 


171— Japanese Carvep Ivory Writine ScrEEN 


With two sliding panels carved on the obverse with monkeys 
and on the reverse with landscapes. Pierced dragon border 


below. Signed: Kanichi. : 
Length, 8 inches. 


172—CuIneEsE Carvep Ivory Mriyiature CABINET 


With double doors and two drawers. Elaborately carved with 
many miniature figures. 
Height, 61/, inches. 


First Afternoon 


173—JAPANESE Carvep Ivory Box-cABINET 


Rectangular, carved in representation of woven work; single 
door and three drawers. Inlaid with flowers in mother-of-pearl 


and tinted ivory. Length, 41, inches. 


174—CuinesE Carvep Ivory VasE 
Brush holder made from a tusk, and extensively carved with 
figures and house and garden scenes, and painted in polychrome. 


Height, 5°4 inches. 


175—TIwo CuinesE Carvep Bont JEwEL Boxes 
Oblong, on low feet, all sides and the covers pierced with a fine 
grill and adorned with relief carvings within foliated medallions. 


Lengths, 44%, and 6% inches. 


176—CumeseE Carvep Ivory JEwEt Box 


Oblong, on four low feet. ‘Top and all sides intricately carved 
with figures, architecture, folage and flowers. Below sides and 


ends a skirt of openwork scroll. Length, 91/ inches. 


177— JAPANESE Carvep Ivory TasLE SCREEN 


On the obverse Kwannon at half-length, and on the reverse lotus 
plants. Stand pierced with scrolls and decorated with sprays 
in gold lacquer. Signed: Shigechika. Haolahruniee wiichen 
178—Two Japanese Ivory Carvinecs 


Two full ears of corn, with part of an ear attaching to one 
of them, all treated with great detail and in naturalistic color- 


pros! By Ryuyei. Lengths, 14°, and 12 inches. 


PORCELAIN AND BRONZE ORNAMENTS 


179—Turee Drespen Ficure Groups 


A young blood accompanied by his dog, a lady in many laces 
holding her pet cat, and two ballet dancers. 


Heights, 914, 8 and 6 inches. 
180—Two German FicturE ORNAMENTS 


A youth and maiden in a stately dance, and a match holder with 
Cupid fanning with bellows two flaming hearts. 


Heights, 7, and 6%, inches. 

181—Turee German Ficure Groups 
Music and the Dance, garlanded lovers under Cupid’s dart, and 
boy and girl dancing. Helghts, 8, 83, and 6 inches. 


First Afternoon 


182—Grovr or Five Bavarian Ficures 
Greek and Spanish dancing girls, on pedestals. 
Height, 91, inches. 


188—THREE GERMAN FicurE ORNAMENTS 
Two Oriental dancing girls, each on her pedestal, and a third 
dancing on a rug, accompanied by one playing a harp. 
Heights, 1314 and 9%, inches. 


184—THrEE GERMAN FicuRE GrRovuPs 
Three couples of peasant boys and girls dancing. 
Heights, 81% and 9 inches. 


185—Two German FicurE ORNAMENTS 
A Spanish dancing girl, and a young couple engaged in a modern 


intimate dance. 
Heights, 101% and 91, inches. 


186—Two German FicurE ORNAMENTS 
Group of boys and a young woman gathering fruit, with the 
Dresden crossed-swords mark, and figure of a dancing beauty of 


the stage. 
Heights, 11 and 12 inches. 


187—TuHrREE GERMAN FicurE ORNAMENTS 


“Salome,” in white and gold; ‘‘From the Ball,” a lady putting 
off an opera cloak; and a tall and slender modern young woman 
in outdoor costume. 


Heights, 1444 and 17 inches. 
188—THrREE GERMAN FicURE ORNAMENTS 


A ballet dancer, a Galician group of a modern young man and 
woman of the cabaret entertainment type, and a young woman 
in a short flounced and flowered dress of an earlier day, and poke 
bonnet, this figure inscribed (on a paster) “Mme. Pavlova.” 


Heights, 15, 13 and 12 inches. 


189—Two GERMAN ORNAMENTS 


An eagle on a rock (equipped for electricity for illumination of 
the jeweled eyes), and a boy in imitation of Chinese statuary. 


Heights, 714 and 8%, inches. 
190—Pair Drespen Vases with Covers 
Painted with female figures in colors, within a gold ground. 


Height, 9 inches. 


First Afternoon 


191—THreEE Various ORNAMENTS 
Japanese earthenware black cat with seal mark, German soap- 
stone carving of an eagle on a rock, and a soapstone hare. 


Heights, 4, 434 and 5 inches. 
192—Two PorcreLaIn ANIMAL STATUETTES 
Recumbent bison, Danish; and cat playing with ball, German. 
Heights, 44, and 71%, inches. 


198—Two RoyvaL CorpENHAGEN PorcELAIN ANIMAL STATUETTES 


A bloodhound walking and a recumbent goat. 


Heights, 10 and 6 inches. 


194— JAPANESE PorcELAIN INCENSE BURNER 


In form of a standing kylin in royal blue with gilt ornamen- 


tation. ; 
Height, 91/, inches. 


195—Two PorcELAIN ORNAMENTS 


A roving fox, German; and a green-black crow perched on a 


rock pedestal, Austrian. 
Lengths, 584 and 101, inches. 


196—AnIMAL STATUETTE OR PAPERWEIGHT 


Seated bulldog, in black basalt, with brilliant eyes and gilt 


collar. 
Height, 74% inches. 


197—TurREE ORNAMENTAL PoRCELAINS 
_ Sévres vase decorated with cupid medallions; Awata rose jar, 
globular, the entire surface painted with masks, signed Rin- 
zan; and a semi-globular bowl on foot, painted with frogs and 
fishes in their submarine home, marked under foot with mono- 


gram ND. 
Heights, 71/,, 414% and 3 inches. 


198—CorELAND JEWELED PorcELAIN ToILeT SET 


Fifteen pieces: Tray, nine covered boxes, two tall two-handled 
cups, and three candlesticks. Pink, white, rose and gold, and 
studded with minute jewels. From Tiffany & Company. 


199—Lenox Porcetarn Dresser SET 
Thirty-two pieces, with monogram JBB; from Tiffany & Com- 
pany. Tray, combs, brushes, mirror, candlesticks, jars, boxes 
and other articles. Warm reddish glaze with a brownish-ver- 
milion or intensified salmon trend, heavily penciled with gold 
scrolls. 


First Afternoon 


200—Virnna Bronze anp Onyx AsH RECEIVER 
Broad circular and shallow basin, with figure of a musician seated 
on the edge, as ornament and handle. 
Diameter, 614, inches. 
201—Austrian Bronze anp Onyx Pin Tray 
The metal ornament a group of two travelers with a camel, 
traversing a barren land. 
Diameter, 834 inches. 
202—FrencH BronzE ORNAMENT 
Slender female figure, gilded, rising automatically from a divan 
over which is stretched a bearskin rug. 


Length, 81%, inches. 
203—AvustTRIAN BronzE Desk Book Rack 
In representation of a bamboo structure with an Oriental rug 
hanging over one end, and a young Turk, reading, lying on 
the outer side. 
Length, 8% inches. 
204—AuvustTRiaAN BronzE OrNAMENT 


Half-nude Turkish figure squatting on a mat, amid arms and 
pipe and water bottle. 


Height, 814, inches. 
205—Vienna Bronze Ficure 
Standing Arab, examining his gun; on a stone base. 


Height, 1034, inches. 


206—Vienna Bronze Ficure Grove 


A Turkish driver on his two-wheeled bullock cart, with a blind- 
folded leopard tied to a grating behind him, returning from an 
antelope hunt. 


Length, 914 inches. 
207—Vienna Bronze OrNAMENT 


A Turkish coffee seller’s kitchen, with attendant inside and a man 
drinking on the porch. 


Height, 74% inches. 
208—Vienna BronzE ORNAMENT 


Oriental rug merchant displaying a large carpet, with persuasive 
intentness. 
Height, 6%, inches. 


209—Virnna Bronze Eauerstrian STATUETTE 
An armed Arab mounted on a sorrel charger; on marble plinth. 


Height, 11 inches. 


First Afternoon 


210—Two Vienna Bronzes 
“Fruit Gathering,” and three children on a leaning palm tree. 


Heights, 1014 and 7% inches. 


211—Vienna Bronze Ficure Group 


Woman on camel accompanied by an attendant, under a palm 


Tree. 
Height, 10°, inches. 


?12—Vienna BronzE OrNAMENT 


Elephant sitting down and lifting his trunk aloft, the mahout 


seated on his head. 
- Height, 1014 inches. 


?2138—ViennNA BronzE ORNAMENT 


Moorish portico, with figure at the enclosed fountain. Equipped 


for electric light. 
Height, 1184 inches. 


?2?14—Viena Bronze FicureE Group 


Turkish horseman attacked by a lioness. 
Height, 91, inches. 


215—Gittr Bronze Ficure 


Tall and buxom water carrier in elaborate robes, bearing am- 


phora on her head. Onyx base. 
Height, 131, inches. 


?16—VIENNA BronzE ORNAMENT 


Moorish gateway with mounted traveler passing through, and 


two palm trees at one side. 
Height, 10 inches. 


217—Vienna BronzE ORNAMENT 
A mounted Arab and two attendants on foot, preparing to meet 


an attack at a rocky pass beneath palm trees. 
Height, 14 inches. 


2?18—Vienna Bronze OrNAMENT 


Child of ebony skin mounted on an ostrich beneath a palm 


tree, and accompanied by a woman afoot. 
Height, 1514 inches. 


219—Vienna Bronze Ficure Group 
A turbaned traveler on camel back receiving water from a woman 
at a well under a palm tree, his African slave with wrists bound 


kneeling at the camel’s feet. 
Height, 14 inches. 


First Afternoon 


220—Virnna Bronze Ficure 
Moorish hunter with a felled gazelle over his shoulders. 
Height, 12 inches. 


221—Parr Vienna Bronzes 
Tiger-hunting with elephant: “The Attack,” and “Bearing the 


Quarry Home.” On stone bases. 
Height, 11%4 inches. 


299-_ViEnNA BronzE ORNAMENT 


An Arab in his tent, drinking coffee and smoking. Equipped 


for electric light. 
Height, 14 inches. 


223—Vienna Bronze OrNAMENT 
Turkish coffee merchant and a customer, under a sunshade, on 
a base of marble steps. Equipped with an electric light. 


Height, 121/, inches. 


224—Virna Bronze Ficurrt Group 


An Arabian warrior who has seized a young black woman and 
thrown her across his saddle pommel raises his sword to slay 


her protector, dragging on the ground. 
Height, 12 inches. 


225—ViENNA Bronze Group 


Partly nude black boy armed with a gun, riding a heavily laden 
camel, a part of the luggage being a drum clock, mounted behind 


the boy. 
Height, 1114, inches. 


226—Parr VieENNA BronzE ORNAMENTS 


Partly nude figures leaning against tall pillars, a bearded snake 
charmer and a lithe and buxom girl with tambourine. 


Height, 17 inches. 


227—Vienna Bronze OrNAMENT 
An armed Turk seated under a canopy of rich embroideries, his 
narghile before him. Equipped with an electric light. 


Height, 1714 inches. 


228—Vienna Bronze ORNAMENT 


Turkish bronze merchant and his wares, under a straw canopy. 
Equipped with electric bulb. 
Height, 1614 inches. 


First Afternoon 


229—Gitt Bronze STATUETTE 


Partly nude slave girl serving wine. Headdress and girdle 
studded with jewels. Signed: Vibert. 
Height, 19 inches. 
230—Vienna Bronze Ficure Group 
Veiled woman at a well beneath a palm tree gives water to a 
wandering warrior. 
Height, 1534 inches. 
231—Vienna Bronze ORNAMENT 
Mosque porch and minaret, with a pious Mohammedan praying 
on his rug. On marble base. Equipped with electric light. 
Height, 31 inches. 


232—Vienna Bronze ORNAMENT 
Companion to the preceding and similarly equipped. 


WOOU HSINOOW AHL AO MHIA V 


SECOND AFTERNOON’S SALE 


TUESDAY, OCTOBER 23, 1917 


AT THE AMERICAN ART GALLERIES 
BEGINNING AT 2.30 O CLOCK 


Catalogue Nos. 233 to 423, inclusive 


JAPANESE AND EUROPEAN IVORY CARVINGS 


233—Turee Ivory Carvings 


Two cylindrical brush holders, unornamented, and a columnar 
stand for a crystal ball. 
Heights, 3, 314 and 45% inches. 
234—JapANESE Ivory Carp CasE 
On one face a cruciform panel and on the other two foliated 
medallions, all carved in cavo-relievo with worthies of happy 
mind in the shelter of groves. 
Length, 4144 inches. 
235—JAPANESE Ivory Inro 
Carved in relief with figures and gardens. Carved ivory net- 
suke and ojime. Signed: Unkei. 
Length, 31%, inches. 
236—Two Carvep Ivory Ficures 
A Chinese personage on a lotus throne; and a Japanese figure 
signed Kogetsu. 
Heights, 444 and 45% inches. 
237—Two JapanEsE Carvep Ivory Ficures 
A young woman in embroidered robes, with a fan, signed Komin ; 
and Kwannon with lotus flower and rosary, riding on a carp, 
signed Yoshikazu. 
Height, 61% inches. 
238—JapanEsE Carvep Ivory Ficure 
An itinerant musician, playing the accompaniment to his own 
song. Signed: Shingyoku. 
Height, 6 inches. 
239—JapaneEsE Ivory Carvine 
Mother reading to children. Signed: Hakusetsu. 
Height, 4°/, inches. 


Second Afternoon 


240—THREE JAPANESE Ivory CARVINGS 


Two children, standing and seated, by Yoshi, and a boy with a 


toy boat, by Bunrin. 
Heights, 4 and 414 inches. 


241—JapaNEsE Ivory Carvine 
Figure of a young woman in embroidered robes. Signed: Homin. 
Height, 7 inches. 
242—Two JapanEsE Ivory Carvines 


Nude fisherwoman, with basket, gathering clams, signed Gyo- 
kusho, and a young woman in a diving costume holding a floral 


spray, signed Ichigyoku. 
Heights, 61% and 81/4 inches. 


243—Two JapanesE Ivory Carvines 
Young woman carrying an overflowing basket of fruit, signed 
Goto-koji, and a smiling Venus holding a fan, signed Seiichi. 
Heights, 6 and 81%, inches. 
244— JAPANESE Carvep Ivory Ficur& 


A begging musician. By Meiri. 
Height, 81% inches. 


245—JAPANESE Ivory CARVING 


Standing figure of Kwannon, with vase, her apparel intricately 


carved. Signed: Koson. 
Height, 7%, inches. 


246—JapanEesE Ivory Carvine 
Performing elephant balancing on a sphere and supporting an- 
other elephant and two monkeys. Signed: Kan-Ri. 
Height, 81% inches. 
247—JaPANESE Carvep Ivory Ficure 


A vendor of flowers and fruit; by Mitsuyuki. 
Height, 534 inches. 
248—JapAanEsE Ivory Carvine 
Two coiling dragons carved in the round and supporting a large 
and a small crystal ball. 
Height, 5 inches. 
249—JapaNneEsE Ivory Carvine anp CrystaLt Bau 
Group of three birds, forming a stand for the ball, and signed 
Ryusai. 
Height, 434 inches. 
250—JapaneEsE Ivory Carvine 
Three rabbits, back to back, upholding a large crystal ball. 
Signed: Ryumei. 
Height, 5 inches. 


Second Afternoon 


251—J AaPpANESE Ivory Group 


Mother giving her boy a bath in the garden, surrounded by 


ducklings. On wood stand. Signed: Ho-gyoku. 
Height, 434 inches. 


252—JapanrEsE Carvep Ivory Ficure 
“The Fisherman,” by Ben Shu. 
Height, 6 inches. 
253—JAPANESE CArvED Ivory Ficure 


Man spearing fish, by Masayasu. 
Height, 61/4, inches. 


254—JapaNESE Ivory Carvine 
Urashima Taro blessing the turtle, by Shunzan. 7 
Height, 6 inches. 
255—JApPANESE Ivory Carvine 
A chigo, one of the young boys who dress their hair like women, 
with a rooster and a basket of flowers. Signed: Muramatsu 


Gyoku-sho. 
Height, 6 inches. 


256—JapaNnresE Ivory Carvine 
Figure of a young woman in an attitude of the fan dance. By 


Bunsei. 
Height, 75% inches. 


257—JAPANESE Carvep Ivory Group 
A young mother carrying her child and a pet bird. By Tami- 


nobu. 
Height, 71% inches. 


258—JAPANESE CarvepD Ivory Group 
Woman and child seated in a garden; the delicately engraved 
ornamentation of their apparel ink-tinted. Signed: Shu-gyoku. 
Height, 5 inches. 
259—JapaNESE Ivory Carvine 
Illustrative group of a girl with a crane and a smaller bird, a 


rake and other accessories. By Shunshin. 
Height, 5%, inches. 


260—Two Japanese Ivory Carvines 
Nude figures of women, one carrying a lotus flower and signed 


I-Koo. 
Heights, 714 and 8 inches. 


261—JapaNnEsE Carvep Ivory Ficure 
Young girl lighting the candle in a lantern. By Zenmei. 
Height, 8 inches. 
262—JaranEsE Ivory Carvine 


Mother and child, by Tomochika. 
Height, 7, inches. 


Second Afternoon 


263—TuHrREE JAPANESE Ivory CARVINGS 
Entertaining girls, one standing and two seated, with fans and 


samisen. 
Heights, 31%, 4 and 514 inches. 


264— JAPANESE Ivory Carvine 
Figure of a bearded man, his robes embroidered with floral em- 
blems, standing amid flowers. 
Height, 51% inches. 
265—JaPpANESE Carvep Ivory Ficure 
Young woman in an open house-robe at her toilet. By Gyo- 


kusho. 
Height, 734, inches. 


266—JAPANESE Ivory CARVING 


A stilt walker and infant. Signed: Shiko. 
Height, 7 inches. 


(Illustrated) 
267—JaPANESE CarvED Ivory Ficure 
A farmer carrying grapes and a pet rabbit. By Isshun. 
Height, 81% inches. 
(Illustrated) 
268—JAPANESE CarvED Ivory Ficure 
A trap fisherman, carrying his mondori. By Ho-min. 
Height, 8 inches. 


(Illustrated) 


269— JAPANESE Carvep Ivory FicureE 


“The Broken Fish Basket,” by Ryubun. 
Height, 7 inches. 


(Illustrated) 
270— JAPANESE Ivory Carvine 


Man playing with two children and their toys. 
Height, 7%, inches. 
(Illustrated) 


271—JApPANESE Carvep Ivory Ficure 
A happy young woman hunting fireflies. 
Height, 81/4, inches. 
(Illustrated) 
272—JapANEsE Ivory Carvine 


A girl out walking, with her umbrella raised. Signed: Homin. 


Height, 8 inches. 
(Illustrated) 


SONIAUVO AYOAIL ASHNVdVE AO dNOUD 
L9G TL3 992 OLG 693 GLG 


Second Afternoon 


2738—Two CurinesE Carvep Ivory JEwEL CaskETsS 
One solid, on four knob feet, carved in cavo-rilievo with dragons, 
pavilions and figures; the other pierced in lattice patterns on all 
sides and top, the lattice-ground supporting panels carved with 


figures and foliage. 
Lengths, 454 and 414, inches. 


274—Two Evrorrean Ivory Carvines 
Majestic figure in wig and robes, carrying official emblems, and 


an airy young woman holding a missive. 
Heights, 6 and 71, inches. 


275—EvurorEan Carvep Ivory Huntine Knire 


With steel blade. Scabbard carved in relief with trophies, and 
emblems of the hunt; handle in form of a standing cross-bowman. 


Length, 101%, inches. 
276—Turee Evrorpean Ivory Carvings 


Two Roman figures, and a young woman demi-nue; on columnar 


pedestals. 
Height, 8 inches. 


277—EvurorpeEan Carvep Ivory Triptrycu 
“Henry IV Going to Notre Dame”; carved with numerous figures 
in cavo-rilievo. 
Height, 71% inches. 
278—Evrorrean Carvep Ivory STatTuETtTe 


Standing figure of Napoleon, arms crossed. 
Height, 914 inches. 


279—Evroprpean Ivory Carvina 


“The Tambourine Player,” a nude young woman draped with 


garlands, on a cylindrical pedestal. 
Height, 1334 inches. 


280—Evrorran Ivory Carvine 


“The Fountain”; figure of a nude young woman of classical 
features and generous proportions, holding her drapery with 
one arm above her head, seated, above a base adorned with shells. 


Height, 16 inches. 


MINIATURES ON IVORY 


281—Turee Ivory Miniatures 


Medallion portraits of young women in décolleté waists, one in 
mob cap, one in feather hat and one hatless. In golden ebony 
frames. From Tiffany & Company. 


Heights (with frame), 434, 5 and 514 inches. 


Second Afternoon 


282—THrREE Ivory MINIATURES 


Medallion portraits of women, signed Dupre, Francois and JR 
(4n monogram), in gilt frames set into mahogany, walnut and 


ebonized frames. 
Height (with frame), 51%, inches. 


283—Turee Ivory Miniatures 
Medallion portraits of women, two in frames of golden ebony 
and one in a Coromandel wood frame, from Tiffany & Company. 


Heights (with frame), 614, and 6 inches. 


284—Two Miniature Paintincs on Ivory 


Mother and child, after Sir Thomas Lawrence (signature at 
lower right partly concealed), and the Empress Josephine. In 
ebony and golden ebony frames. From Tiffany & Company. 


Heights (with frames), 81% and 91% inches. 


285—MiIntaTurRE PaAIntTine on PorcELAIN 


Medallion portrait of girl in blue, after an earlier painting, 
signed Mai; in gilt frame on golden ebony stand. From Tiffany 


& Company. 
Height (of medallion), 5 inches. 


286—MiniaturE Parntinc on Ivory 
Portrait of George Washington, a copy of Rembrandt Peale; 
signed, Wm. Sweet. In gilt and ebonized frame. 


Height (with frame), 6 inches. 


287—Two Ivory MINIATURES IN TOoRTOISE-SHELL FRAMES 


Medallion portraits; a lady in a décolleté gown, and a girl with 


her hair in curls. 
Heights (with frames), 444 and 5% inches. 


288-——-Two Mrntarures InN TortToIsE-sHELL FRAMES 
Oval medallion of a lady at her writing desk, signed Paillet; 
and circular medallion of a young woman smiling, signed Hall. 


Heights (with frames), 454 and 51, inches. 


288a—PanevL oF Four Ivory MINIATURES 


Medallion busts of young women, each in ivory frame; two signed 
Piesly, one Marc, and one Auzerti. Under glass in a gilt archi- 
tectural frame. 


Diameter of miniatures, 31/, and 334 inches; height of gilt frame, 231, inches. 


Second Afternoon 


300—Two Limoces PATE-suR-PATE PLAQUES 
Medallion heads of Bacchantes, in profile to right and left. 


Diameter, 614, inches. 


301—Limoces PATE-suR-PATE PLAQUE 


Allegorical head, ‘‘Flora,” in profile, with blossoms and foliage 
in delicate tints. 
Diameter, 7 inches. 


302—Two Limocrs PATE-suR-PATE PLAQUES 


Rectilinear panels, one horizontal, with cupids at play, one ver- 
tical picturing a nymph of the woods and waters and an inquis- 
itive song bird. 

Length of former, 6 inches; height of latter, 6%, inches. 


3083—Two Limocets PATE-suR-PATE PLAQUES 


Oval medallions of nudes with diaphanous draperies, floating 


aerlally above nebulae and waves. 
Height, 814, inches. 


304—Two Limocsts PATE-surR-PATE PLAQUES 


Rectangular, with amorini representing Neptune and Bacchus 


and the harvest. 
Height, 6%, inches. 


305—Limocrs PATE-suR-PATE PLAQUE 


Night, semi-nude, drifting on nebulae among the stars, attended 


by an amorino. Rectilinear. 
Length, 91/4, inches. 


Second Afternoon 


306—Two Limocrs PATE-surR-PATE PLAQUES 


Spirit of the Waters and Spirit of the Lilies, as young women 
in gauzy draperies, visiting cascade and blossoms. Rectilinear. 


Height, 18 inches. 


307—Two Limocrs PorcELAIN AND ENAMEL DISHES 


Circular, shallow plate, the superior surface enameled in dark 
green, semé with florets and encircled by a scroll border in gold, 
about a female head in delicate coloring; and a covered almond- 
shaped dish decorated with a bust and flowers. Both signed: 
Ate. Riffaterre. 


Diameter, 77% inches; length, 714 inches. 


308—Pair Limocrs PorcELAIN AND ENAMEL VASES 


Ovo-cylindrical, with high and narrow shoulder and truncated 
neck. Decoration, Luna, and Light with her torch, in white 
relief on a mauve ground sprinkled with golden stars. Signed: 


Ate. Riffaterre. 
Height, 71/4 inches. 


_ Second Afternoon 


309—Two Limoces PATE-suR-PATE PLAQUES 


Oval. Music, and The Dance; female figures, with diaphanous 
draperies and the lyre and tambourine. 
Height, 131, inches. 


JAPANESE AND EUROPEAN IVORY CARVINGS 


310—JapanEsE Ivory Figure Group 


Farmer carrying vegetables, accompanied by his son. Signed: 
Shuichi. 
Height, 7 inches. 


311—JapanesE Ivory Carvine 
Lady in a jinrickisha, the ’ricksha man running; the wheels 


revolve. 
Height, 614 inches. 


312—JapaneEsE Ivory Carvine 


“The Monk and Bunbuku Chagama,” a famous Japanese folk- 
lore story of a hermit monk and a metamorphic animal with hyp- 
notic powers. Signed: Sosai. 

Height, 4 inches. 


Second Afternoon 


38138—JAPANESE Ivory CaRVING 


Standing figure of a Sennin, riding on an inverted umbrella 
across the waves. By Sosai. 
Height, 71/, inches. 


314—JApPANESE Ivory Carvine 
The Bird Catcher; a man on a tree trunk, spearing a bird with 
a long pole, as it seems, really catching it with glue. By S6ji. 


Height, 7 inches; length, including pole, 1614, inches. 


315—JAPANESE Ivory CARVING 


Urashima Taro, with his fishpole, standing on the back of his 
emblem, the turtle. By Sosai. 
Height, 9 inches. 


316—JapaNEsE Ivory Carvine 
Man hauling a laden vegetable cart. By Gyokushin. 
Length, 91, inches. 


317—JapaNESE Ivory Carvine 
Seated figure of Japan’s famous poetess, Onono Komochi, in 
elaborate apparel, writing. By Shimabura Shungetsu. 


Height, 5 inches. 


3818—Two JAPANESE CarveEp Ivory Ficuress 


Hyosennin and Jurojin. By Sosai. 
Height, 61%, inches. 


319—JAPANESE Carvep Ivory FicureE 


Standing figure of a Sennin, holding a flower and a crystal ball. 
By Yugetsu. 
Height, 7 inches. 


320—JAPANESE Ivory CARVING 


Standing figure of a Chinese sage, in finely embroidered robes. 


Signed: Sosai. 
Height, 81% inches. 


Second Afternoon 


321—Two JapaNnEsE Carvep Ivory Ficures 
Tohosaku, god of the East, and an aged Korean smoking. By 


Sosal. 
Heights, 7 and 71/4 inches. 


(Illustrated) 


322—-Two JAPANESE CarvEpD Ivory FiIcuREs 


Girl playing the biwa, signed Sosai; and a Korean man playing 


the cymbals. 
Heights, 71, and 61% inches. 


(Illustrated) 


323—JAPANESE Ivory CARVING 


Typical man of the peasantry, seated upon the top of a double 


ladder, fishing. By Zurnei. 
Height, 1014 inches. 


(Illustrated) 


324— JAPANESE Carvep Ivory Group 


Two travelers, who had been seated on a bench; one arising, the 
bench was thrown out of balance, precipitating his companion 


to the ground. By Shogyoku. 
Height, 6 inches. 


(Illustrated) 


325—Two Japanese Carvep Ivory Ficures 
Kwannon, and Kanzan the sage. By Sosai. 


Heights, 6% and 74 inches. 
(Illustrated) 


326—JapaNEsE Carvep Ivory Ficure 
Kinkosennin, god of water. By Sosai. 
Height, 83/4, inches. 
(Illustrated) 


327—JAPANESE Ivory CarvinG 


A basket seller, carrying numerous baskets carved in openwork 
and undercut. By Yeishin. 
Height, 71/ inches. 
(Illustrated) 


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SONTAUVO AYOAT ASANVdVE AO dNOUD 


LGE Ide €6E . PoE 9E 
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Second Afternoon 


3828— JAPANESE Bronze ANpD Ivory FIGuRE 
Boy riding a hobbyhorse. By Shuko. On stand. 
Height, 8%, inches. 


329—Two JapaNnEsE Bronze anv Ivory Ficures 
Farm women, one carrying her child. By Shuko. On stands. 


Heights, 101, and 10 inches. 


380—JAPANESE Bronze AND Ivory Ficure 


An old man resting; by Shubi. He is seated on a wooden stand 
carved as the stump of an aged tree. 


Height, 1114 inches. 
331—Two JAPANESE Bronze AND Ivory Ficures 
A drum seller, and man with tanuki. On stands. 


Height, 614 inches. 
(Illustrated) 


332—Two JapaNnEsE Bronze anp Ivory Ficures 
| A samurai coming from a picnic and carelessly joyful with wine; 
on stand. An umbrella repairer seated. By Shuko. 


Heights, 8 and 5%, inches. 
(Illustrated) 


333—JAPANESE BronzE AND Ivory Ficure 


Boy in gold embroidered apparel catching birds. By Shuko. 


On stand. 
Height, 814, inches. 
(Illustrated ) 


334—JapaNnEsE Bronze anv Ivory Ficure 
Woman of the people, cutting grass. By Shuké. On stand. 


Height, 121% inches. 
(Illustrated) 


3385—JAPANESE BronzE AND Ivory FiaureE 


A dancing girl in gold embroidered robes, with sandaled feet. 
By Shuko. On stand. 
Height, 13°34 inches. 
(Illustrated) 


336—JapanEsE Bronze anp Ivory Ficure 
The carp fisherman gets a strike. By Bizan. On stand. 


; Height, 18%, inches. 
(Illustrated) 


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A GROUP OF JAPANESE BRONZE AND IVORY FIGURES 


Second Afternoon 


837—JAaPANESE BronzE AND Ivory FicuR£ 
A boy who has just caught a fish, By Shuko. On stand. 
Height, 103% inches. 
338—Two JAPANESE BronzE AND Ivory FicurEs 
Candy seller, and a woman harvester. By Shuko. On stands. 
Height, 7%, inches. 
339—-Two JAPANESE BronzE AND Ivory FicuREs 


Man winnowing rise, and man carrying a basket. By Shuko. 


On stands. 
Height, 71/4 inches. 


340—Two Austrian Ivory anp Bronze Ficures 
A young woman seated, divesting herself of her stockings; signed 
P. Tereszczuk; on onyx base. Young woman in a coat, standing. 
Heights, 61% and 5 inches. 


341—Two Evroprpean Gitt Bronze AND Ivory FiIcurEs 


Carmencita dancing, with the castanets, on agate plinth; signed 
Amélie Colombier, France. Young woman kneeling, with dish 
of fruit; signed, R. Boeltzig (German). 
Heights, 9% and 7 inches. 
342—Two Evropean Gitt Bronze anp Ivory Figures 


Dancing girls, semi-nude, with arms extended. Signed: Ch. 
Muller. On marble bases. 
Heights, 12 and 12%, inches. 
3848—Two Evrorean Gitt Bronze And Ivory Ficures 


Dancing women, nude to the waist; one signed, L. Barthelemy. 


On marble pedestals. 
Height, 10°, inches. 
(Illustrated) 


3844—EvrorpEan Gitt Bronze Anp Ivory FiqaureE 


“The Tambourine Dance.” Signed: F. Preiss. On marble 
pedestal. 


(Illustrated) Height, 14 inches. 


845—GrERMAN GiLtt Bronze AND Ivory Ficure 


Girl semi-nude, in a drapery dance. Signed: Schmied. On onyx 


base. 
Height, 15 inches. 
(Illustrated) 


3846—EvrorEAN Gitt Bronze anp Ivory Ficuret 


Tall and slender young woman dancing, with castanets. Signed: 
Jaray. On onyx base. 
Height, 1234 inches. 
(Illustrated) 


SHUNSDIA AUOAT ANV AZNOUG-LTIID JO dNOUD 


OVE SPs PVE SPE Svs 


Second Afternoon 


347—EvrorprEan Gitt Bronze ANvd Ivory FIcuRreE 


Seated nun, leaning over an iron railing; on stone base. Signed: 


P. Canonica. 
Height, 1314 inches. 


348—FrencH Gitt Bronze AND Ivory Figure 


Statuette of King of France on his throne, a banderole on the 
chair back inscribed Louis. Signed: H. Levasseur. 


Height, 161, inches. 


349—EvrRopEAN Bronze anv Ivory Ficure 
Female bust, on onyx base. Signed: Delacour. 


Height, 1534 inches. 


350—Evurorean Gitt BronzE Anp Ivory FIGurRE 


A bare-legged dancer in elaborate costume; on marble base. 


Signed: Marquet. 
Height, 15 inches. 


351— JAPANESE Ivory Carvine 


Gooseherd followed by five geese. Signed: Hdjyo. 
Length, 11144 inches. 


Second Afternoon 


352—JAPANESE CarveD Ivory Group 


Five boys at play on their way home from school. Signed: 


Komin. On wood stand. 
Length, 111% inches. 


353—Japanese Carvep Ivory Group 
A girl carrying flowers and persimmons. By Gajo. 


Height, 11 inches. 


354—JAPANESE Ivory CARVING 


A gatherer of millet. By Miryo. 
Height, 10 inches. 


355—JapANESE CarveD Ivory Ficure 
A smiling young lady, walking, with parasol raised. By Shin- 
myo. 
Height, 10 inches. 


« 


356—JapaNnESE Ivory Carvine 
Woman carrying child and an umbrella. By Kodo. 
Height, 10 inches. 


357—JAaPANESE Ivory CarviIneG 
Figure of a Lohan, walking, carrying an incense-burner and lean- 
ing on his staff. Signed: Ryuju. 
Height, 91% inches. 
358—JapANESE Carvep Ivory Group 
Nurse maid and two children. Signed: Hofu. 
Height, 9% inches. 
3859—JAPANESE CARVED Ivory Group 


Four of the Seven Worthies of the Bamboo Grove. By Hofuku. 
On teakwood stand. 


Length, 11 inches. 
360—JapaNneEsE Ivory Carvine 
Procession of nine elephants crossing a bridge. By Matsuji. 


Length, 20 inches. 


361—JapaNEsE Carvep Ivory Group 
Father playing with his two children. By Jukan. 
Height, 6 inches. 


862— JAPANESE CARVED Ivory FiIcurRE 


A fisherman with his net. By Kyoin. 
Height, 10 inches. 


Second Afternoon 


363—JapaNneEsE Ivory CarvVING 
Farmer carrying fagots in one arm and his child in the other. 


By Syuntei. 
; Height, 11 inches. 
(Illustrated) 


364— JAPANESE Ivory CARVING 
Farmer arranging the ropes with which to work the Japanese 
form of scarecrow, which leans against his shoulder. By Hokei. 


Height, 10%, inches. 
(Illustrated) 


365—JAPANESE CarvepD Ivory FIGuRE 


“The Parrot Man.” By Kainji. 
Height, 91 inches. 
(Illustrated) 


366—EvroprEAn Carvep Ivory VasE 
Hollowed section of a tusk, lined with sterling silver, the interior 
gilt; carved in relief with nymphs riding dolphins through the 
waves, cupids shooting arrows, and other figures. 
Height, 67% inches. 
367—CHINESE Ivory VasE 


Carved with dragons in relief among clouds, on a diaper back- 
ground of openwork. On wood stand. 


Height, 8 inches. 
368—JAPANESE Carvep Ivory Tusk VAsE 


Carved in relief and cavo-rilievo with numerous figures, out en- 
joying a summer evening. At one point are seen stacks of 
rice straw, banded for winter fodder. By Somei. On wood 


stand. 
Height, 91, inches. 


369—JAPANESE Ivory CARVING 


Procession of the Hachio shrine festival, Tokyo, including eight 
figures. By Ryomin. 
Length, 16 inches. 


370—JAPANESE Ivory CaRrVING 


A three-clawed dragon, articulated. 
Length, 31 inches. 


371—JapANEsE Ivory Carvine 
Boy with a pet puppy crawling up his back. By Homei. 
Height, 8% inches. 


SONIAUVO AYOAT ASANVdVE AO dNOUD 
POE £9€ 


Second Afternoon 


372—JaPANESE Carvep Ivory Group 
Young lady carrying a happy child who reaches for the flowers 
in a basket held by a small girl. Signed: Doraku. 
Height, 10% inches. 
(Illustrated) 


373—JAPANESE Carvep Ivory Ficure 
A bride, carrying a fan and her toilet box. By Doraku. 


Height, 121, inches. 
(Illustrated) 


374—JapaNESE Carvep Ivory Ficure 
A lady walking, carrying chrysanthemums in both hands. By 


Akitoshi. 
Height, 1314 inches. 
(Illustrated) 


3744s—JAPANESE Carvep Ivory FicurEe Group 
Yokihime, a Chinese princess, attended by a Japanese boy. 
Signed: Shunmin. 
Height, 1014, inches. 
375—JAPANESE CarvED Ivory Figure Group 
A seller of vegetables with his laden cart, and a boy presenting 
a basket for a purchase. By Munehisa. On teakwood stand. 


Length, 91% inches. 


376—JAPANESE Ivory Carvine 
A woman threshing rice. On a carved root stand. By Doraku. 


Height, 8°4 inches; length (with stand), 111% inches. 


377—JAPANESE CarveD Ivory Group 
Man and two boys gathering large basketfuls of persimmons. 
By Biyo. 
Height, 1034 inches. 
378—JAaPANESE Ivory Carvine 
Eleven girls, one carrying an infant, engaged in playing 
meninai, an outdoor Japanese form of “blind man’s buff.” 
By Koshi. On carved teakwood stand. 


Heights of figures, 31, to 6 inches; length of stand, 23 inches. 


379—JapaNESE Ivory Carvine 
Procession of six elephants, varying in size, crossing a bridge. 


By Beizan. On carved wood stand. 
Length, 17 inches. 


SONIAUVO AUOAT ASHUNVdVE AO dNOUD 


GLE 


Second Afternoon 


380—Ovat PAteE-suR-PATE PLAQuE IN GILT FRAME 
Apotheosis; a youthful female figure poised upon a cloud, in 
devout attitude, surrounded by adoring cherubim, in white on a 


black ground. 
Height, 8 inches. 


881—Two Rep Porceitain PLaauEs In Gitt Frames 
Doulton plate, decorated with. three cranes among aquatic 
plants; marked: Royal Doulton Flambé. Vivid red plate painted 
in enamels with a mediaeval figure group; signed: Bernard 


Moore. Diameters, 10 and 113%, inches. 


Collection of German Paintings on Porcelain, many of them after 
famous canvases; all in gilt frames. 
382—THReEE PaintTines on PORCELAIN 
“Mrs. Buchanan,” after George Romney. Signed: Dietrich. 
“Espoir,” an ideal head of a fair young woman. Signed: Wag- 
ner. “Mrs. Mulgrave,” after Gainsborough. 
Height (each), 634 inches. 
383—TuHREE ParntTines oN PoRCELAIN 
Copy of Thomas Gainsborough’s celebrated “Blue Boy.” Signed: 


A. Selzorf, nach Gainsborough. 
Height, 914 inches. 


“Duchess of Richmond,” after Frances Stewart. Signed: A. 


Selzorf. 
Height, 934 inches. 


“Fine Bouquet,” after E. Griitzner; a cardinal appreciatively 
inhaling the fragrance of wine. Signed: Dietrich. 
Height, 1014 inches. 
384—Two Paintincs on PorcELAIN 


“Der Tau.” Signed: Wagner. Height, 10 inches. 


“Jupiter and Io.” Hight: Wee 
385—Two Parntincs oN PoRCELAIN 
“Roses,” after Prof. Volkmer; a girl with nude shoulders, scent- 
ing roses. 
Height, 914 inches. 
“A Toast,” a fair-haired young girl garlanded with grape leaves, 


holding up a glass of wine. 
Height, 71/, inches. 


5386—Parr Companion Paintrncs on PorcELAIN 
“Caritas,” an ideal group of mother and children in a soft 
summer landscape. ‘“‘Der Sommer,” young women enjoying 
themselves on a classic palace porch and in an adjacent pool. 


Height (each), 634 inches. 


— 


Ee eC 


Second Afternoon 


387—Two Parntines on PorceELAIN 
“Kuss der Wellen.” Signed: F. Fenner. 


Height, 18 inches; width, 1014 inches. 


“Die Perle.” Signed: F. Fenner. 


Height, 1014 inches; length, 13 inches. 


888—PaintTING on PorcELAIN 


“Thamar,” picturing an interior with three figures, the woman 


partly nude. 
Height, 9 inches; length, 11 inches. 
389—Two Patntincs oN PorcELAIN 


A modern vision of an ancient barge in mystic lights. Signed: 


B. Moore, 1905. | 
Height, 914 inches; width, 7 inches. 


A queen enthroned, with heraldic animals on the wall at either 
side, the whole in rich, strong colors. 


Height, 11%4 inches; width, 934, inches. 


390—Paintine oN PorcELAIN 
A circular concave plaque painted in soft colors with Neptune’s 


horses plunging through the sea. Signed: R. Preuss. 


Diameter, 12%, inches. 


391—Two Paintines on PorcELAIN 
A mystic figure amid decorative swirls. 


Height, 111, inches; width, 9 inches. 


An ancient red barge in a turbulent sea, seen through modernist 


eyes. Oval. 


Diameter, 1014 inches. 


392—THREE PAINTINGS ON PORCELAIN 


“Der Guckkasten-Mann,” an outdoor figure group. Signed: 
A. Selzorf, nach Ennirpt. 
Height, 1014 inches; length, 13 inches. 
“Falstaff and Bardolph,” after Edward Griitzner. Signed: Os. 
Dietrich. 
Height, 1014 inches; length, 121% inches. 
“Kin Geschenk fiir den Herrn Prior,” the prior dozing with jug 
beside him in a cloister window, and two children passing with 
a basket of chickens and vegetables; after C. Becker. Signed: 


A. Selzorf. 
Height, 10%, inches; length, 13 inches. 


Second Afternoon 


393—DrespEN Paintinc on PoRCELAIN . 
Shell-form, picturing a mermaid pursuing a flying-fish, Mark, 
crossed swords. 

Height, 10 inches; length, 111% inches. 
394—Two Parntinces oN PORCELAIN 


Rectilinear panel, its surface modeled in minute net pattern, 
and painted in soft colors with a river and mountain landscape 
and hunting scene, in imitation of petit-point needlework. 


Height, 91% inches; length, 14 inches. 


An ancient battle scene, with many figures. Signed: Roy, 1904. 
Height, 11% inches; length, 13°4 inches. 


395—PaInTING ON PORCELAIN 


“Gekeltert,” after E. Griitzner; a florid and happy monk, with 
a glass of red wine. Signed: L. Schingel. 


Height, 1214 inches; width, 10 inches. 


MISCELLANEOUS PORCELAINS 


396—PorcELAIN AND Onyx AsH Tray 
The tray onyx, ornamented with pouter and fantail pigeons in 
red enameled porcelain, which form a handle. 


Diameter, 64 inches. 


397—DanisH PorcELAIN AND Marspiue Asu RECEIVER 


A porcelain leopard standing on a marble platform, in the act 
of drinking from a basin hollowed in one end, which forms the 
ash receptacle. 
Length, 10 inches. 
398—Pair Crown Dersy Trays 


Lanceolate leaf-shape with serrate edges, decorated with marine 
paintings by W. E. J. Dean. 
Length, 12%, inches. 
399—FrencH Paintine on Ivory 


“The Wedding of Napoleon and Josephine,” after David; signed 


Michot. In ormolu frame. 
Height of painting, 6 inches; length of frame, 18 inches. 
400—GERMAN PorCELAIN ORNAMENT 


Statuette of Napoleon on horseback, on oval base. 


Height, 11%, inches. 


Second Afternoon 


401—GrerMAN PorcELAIN ORNAMENT 


Napoleon seated at the canopied bedside of his baby; on oval 


base. 
Height, 10 inches. 


402—-GERMAN PorRCELAIN ORNAMENT 


Napoleonic group; Emperor and Empress, and the King of Rome 
on horseback; on oval base. 
Height, 814, inches. 


403—Turee Exectric Taste Lamps 


In the form of elaborately dressed female figures, their volumi- 


nous skirts spread by hoops. 
Height, 11 inches. 


404—FrencH PorcELAIN JARDINIERE 


Cone shape, with recurving and flaring lip; ornamented with 
nude figures and coated with a crackled glaze, cream and gray 


on the outside and white within. 
Height, 10 inches. 


405—Cavuipon VaAsE 
Oval, with circular foot and mouth and two elaborate loop han- 
dles. Decorated in royal blue, turquoise blue, white and gold, 
and painted with figure panels. 
Height, 1014 inches. 


406—PorcELAIN ORNAMENT 


Equestrian statuette; a young woman mounted on a rearing 
horse. 
Height, 1614 inches. 


407—Larcr DrespEN PorceLaIn Group 
Celebrating the Vintage; a company of seven figures, boys and 
8 g pany g » DOY 
girls, some with musical instruments, gathered about a wine butt 
with grapes and flowers. 
Height, 14°, inches. 
408—Pairr DrespEN PorceELAIn STATUETTES 
Figures of festive young women in dancing attitudes and flowery 
costumes, accompanied by amorini. 
Height, 20%, inches. 
409—Larcre Beri Porcerarn Figure OrNAMENT 


Six young men and women in gay colors, playing blind-man’s 
buff. 
Height, 17°, inches. 
4098—JAPANESE PorcELAIN UMBRELLA JAR 


Celadon glaze, with floral decoration. 
Height, 231%, inches. 


Second Afternoon 


409s—Servres Tatty Revotvine Vase 
Ovoid with elaborate base, trumpet neck and imposing cover 
finial. Full relief decorations of classic figures, and amorini sup- 
porting masks, and penciled in gold and painted in color with 
scrolls and allegorical figure panels; one panel signed: Geo. 


White. 
Height, 27%, inches. 


410—Parr DrespEN PorcELAIN CANDELABRA 


Standards of female figures, scrolls and acanthus foliage, sur- 
mounted by bouquets, and supporting ormolu arms which carry 
nine lights each on each candelabrum. Equipped for electricity. 


Height, 381/, inches. 


411—DreEspen Patntine on PorceELain 
“Der Geschmack”; allegorical figure floating on a cloud, sur- 


rounded by amorini. 
Height, 15 inches; length, 17 inches. 


412—-PaInTING on PorRCELAIN 


“The New Queen of Music,” a procession of adorers carrying 
a laurel chaplet, following a queenly figure with a lyre, across a 
marble terrace, while a sister figure with a broken lyre crouches 


dejectedly at one side. Signed: W. E. Hodkinson and C. Noke. 
Height, 11144 inches; length, 1814 inches. 


413—Paintine on PorcELaIn 
“Venice.” Ladies in softly brilliant costumes descending palace 
stairs to a gondola, with San Giorgio seen in the distance. 


Signed: Ch. Fuchs. 
Height, 20 inches; width, 14 inches. 


414—Two Parntines on PorcELAIN 
“A Reverie,” by E. T. Hurley; a winter landscape, sunset. 


Height, 9 inches; length, 141%, inches. 


“Edge of the Woods,” by E. Diers; a green summer land- 
scape seen through a light haze. 
Height, 18%, inches; width, 834 inches. 


415—Paintine on PorcELAIN 
“Nymph and Cupids.” Signed: J. Rochette, d’aprés W. 


Bouguereau. 
Height, 18%, inches; width, 1214 inches. 


Second Afternoon 


Paintings on Porcelain, mainly after well-known pictures; all in 
gilt frames. 


416—DrespEen Parintine on PorCELAIN 


“Belshazzar’s Feast.’ The rich palace interior brilliant in color 
and gold, and the “thandwriting on the wall” appearing above the 
heads of the inebriated feasters. Circular. (Cracked and re- 
joined. ) 


Diameter, 24 inches. 


417—PaInTING ON PorRCELAIN 


“Young Love’s Dream”; on a corner of some ruins in a moun- 
tainous country a young peasant girl dozes against the knee of 
her lover, who plays gently to her on his violin. 

Height, 25 inches; length, 19 inches. 


418—PainTING ON PoRCELAIN 
“The Interrupted Toilet.”” Three blond young women are seen 
in a rich interior, one with her hair down and holding a bou- 
quet, and one partly disrobed, while all turn to look inquiringly 
at some entrant not seen by the spectator. Signed: H. Weigel, 


1908. 
Height, 20 inches; length, 25 inches. 


Second Afternoon 


419—PorcELAIN Parntine on TILES 


Picture formed of twenty-four square tiles, showing an interior 


with two figures, one of them looking into a mirror. By 
Sarreguemines. 


Height, 361/, inches; width, 241%, inches. 


420—Pai1nTING ON PORCELAIN 


“Julia and Don Juan,” after G. Detti. Signed: O. Dietrich. 


Height, 161%, inches; width, 121% inches. 


421—PatnTING oN PORCELAIN 


“The Wave and the Rock.” Scene, a grotto at the edge of the 


sea, with two nude figures, and two white seagulls flying low. 
Circular. 


Diameter, 24 inches. 


Second Afternoon 


422—PaInTING ON PORCELAIN 


Still Life. Flowers in a country garden, painted as viewed 
against a gray brick wall. Signed: C. F. Hiirten. 


Height, 321, inches; width, 251, inches. 


423—PorcELAIN Patntinc on TILES 


Picture formed of fifty-four square tiles, and representing a small 
yellow-haired girl in red, seated and drinking milk from a bowl, 
while three cats at her feet look hungrily up at her. Inscribed 
at lower right, Sarreguemines, and at lower left, d’aprés Stein- 


len. 
Height, 581, inches; width, 351, inches. 


‘s 
3 
2 
5 
: 


A VIEW OF THE DINING ROOM 


THIRD AFTERNOON’S SALE 


WEDNESDAY, OCTOBER 24, 1917 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 O CLOCK 


Catalogue Nos. 424 to 619, inclusive 


MISCELLANEOUS CABINET OBJECTS 


424—Turee Cuoice Toitet ARTICLES 
Favrile glass perfume bottle, with gold mountings, chains and 
finger ring. 
Chelsea enamel egg-shaped powder or bonbon box, with vari- 
colored domestic birds and. flowers on a yellow ground. 


Chinese porcelain squat-ovoidal coupe with brilliant mirror- 
black glaze. On carved ivory stand with four knob feet. Ch’ien- 
lung period (1736-1795). 


425—Vienna GILT Bronze PAPERWEIGHT 


Female figure, nude, resting with hands wide-spread upon the 
ground. 


426—Two Rock CrystaL VINAIGRETTES 
One ewer-shape, with scroll handle and knob stopper. 


One double-gourd shape, metal-mounted with hinged ring for 
suspension. 


42%—Four ORNAMENTS 


In pearl and mother-of-pearl and opalescent agate, including 
an oval pendant carved with two fish in relief. 


428—Five EvropEaAn Corau CARVINGS 


Three lions, an elephant and a humpbacked man. 


Third Afternoon 


429—Five Cuimnese MINIATURE ScENT BOTTLES 


Three flask-shape, in turquoise, agate and amethyst; one in 
porcelain, bean-shaped with crackled camellia-leaf green glaze; 
and one of lapis-lazuli, double-gourd shaped. 


480—Four ORNAMENTS 


Amber pendant, with lotus plants in gold lacquer and mother- 
of-pearl, Japanese; two Chinese scent bottles, in amber and 
in turquoise and gilt metal; and one European scent bottle. 


431—Four CHINESE PENDANTS 


Three carved of amethyst and one of agate. 


4382—Two JAPANESE AGATE CARVINGS 


A large rooster and a small hen. 


433—Two JAPANESE CorAaL CARVINGS 
A rooting pig, in rich pink coral. 
A standing elephant, in pale, mottled pink coral. 


Each on crystal stand. 


484—Two CarveED ORNAMENTS 


Classic head in black lava, European; dragon and lotus plants 


in mother-of-pearl, Chinese. 
Height (each), 3%, inches. 


436—TuHrere DrespEN PorRCELAINS 


Girl dancing, on square plinth; mark, the crossed swords. 


Two pellet boxes in the form of women’s arms, the hands hold- 
ing bunches of grapes. 
Length, 3%, inches. 


437—THree FrReENcH PorcELaIn BONBONNIERES 


One in form of a horse lying down, one a tiger head, and one 
the head of a lesser cat. Guilt mountings. 


488——Four ORNAMENTAL Opsects oF PErrRsonaL USE 


Watch stand in silver gilt and brilliant green enamel, and cigar- 
ette case of black onyx, silver mounted, both from Tiffany & 
Company; gold-filled pendant photograph case for two minia- 
tures, and glass pendant photograph case with birds laid on in 
natural feathers. 


Third Afternoon 


438s—SeET oF Six Cigarette Aso Trays 
Circular; enameled in basketry patterns in sapphire, emerald 
and ruby, aubergine, yellow and rose. 
Diameter, 3 inches. 
439—-Two PapERWEIGHTS 
Stallion in silver on a circular mounded base. 


Cupid riding a snail, in silver on onyx base. 


440—Two Frencu Ewnamet Vases 
Slender oviform, one with fluted body, variously decorated in 
delicate colors. 
Heights, 34 and 3% inches. 
441—'Two EnamMeL ORNAMENTS 
Modern ceremonial marriage cup, painted with joyous and 
convivial figures. 
Figure of man, his body set with baroque pearls, on base painted 


with rustic figures. 


442—THREE JAPANESE Carvep MoTHER-OF-PEARL SMALL VASES 
One with soapstone stand. Decorations, relief carvings of land- 
scapes, animals, birds, figures and foliage. 


Heights (of taller ones), 35% and 8% inches. 


443—JAPANESE ORNAMENT WITH CrysTaL Baty 


A carved ivory elephant elaborately caparisoned, with studdings 
of jewels, upholding a crystal ball in a lotus cup on his back; 


smoke-crystal base with four scroll feet. 
Height, 3 inches. 


444—Two CHINESE SnuFF BotTries 


One porcelain, in pistache-green glaze, the decoration dragons 
in relief on a reticulate ground of cloud scrolls. 


One of cameo glass, in flattened flask shape, with tropical fishes 
in colors. 


445—CHINESE AMBER SNUFF BoTrLe 
Egg-plant shape, in opaque yellow amber with dark mottlings 
and brilliant polish. Stand painted in imitation of malachite. 


446—Two JAPANESE CarvED ORNAMENTS 
An amethyst locust on a bone stand in leaf form. 


A crawling turtle in opaque pale yellow amber. 
Length, 3%4 inches. 


Third Afternoon 


44.7—JAPANESE AMBER ORNAMENT 
Translucent light yellow amber, carved as a cluster of lotus 
leaves and blossoms, a bud being laid in on mother-of-pearl. 


Length, 4 inches. 


448—CHINESE WHITE JADE SNUFF BOTTLE 


Flattened ovoidal form, without foot, carved in delicate relief 
with butterfly and vines. Stopper, a natural branch of pink 
coral. 


449—CHINESE WHITE JADE ORNAMENT 


Carved as a cliff, with plum and pine trees growing on ledges, 
and a monkey climbing after a box tied on a branch. Teakwood 
stand. 
Height, 4 inches. 
450—Two CHINESE Carvep AMBER GROUPS 


One carved as a Fu-lion with a cub on its back and a sphere in 
its claws, the other as two boys holding a vase and a lotus spray. 


451—JAPANESE CarvepD AMBER ORNAMENT 


Translucent pale yellow amber carved as a swan swimming among 
lotus flowers, which emerge in mother-of-pearl from swirling 
water. On teakwood stand. 
Length, 3°, inches. 
452— JAPANESE CARVED AMBER ORNAMENT 
Rich opaque yellow amber carved with a figure of Shou-lao hold- 
ing a scroll, seated between his emblems the stag and the stork. 
Length, 51% inches. 


453—CHINESE CAMEO Guass SNuFF BoTTLE 
Large flask shape, with decoration of household ornaments in 
color on a white ground. 
Height, 414, inches. 
454—Patr CHINESE GREEN JapE AsH RECEIVERS 


Translucent dark green jade, carved in saucer shape, with soft, 


unctuous polish. 
Diameter, 434 inches. 


455—Two Evropran Porcerains 
Globular bottle-shaped vase with slender neck and bulbous lip, 
and variously mottled splash glaze, adorned with flying birds 
appliqué. 
Snuff bottle in tower form, about it a calf and various farm 


birds. 


Respective heights, 434 inches and 4 inches. 


one 2 er ans 


Third Afternoon 


456—Two ENAMEL VASES 


One ovoid, decorated with flowers and butterflies, cloisonné; one 
in expanding horn shape above an ovoid knop, with a French 
painting of an airy figure in a landscape. 


Heights, 4% and 61% inches. 


457—WeEpGwoop ORNAMENT AND GERMAN TEA-CADDY 


Winged horse in white on a blue plinth. 
Height, 35% inches. 


Quadrilateral tea-caddy with dome cover decorated in gold and 
color with figures and conventional devices. 
Height, 41% inches. 
458—NEEDLECASE AND Two LrEetrrerR OPENERS 


Needlecase of wood, silver mounted, and painted with bucolic 
scenes in rich, soft colors. 


Letter openers of ivory, spearhead shape, and painted with land- 
scapes and figures after Claude Lorrain. 


Respective heights, 5 and 5%, inches. 


459—TuHrEE CoMBINATION Pocket KNIvEs ror CHAIN PENDANTS 


Oval, in enamel and silver with ivory inlay; one blue, one mauve, 
one silver-gray. From Tiffany & Company. 


460—Two ORNAMENTS 


Japanese silver paperweight; two turtles, one crawling over the 


other’s back. Signed. 


French silver gilt patch box, in form of a three-cornered hat, 
with repoussé ornamentation of cupids and scrolls. 


461—TuHrReEE SILVER-GILT FRENCH ORNAMENTS 


One, miniature race-track for “Les Petits Chevaux’’; one, an 
oval box with a bull on the cover and the sides set with colored 
stones; one, paperweight, nude female figure. 


462—Parr MintatureE Girt ENAMEL VASES 


Ovoid with broad foot and trumpet neck, and decorated with Ori- 
ental landscapes. 


462s—Russtan EnamMet Ece Cup 
With foliated lip and foot. Gold lined. Decoration in rich 


colors. 


4683—Two Cicar AND CIGARETTE REstTsS 


One each. On circular trays, guarded by miniature bulldogs, 
and supported on three ball feet. 


Third Afternoon 


464—Two Vest Pocxer Orera GiassES AND A FAHRENHEIT THER- 
MOMETER 
Thermometer on mahogany panel with ormolu mounts, in Em- 
pire style; from Tiffany & Company, France. 
Pair gilt opera glasses, “Parisette,” from Colmont, Paris. In 
red leather case. 


Pair black leather opera glasses, marked Busch Winett, D. R. P., 
Germany. In black leather case. 


465-—Camro Broocu 


Oval; equipped both as pin and pendant. Carved with figures 


in embrace and a building of imposing architecture. 


466—Gorip Link BracELEetT 


With nine mosaic pictures of classic buildings and ruins. 


467—Goxup Linx BRAcELET 


With seven ivory cameo heads of women. 


468—Two Ivory anp AMBER PENDANTS AND ORIENTAL RING 


The former carved and undercut with a Chinese landscape and 
figures, and tinted green; reverse, smooth lght yellow opaque 
amber. The latter, turquoise, with engraved inscription gilded. 
Roman gold setting. 


469—Goup BroocHu 


Set with a large shell cameo bust of a man in classic robes. 


470—Cameto Broocu 


Shell cameo, carved with a young woman reclining, and holding 
up a garland, before a classic bust. 


471—Wepewoop BRACELET 


Comprised of eight graduated oval medallions, with classic figures 
in white cameo on a blue ground, in silver setting. 


472——_FrencH 'TIMEPIECE 


Gold and enamel (eight-day) night clock, with illuminated hour 
figures and hands. 


473—Two Trinket PENDANTS 
An ivory miniature fan, with gilt decoration, and a white enamel 
cachou box in form of a masked lady’s face with diamond eyes, 
mounted in gold with finely engraved ornamentation. 


Third Afternoon 


AT5 476 ATA 


474—SILVER-GILT Box 


Oval, paneled in brilliant royal blue enamel, with a standing 
camel panoplied in jewels surrounding the cover. 


475—Sinver-cGitt Birp STATUETTE 


An owl, with head enameled and back covered eas a studding of 


jewels, on stone base. 
Height, 3 inches. 


476—SILVER-cILT Box 
Oval, set with opals and other jewels, the cover-top enameled and 
surmounted by a standing elephant with man riding on its head. 


Height, 34% inches. 


477—JEWELED Broocn AND PENDANT 
Venetian brooch, picturing the famous Lion of St. Mark, in 
mosaic, in a gold setting studded with diamonds and pearls. 
In leather case. 
Pendant in which a shell pearl oval surmounted by a set of metal 
sails swings by a chain of minute shells, and is adorned with 
enamel blossoms and backed with rich green enamel. 


Length, 3°, inches. 


478—Two JEWELED AND ENAMELED BroocHeEs 
One in form of an eight-petaled circular blossom, with smaller 
blossoms superposed, the other formed of conventional foliar 
scrolls which provide an openwork background against which 
appears a winged figure bearing an offering. Both extensively 
jeweled. 


479—JEWELED PAPERWEIGHT 


Small silver-gilt turtle, its whole back covered with a studding of 
jewels and seed pearls. 


Third Afternoon 


480 


480—SILVER-GILT Birp STATUETTE 
A sparrow, jeweled and enameled, on green pedestal. 


Height, 384 inches. 


481—SILvVER-GILT ORNAMENT 
Figure of a duck, its back thickly studded with jewels, on a 
quadrilateral base with enameled ornamentation. 


Height, 33% inches. 


482—FEiast InpiaAn SILVER-cILT Box 


Oblong, with chamfered corners; top and sides of a blue and 
mottled matrix, or an enamel in representation of a hard stone. 


On cover a walking bear ridden by a monkey. 
Height, 334 inches. 


484—Gotp BroocH AND PENDANT 


Miniature painting, a study of a Court beauty’s head, in a 
baroque setting studded with chip diamonds and seed pearls. 
Equipped as brooch or pendant. 


485—SILvVER-cILT MIntaTuRE Box 


Oval, with standing bull on cover. Sides adorned with repoussé 
blossoms and set with stones. 


486—Birp PAPERWEIGHT 


A kingfisher in silver gilt and enamel and encrusted with jewels, 
on stone pedestal. 


Third Afternoon 


487—CHINESE PoRCELAIN SCENT BOTTLE 


Enameled in vermilion and mounted in silver, with filigree work 
and further enameling. Hangs from finger ring. 


488—Swiss SILvER-cGILT AND Enamet Miniature Crock 
By Vatiné. Engraved: J. B. Brady. In leather case. 


489—SILVER-GILT AND ENAMEL PowpErR Box 


In form of a watch, with mirror and miniature portrait of Na- 
poleon. 


490—JAPANESE DAMASCENED MINIATURE CABINET 


With folding doors and four drawers. ‘“Zogan” work: gold 


inlay on iron. 


491—Frencuw Buvuet ENAMEL JEwEL Box 


Oval; velvet lined. Ivory miniature of a Court beauty in cover. 


Diameter, 31% inches. 


492—_BurraLo Horn SNUFFBOX 


Circular; in the cover a painting of an early balloon ascension. 


Diameter, 31, inches. 


493—Gitt Merat Trinxet Box 


Conventional ornamentation; in cover an ivory miniature bust 
portrait of a young lady, surrounded by imitation pearls. 


Length, 4 inches. 


494—GiLtT AND ENAMEL ORNAMENT 


Enamel painting of an interior with figures, in miniature, in an 
ormolu frame mounted on an easel. Miniature clock inset in 


wall. 
Height, 454 inches. 


495—Music Box 


Black lacquer, with ornamental metal medallion in top which 
rises, permitting a bird of brilliant plumage to emerge and sing 


a merry song. 
Length, 3° inches. 


Third Afternoon 


496 499 497 


496—Goup CHATELAINE WatTcH 


In form of a swinging guitar, instrument and chains thickly 


studded with jewels. By Breguet, Paris. 
Length, 434 inches. 


497—FrencH ENAMEL CHATELAINE WATCH 


Setting thickly studded with seed pearls, and includes miniatures 


of amorini. 
Length, 51, inches. 


498—Frencu 'TIMEPIECE 


Antique gold watch studded with jewel chips; on the back a 
painted medallion half-length ideal portrait. 


499—AntTiaguE FrENcH GoLp REPEATING WatcH 
Open face, with three figures under the glass, which strike the 
bells. Back engine-turned. By Breguet & Fils. 


Breguet, A. L., Paris. Born 1746, died 1828. Louis, son and successor, 
born 1804, died 1883. Mechanical watch, made about 1820. Similar watch 
by Breguet is figured in F. J. Britten, London, 1899, p. 251. 


eS = = : 


Third Afternoon 


APAELLEEILIE PRIS haar g. 


501 502 500 


500—East Inpian Sitver-citt Box 


Oblong, with chamfered corners; top and sides in a blue matrix, 
or an enamel in representation of true stone; sides studded with 
cabochon jewels. On cover an elephant walking, with black 


mahout beside him. 
Height, 414 inches. 


501—E ast Inp1an Sitver-citt Box 
A companion to the preceding. On the cover an Arab mounted 
on a camel, with jeweled trappings and enameled paniers. 


Height, 5 inches. 


502—Si1vErR-cGILT Rooster 


Plumage enameled and set with jewels. On pale amethyst base. 


Height, 6 inches. 


5038—SI.Lver-citt Box 


Oblong, on four short claw feet, the corners above them formed 
as busts and shells. Dome cover surmounted by a standing 
female figure. Decorated with enamels and pearls. 


Height, 41, inches. 


504—ANTIQUE SILVER-GILT TWo-HANDLED VASE 


With hinged cover and large globe finial. Secret compartment 


in foot. Richly adorned with jewels. 
Height, 55% inches. 


Third Afternoon 


505-—Wanp, Macs, or Baton 
A transparent glass tube solidly filled with most briliant Au- 
stralian opal chips, and mounted at both ends in silver gilt. 


Length, 914 inches. 


506—MatacHirr JEwEL Box 


Rectangular, with lock and hinged cover. Resting on four 


carved bone sphinxes, metal shod. 
Length, 5 inches. 


508—TuHrREE BoONBONNIERES 


One in Chelsea enamel, with sprays and figures in color on a rich 
yellow ground. One porcelain, decorated with seven landscape 
paintings. One circular, the exterior in deep ruby adorned in 
gold, with a figure group on the cover, and the interior painted 
with landscapes. 


509—Tureet Boxes 


Carved wood snuffbox with man on horseback in relief. Tor- 
toise-shell snuffbox silver-mounted and inlaid with mother-of- 
pearl. Guilt metal powder box with bust portrait of a girl on 
ivory (cracked). 


510—SnvuFFBOXx AND CIGARETTE CASE 


Tortoise-shell circular snuffbox with four miniature paintings 
in cover, gold mounted. 


Gold and enamel cigarette case, with painting of man carrying 
two girls across a stream. Signed: Jup. Beyard. 


511—Matcusox Honuper anp STAND 


Holder enameled with satyr and nymphs; gilt metal four-post 
stand. 


512—Onrx Aso RECEIVER 


Ovoid jar of yellow and red-brown onyx, with flat lip set with 


scarab carvings. 
Diameter, 314 inches. 


518—MarspiE anp Gitt Asu REcEIVEB 


Cylindrical jar of white-striped black marble, on gilt Empire 


stand. 
Height, 454 inches. 


Third Afternoon 


514—SILvER-GILT STATUETTE 


Figure of a man, with sword and epaulettes, on a quadrilateral 
base with chamfered corners, the man’s body formed of a large 
shell, mother-of-pearl. Heavily studded with jewels. 


Height, 9 inches. 


515—Parr SHELL STATUETTES 


Grotesque figures of fishermen, formed of sea shells, on shell 


bases. 
Height, 8%, inches. 


516—Turee Musicat InstruMents 1N MINIATURE 
Guitar and two mandolins, of tortoise-shell inlaid with bone and 


mother-of-pearl. 
Lengths, 5°%, 5 and 7 inches. 


517—Turee Tomer ArtIcLEs 
Lady’s French silver-gilt hand mirror, the back enameled with 
the bust portrait of a young woman, after Jules Lefebvre. 


Lady’s French silver-gilt hand mirror, set with rhinestones, the 
back enclosing an ivory miniature painting of a young lady. 


Signed: Regnol. 


Silver-gilt and enamel scent box in form of a viola, painted with 
landscapes and figures. 


518—Four Mexican Gouin Rines 
Modeled as various heads and set with precious stones. Worn 
by warrior chiefs in the Mexican War. 


519—TortTo!sE-sHELL JEWEL CABINET 
In rectangular trunk form, so constructed as to swing open in 
three terraced compartments. Top carved with a dragon. 


Length, 3% inches. 


520—Go.tp anp Enamet Bonzon Box 
Oval; in emerald and sapphire, wistaria, gold and white. On 


cover, medallion miniature of Napoleon. 
Diameter, 3 inches. 


§21—JapranEsE Bronze Powper Box 
Circular, the cover decorated with the figure of a deity, attended, 


in relief. Soft brown patina. Silver lined. 
Diameter, 3 inches. 


Third Afternoon 


§22—JapanEsE Gotp Lacever Iyro 
Flattened egg-plant form; four compartments. Decorated with 
relief figure of Hotei, god of small boys. Carved ivory netsuke 


and ojime. Signed: Goyusai. 
Length, 3 inches. 


COLLECTION OF MINIATURES 


§23—Turee Mintatures on Ivory 
Woman in violet and great ruff, and woman in blue with red 
wrap, both in gold frames. Young woman in red, signed 
Triang(?) (Triana?); in gilt metal frame. 


524—Two Miniatures In Git FRAMES 
Young woman in pearls, on ivory, signed Jacquemin; young 
woman scenting a flower, on porcelain. 


525—Four Miniatures on Ivory, 1n Gitt FRAMES 


Bust portraits of young women, signed respectively Labbe, 
Caron, Henry and Vibet. 


Diameter, 334 inches. 


526—Two MintatTurE Parintines on Ivory 


Woman in pink and gold décolleté gown; in gold-plated frame. 
Bust portraits of young women, signed respectively Labbe, 
over her shoulders, on the cover of a carved ivory vanity-bag 


mirror. 
Diameter, 334 inches. 


527—TuHreEe Miniature Paintines on Ivory 
Young beauty in chapeau de paille dItalie, half-length; signed, 
Mainhart. In French ormolu frame. 


Bust portrait of young woman in ostrich plume hat; signed, 
E. Poitier. In gilt wood frame. 


Bust portrait of lady in a pearl-gray turban; signed, E. Palout. 
Tortoise-shell and gold frame. 


528—Two Miniature PaInTINGs 
A smiling beauty with opera cloak hanging lightly over bare 
shoulders; signed, Nadirt. On ivory, in ormolu frame. 
Blonde in crimson, décolleté, with wavy tresses falling over her 
shoulders. On glass, in metal frame. 


Third Afternoon 


529—Two MinraturEe Paintines on Ivory 
Half-length portrait of a youthful beauty, décolleté, in a high 
and imposing headdress. In silver and enamel frame. 


Young woman in a Gainsborough hat; signed, Mary. In ivory 
frame. 


5380—Turee Miniature Paintincs on Ivory 
Portrait bust of girl in pink; signed, Felixa. In architectural 
ormolu frame. 


Portrait of young girl in pink with a rose at her shoulder; 
signed, Garnier. In ormolu frame. 


Portrait after Gainsborough; signed, Villerme. In gilt metal 
frame. 


531—Turee Miniature Paintines on Ivory 
Full-length standing portrait of a French queen, in the royal 
ermine. (Marie Lesczinska?) Im silver frame. 


Artist and his nude model; signed, Stela. In gilt metal frame. 


Lover and his mistress in a garden. In carved wood frame, 


gilded. 


5382—Turee Miniature Paintines on Ivory, In Frencn Ormouu 
FRAMES . 


Bust portrait of a brunette in white; signed, Kraft. 
A blond Dutch beauty in plum-colored waist; signed, Merely. 


Young woman in many colors and a chaplet of gems; signed, 


Kraft. 


538—Companion. Miniatures ON Ivory IN SINGLE Ivory Frame 
Half-length medallion portraits of Napoleon and Josephine, 
by Derval. Frame engraved with garlands, tinted and gilded. 


Height, 314% inches; length, 61% inches. 


5384—Turee Miniature Parntines on Ivory, in Frencn Ormowivu 
Frames, EMPIRE STYLE 
Portraits of Napoleon and Josephine, the former after Dela- 
roche and the latter after Gérard, both by Dumont; and portrait 
of the Duc de Reichstadt, by Janny. 


Heights, 71, and 61% inches. 


Third Afternoon 


MISCELLANEOUS CABINET OBJECTS 


585—Frencu Ormotu AND PorcELAIN JEWEL Box 


Oblong. Empire decoration. White porcelain cover penciled 
with garlands and with a crown above an N, and inset with 
medallion portraits of Napoleon and Josephine. Signed: Berton. 


Length, 51% inches. 


5386—Parr FrencoH Ormotvu JEWEL CaskETS 
Flat floral ornamentation on top and all sides. Set into covers, 
medallion portraits of the Empress Josephine. Signed Heller. 


Length, 4 inches. 


537—Frencu Ormotvu JEwEL Box 
Oval, the sides in basketry; the cover a porcelain medallion por- 


trait of Napoleon with arms behind him. 
Diameter, 53, inches. 


588—Frencu Ormotu JEWEL Box 


Oval, on four knob feet. Napoleonic, with eagles, palms and the 
enwreathed letter N, on the sides; the top bears a relief repre- 
sentation of the Battle of Austerlitz, after Gérard’s painting at 


Versailles. 
Length, 81, inches. 


5389—Pair FrLower VAsEs wirHh Ormoxtu Mounts 


The mountings enclosing miniature bust portraits of Napoleon 


and Josephine. Signed: Berton. 
Height, 61, inches. 


540—MiuniaTurRE Patntine on Ivory 
‘““Madame Récamier,” after David; signed, Vallée. In ormolu 
frame surmounted by a crown. 


Height (with frame), 714 inches; width, 7 inches. 


541—MiIniIATURE PAINTING oN Ivory 


“C’est ’Empereur !”—the incident of the sleeping sentry in the 
wheat field, awakening to see by his firelight Napoleon standing 
guard. Signed, Vautier. In ormolu frame. 


Height (including frame), 8% inches; width, 814 inches. 


542—Carvep Bone Umpretita Hanpie 


Body stained in representation of old ivory and supporting four 
various dogs’ heads which are left in the white. 


Length, 51%, inches. 


Third Afternoon 


544 545 | 543 


JAPANESE IVORY CARVINGS 


543—JAPANESE CARVED Ivory FIGURE 


A farmer who raises chickens, carrying same in a basket. Signed: 
Yoshitoshi. 


Height, 7 inches. 


544— JAPANESE Ivory CARVING 


Group of father and his child and a pet dog at play. Tinted. 
By Gyokushan. 


Height, 7%, inches. 
545—JAPANESE Carvep Ivory Ficure 
A girl harvesting mugi, a kind of millet. By Koichi. 


Height, 9 inches. 


546—Two JAPANESE CarRvVED Ivory FIGuREs 


A hunter with his falcon unhooded; by Munekazu. An im- 
mortal, Gamasen, with his emblem the toad, in multiple, of 
which he is reputed to be able to create “a million a minute.” 


Heights, 5%, and 61% inches. 
547—Two JAPANESE CarveD Ivory Ficures 


One an ugai, a man who fishes with cormorants, carrying one of 
his birds; by Rogetsu. The other a fish vendor carrying a 
laden basket; by Ryuichi. 

Heights, 6% and 6 inches. 


Third Afternoon 


548—Japanese Carvep Ivory Ficure 
“The Grape Vendor.” By Gyokuryo. 
Height, 67% inches. 
549—JaApANESE Carvep Ivory FicurE 
Okina with the Horai turtles. By Hozan. 
Height, 65% inches. 
550—Two Japanese Carvep Ivory Ficurezs 
Kwannon with lotus flower, borne through the waves by a dragon; 


signed Gyokuren. <A falconer with his bird; signed Nobutoshi. 


Heights, 6% and 65% inches. 


551—Two Japanese Ivory Carvines 
A girl carrying a basketful of silkworm cocoons; by Ryushin. 
“The Long-legged and Long-armed Men” (which is to say, “Bar- 
barians”—according to early Japanese conceptions); by Gyo- 
kuko. ; 
Heights, 61% and 8 inches. 
552—-JAPANESE Carvep Ivory Ficure 


A man at work building the model of a junk, seated on a straw 
mat. Signed: Toyukaru. 


Height, 4°54 inches. 
553—JAPANESE Carvep Ivory Ficure 


Man carrying a lantern and reading a book. By Ryuho. 


Height, 10 inches. 


554_JAPANESE Carvep Ivory Fieure 


A gardener resting on his homeward way and holding his bam- 
boo pipe. By Ryugyoku. 
Height, 7°34 inches. 


555—JAPANESE Ivory Carvine 


Figure of Gamasen, accompanied by twelve toads carved in the 
round. He is an Immortal who is reported to be able to make 
the creatures, which are his emblem, at the rate of “a million 
a minute.” By Gyokushi. 


Height, 714 inches. 
556—JaAPANESE Carvep Ivory StTanp anp Crystat Balt 


Stand carved in floral motives highly conventionalized and vari- 
ously arranged. 
Height, 6 inches. 
557—JaPANESE Carvep Ivory STanp anp Crystat Bartz 


Stand carved as a column, severel lain. 
’ Yar 
Height, 614 inches. 


Third Afternoon 


558—JAPANESE CARVED Ivory STAND AND LarcE CrystTaL BALL 


Stand carved and pierced in finely arranged conventional floral 
motives. 
Height, 61, inches. 
559—Carvep Ivory Sranp anp CrystaL Bau 


Slender column of stand carved with flowers, and the whole tinted 
green. 
Height, 71, inches. 
560—JAPANESE Carvep Ivory StTanp anp LarcEe Crystat Baty 
The stand carved as the squatting figure of a rabbit, his large 
ears curling over his back and supporting the ball. By Meiichi. 
Height, 6 inches; diameter of ball, 334 inches. 
561—CuineEse Ivory Carvine 
Standing photograph frame carved with dragons and flowers 
in cavo-rilievo, and screened by folding doors carved with tree 
peonies on a pierced diaper ground. 
Height, 67%, inches. 
562—JapanEsE Carvep Ivory TworoLtp Writine SrRcEEN 
On the obverse the monk I-kyu in his graphic answer to the 
Yoshiwara girl’s request for his prayers, in bas-relief, above 
pierced panels in the phcenix and peony design. On the reverse 


a daimyo parade. Signed: Kyokusho. 
Height, 10 inches. 


563—MAaAGNIFYING GLASS WITH JAPANESE CARVED Ivory HANDLE 
Handle in form of a three-clawed dragon coiled about a tree 


branch. Signed: Kogyoku. 


Length, 14 inches; diameter of glass, 41, inches. 


564—JAPANESE Carvep Ivory Box witH CoveR 


Irregularly cylindrical; from a tusk. Carved with a merry 
group of girls, having a picnic under the cherry blossoms. On 
the cover an etched decoration and puppy dog finial. 


Height, 5%, inches. 


565—JAPANESE CARVED Ivory BrusH HoupEer 


Carved in relief and undercut with Chinese landscapes and fig- 
ures, and monkeys and other animals. On fixed ivory stand 


with perforated border. By Hanro. 
Height, 51% inches. 


566—Patir CurnesE Carvep Ivory Bruso Houpers 


Carved in relief with landscapes and many figures. On fixed 


teakwood stands carved in openwork. 
Height, 7 inches. 


Third Afternoon 


567—JaPANESE Ivory Carvine 
Figure of a harvest gatherer with back load. 
Height, %1/, inches. 
568—JapaneEsE Ivory Carvine 
Kwannon seated on a lotus throne, supported on a circular 
pedestal, with angels within the richly carved halo overhead. 
By Minzan. 
Height, 834 inches. 
569—JapanesE Ivory Carvine 
A locust catcher, carrying his net and his child. Signed: Kyoju. 
Height, 91% inches. 


570—JapanesE Ivory Carvine 
Standing figure of a farmer winnowing rice—blowing the dust 
and chaff from the grains, on a mino. Signed: Hoitsu. 
Height, 9 inches. 


571—JapanesE Ivory Carvine 
Statuette of Akichi Mitsuhide, “The Three Day Shogun”; by 
Hozan. The conqueror of Nobunaga is vigorously represented 
at the moment when he has cut his bamboo spear with the 
expectation of slaying Taiko in his bath. 
Height, 9 inches. 
572—JapanEsE Ivory Carvine 
“The Sculptor”—shown seated at his work, chiseling a wooden 
image. By Gyokusen. 
Length, 6 inches. 
573—JAPANESE Carvep Ivory Group 
Sisters; one carrying her small brother on her back, and her 
younger sister standing with an animal toy on the opposite side 
of a screen. Signed: Tomochika. 
Height, 6% inches. 
5'74—JaPANESE Carvep Ivory Group 
Woman servant carrying her mistress’s boy; below, a pigeon 
looking expectantly up for feed. Signed: Somei. 
Height, 8 inches. 
575—JAPANESE Ivory Carvine 
Figure of a hunter, walking, with a fox in leash. Signed: Shunko. 
(Gun damaged. ) 
Height, 734 inches. 
576—JapaNnESE Ivory Carvine 
Figure of a fisherman, with (bottomless) basket. Signed: Ko- 


getsu. 
Height, 714 inches. 


Third Afternoon 


578 579 577 


577—JAapANESE Ivory Carvine 
Standing figure of a bowman, stringing his bow. By Nobutoshi. 
Height, 81, inches. 
578—JapANEsSE Carvep Ivory STATUETTE 
Standing figure of Kwannon, with vase and lotus flower. By 
Kodo. 
Height, 83/4, inches. 
579—JapaANESE CarvepD Ivory Ficure 


An inkyo, a retired merchant, walking with a staff and carrying 
a bunch of irises. By Zumei. 
Height, 83% inches. 
580—THREE JAPANESE Ivory CarviNcs 
Seated figure of Monju, goddess of wisdom, leaning on an arm- 
rest; signed, Sosai. ‘Two figures of Otafuku, “the fat-faced 
lady”; one by Sosai and one by Seimin. 
Heights, 414, 414 and 31% inches. 
581—JapanEsE Ivory Carvine 
Lohan standing, holding aloft a pagoda. By Ryusai. 
Height, 9 inches. 
582—JapanesE CarveD Ivory Group 


A sister and her small brother, on either side of a fwswma, she 


holding a tray of fruit. By Homin. 
Height, 734 inches. 


Third Afternoon 


584 585 583 


583—JAPANESE Ivory CARVING 


Gracefully posed figure of a young woman, a classic dancer, 
with fan. By Isshin. 
Height, 8°4 inches. 


584— JAPANESE CarveD Ivory FicurE 
A fisherman, standing against a strong wind. By Gakushin. 
Height, 81% inches. 
585—JapaNEsE Carvep Ivory Ficure Group 
A young mother, seated, suckling her infant. By Hokei. 
Height, 71, inches. 
586—Japanese Ivory Carvine 


A flower merchant, between two stands of flowers, refilling his 
tobacco pipe and looking down at a pair of chicks at his feet. 
By Yukihiro. 
Height, 6 inches. 
587—JapaNeEsE Ivory Carvine 


Two figures of old-time firemen, in uniform. By Koichi. 


Height, 87 inches. 
588—JAPANESE Carvep Ivory Fiagurre Group 


Young Japanese woman carrying her small brother on her back, 


and holding up a parasol, walking near a garden stream, with 
chickens at her feet. By Teimei. 


Height, 85% inches. 


Third Afternoon 


589—Two CuHInEsE Ivory CARVINGS 


Immortals; two standing side by side on a mound of rockery, 
and a third seated on the back of his familiar, the three-legged 
toad. 


Heights, 614, and 3% inches. 
590—CHINESE CarveED Bont Brusu Houper 


Decoration, dragons among clouds, in relief, on a diaper ground 
in openwork. 


Height, 7 inches. 
591— JAPANESE CarvED Ivory Box witrn Cover 


Tusk form; decorated with Howo birds, pines and flowers in low 
relief. Cover with flower finial. By Zuiko. 


Height, 654 inches. 
592—Evuropean Carvep Ivory Vase 
Cylindrical; carved in relief with warriors at a game of dice. 


Height, 7/4, inches. 


593—MInNIATURE PAINTING ON Ivory 


Classic Indian scene; signed, Al. Dufez. In standing ivory 


frame elaborately and intricately carved. 
Height, 13 inches. 


594— JAPANESE CarvED Ivory AniIMAL GROUP 
Reclining bear and clambering cub. By Koho. 
Height, 5 inches. 
595—JAPANESE CarRvED Ivory ANIMAL STATUETTE 


Figure of an elephant walking. 
Height, 6 inches; length, 12 inches. 


596—JAPANESE Ivory CARVING 


Nurse walking, carrying a child on her back, and crocheting as 


she goes. By Teimei. 
Height, 8%, inches. 


597—JAPANESE Ivory CArvING 
Three-clawed dragon, rising from tumultuous waves of the sea, 
carved in the round and holding in its mouth the coveted jewel 


of power, which rolls freely. 
Height, 9%4 inches. 


598—JapanrEsE Ivory Carvine 
Figure of a man, a Gyojasan worshipper, climbing Fudo’s Moun- 
tain, whither pilgrims went all in white and where no women 


were allowed. By Jukan. 
Height, 91, inches. 


Third Afternoon 


599 601 600 


599—JapaNEsE Ivory Carvine 
A flower seller, carrying two baskets in openwork. By Shuichi. 
Height, 814 inches. 
600—JaPANESE CaArvep Ivory FicurE 
A young lady standing, admiring a flower. By Bunraku. 
Height, 101, inches. 
601— Japanese Ivory Carvine 
Fisherman with shellfish in his basket. By Toyoharu. 
Height, 12 inches. 
602—JapanEsE Carvep Ivory Group 
Girl and child, feeding a hen and rooster. By Shunko. 
Height, 914 itches. 
603—JaPANESE CARVED Ivory STATUETTE 


Standing figure of a young woman in the costume of the Gen- 


roku period. By Shoun. 
Height, 10 inches. 


604—JapanresE Carvep Ivory Ficure 
Young woman standing, reading a letter. By Gakujo. 


Height, 1034 inches. 


Third Afternoon 


605—JAPANESE Carvep Ivory FIcure 


A lady out walking, in winter, about to raise her umbrella. By 


Yodoyuki. 
Height, 10 inches. 


606—JAPANESE Ivory CARVING 


A bird seller, with an owl on one wrist and another bird in his 
other hand. By Shodo. 
Height, 91, inches. 
607—Japanresrt Carvep Ivory Ficure Group 


A fisherman accompanied by his small son, and carrying a very 


large fish. By Gyokusho. 
‘ Height, 814, inches. 


608—JAPANESE CarRvVED Ivory Ficurre Group 


A maker of the toys called harugoma, at work at his bench, 


with his small son. By Homei. 
Length, 814, inches. 


609—JAPANESE Ivory CARVING 


Sakata Kintoki, who became the strongest man in Japan, judging 
a wrestling match between a monkey and a rabbit. By Masao. 


Length, 111% inches. 


610—JapanrsE Ivory Carvine 
Man and boy fishing, seated on the bamboo-crated stones which 
are used to protect the banks of rivers. By Shunmi. 


Length, 1314 inches. 


611—JAaPANESE Ivory CARVING 


A ferry boat of the olden time, with ferryman and three pas- 
sengers. By Minsho. 


Length, 12%, inches. 
612—THREE JAPANESE FIGURES 


Two girls seated, one playing the samisen, and a girl dancing. 


Figures of gold lacquer, with heads and hands of ivory. 
Heights, 514 and 9 inches. 


613—JAPANESE Carvep Ivory Figure Group 


Small boy handing up an apple to his infant brother who is 
carried on his father’s back. By Hasegawa Hoshu. 


Height, 12 inches. 


614—JapanEsE Ivory Carvine 
Figure of a gatherer of fagots; kikori. By Sumei. 
Height, 111% inches. 


Third Afternoon 


615 616 615 


615—Two Japanese Ivory Tusk Vases 
Inlaid with mother-of-pearl and tinted ivories, in designs of 
birds, trees and flowers. One, with mandarin ducks beneath a 
cherry tree in blossom, signed Masatomo; one, with heron in a 
pond, signed Moriyuki. Japanese silver covers and bases. 


Heights, 91% and 10 inches. 


616—Carvep Ivory Tusk 
On four bamboo feet and silver mounted. Carved as a portable 
cabinet containing three drawers. Profusely incrusted with 
trees and flowers in mother-of-pearl and tinted ivory. 
Height, 6% inches; length, 65% inches. 


617—JAPANESE SILVER AND Ivory InLAID CABINET 


Quadrilateral; the ivory sides inlaid with blossoming trees in 
mother-of-pearl and other stones, and mounted in silver chry- 
santhemum bands. Interior in lacquer. Signed: Yujitsu. 


Height, 7 inches; length, 744 inches. 


618-—JAPANESE SILVER AND Ivory InuaiIp TRAY 


Circular with festooned rim, on four scepter-head feet. Shi- 
bayama work. Silver filigree rim surrounding an ivory disk 
inlaid with birds and blossoming trees in mother-of-pearl and 


tinted ivories. Signed: Kazamasa. 
Diameter, 934, inches. 


619—JAPANESE SILVER AND Ivory InzLAID TRAY 


Circular, in conventional overlapping petal form, on three 
scepter-head feet. Shibayama work. Silver filigree petals en- 
closing ivory panels which are inlaid with flowers in tinted ivory 


and mother-of-pearl. Signed: Kazamasa. 
Diameter, 1134 inches. 


WOOUW ONINIG HHL AO MHIA 


FOURTH AFTERNOON’S SALE 


THURSDAY, OCTOBER 25, 1917 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 O CLOCK 


Catalogue Nos. 620 to 819c, inclusive 


MISCELLANEOUS CABINET OBJECTS 


620—TurereE VasEs 
Cloisonné enamel jar with polychrome floral decoration in a 
translucent blue ground, in silver gilt mounting. From Tiffany 
& Company, Paris. 
Cameo glass ovoidal cup decorated with trees and insects. 
Cameo glass cup, cylindrical expanding toward lip, with floral 
decoration. 


621—Moortisu Sitver Box witH Cover 
Oval; floral repoussé decoration, with studding of turquoise and 
other jewels. Engraved monogram, J.B.B. 
Diameter, 55% inches. 
622—Two Frencu GILtT-BpronzE Busts 
“Diana,” by Falguiére, and a young woman with distinctive 
headdress, by E. Bevoud. 
Heights, 64, and 41%, inches. 
623—Bronze Ink STAND 
Ovoid jar within three winged female busts; cover surmounted 
by a standing Cupid. 
Height, 8 inches. 
624—BronzeE Jar WITH Cover 
Broad bell-shape, with relief decoration of four horses and riders 
in a hurdle race. Dome cover with wreath handle. 
Height, 714, inches. 
625—Two Japanese Bronze and ENAMEL VAsEs 
Ovoid, with eccentric decoration in brilliant colors and gold 


inlay, the decoration of one animalistic. 
Height, 434 inches. 


Fourth Afternoon 


626—Two Enamet VASES 


One decorated with exquisites of the Court admiring a rug, one 
with irises and the head of a Titian-haired beauty, in brilliant 


colors on red grounds. 
Heights, 7 and 5%, inches. 


627—Copprrr EnamMeL Tray 
In shape of a long lanceolate leaf, with curling stem handle. 
Length, 125% inches. 
628—SiLtvEr PLaaQuE 
Shield shape, with allegorical figure subject. Signed, S. F. Ver- 


nier. On corduroy mounting. 
Height, 31, inches. 
629—MarspiLE AND Bronze Box 
In form of a thick book, the cover swinging by strap hinges. 
Length, 5 inches. 
680—Two Gitrt Merat Desk OrNAMENTS 


Cigar lighter with nest of glass trays, and inkstand in form of 


tomb, with effigy within. 
Heights, 514 and 434 inches. 


631—Two Turkish ORNAMENTS 
Silver chatelaine with engraved medallion and five chains, 
jeweled; and white metal pendant hung with bells. 
Length, 12 inches. 


6382—THrREE SILVER ORNAMENTS 


Settee and side chair with repoussé figure ornamentation, and a 


sedan chair with a lady within. 
Heights, 41/, and 6 inches. 


633—SILVER Box 
In form of a ’cello, with elaborate repoussé ornamentation of 
nymphs bathing at a fountain and playful amorini. 
Length, 121%, inches. 
634—Two JAPANESE GILT-BRONZE Oprtum PIpEs 


Decorated with dragons in relief. Signed, respectively, Yuju 
and Yusen. 
Length, 12 inches. 


635 


ANIMAL STATUETTE 


A single-horned rhinoceros, standing, carved of rhinoceros horn. 


Length, 7 inches. 
636—JAPANESE TEMPLE Hancoinc LANTERN 


Hexagonal; equipped for electricity. 
Height, 11 inches. 


Fourth Afternoon 


637—Two Miniature CABINETS 


Japanese gold lacquer cabinet with folding doors and seven 
drawers. 


Chinese tortoise-shell cabinet unfolding in three trays. 


638—Two Satsuma Bow ts 
One with millefleurs decoration and figure panels, by Haku- 
zando, and one with “The Million Butterflies,” by Shizan. 


Diameter, 434, inches. 
’ 4 


639—Carvep Ostricu Eaa 


Japanese carving, presenting a view of Fujiyama with a river 
foreground. In tripod stand. 


Length, 514, inches. 
640—MopErN PorcELAIN STATUETTE 
A seated Buddha, in peacock blue, by Bernard Moore. 


641—PsEvupo-JAPANESE STATUETTE 
Benten, god of love. (European manufacture.) 
Height, 81/, inches. 


642—GeERMAN PorRCELAIN STATUETTE 
A slender young woman in close-fitting kimono, a bird on her 
wrist. 


Height, 1114 inches. 
643—PotrEery FicurE Group 
Man seated on an elephant. Chinese. Modern. 


Height, 10 inches. 


644—Psrupo-JAPANESE STATUETTE 


Jurojin and his emblem, the stag. French imitation of Japanese 
Kutani ware. 


Height, 734 inches. 
645—JapanEesE PorceLaIn Group 
Two men fighting. Signed, Ryosai. 
Height, 9 inches. 
646—Parr JapANESE Woop Carvincs 
Pyramids of elephants, standing on each other’s backs. 


Height, 814 inches. 


647—JAPANESE Woop Carvine 


The God of the Sun. 
Height, 8 inches. 


Fourth Afternoon 


648—MorTrHER-OF-PEARL FAn 


The sticks broad and carved in openwork with vases and luxuri- 
ant scrolls, and with figures in low relief; the paper section 
decorated with idyllic figure compositions. 


Length, 1014 inches. 


649—Two PLaavuEs 
Enamel plaque, a mounted guardsman, signed, L. Tunger 
d’aprés Meissonier ; in ebonized frame. 
Marble plaque, inlaid with porphyry, lapis-lazuli and ivory, and 
picturing a decorated ewer. 


650—GERMAN PorcELAIN Tospacco JAR WITH COVER 


Decorated with a figure panel in color, and gold on a red ground. 
Under the foot, “Das Rauchkollegium.” 


651—Prart Fan 


Painted with “The Retreat from Moscow,” by J. E. Baquet. 
From Tiffany & Company. 
Length, 71, inches. 


652—CuHInESE Carvep Ivory anp FEeEatHER Fan 


The sticks delicately pierced and the white feathers painted in 


bright colors with birds and flowers. 
Length, 11 inches. 


6538—Carvep Ivory Fan 


The sticks pierced in floral design, and supporting paper printed 
with figure scenes in many colors. 
Length, 105% inches. 


Fourth Afternoon 


654—MorTHeER-OF-PEARL F'an 
Broad sticks carved and pierced in floral scrolls, with metallic 
overlays; top decorated with figure groups and landscapes. 


Length, 101% inches. 


655—MoTHER-OF-PEARL Fan 


The sticks carved and perforated, and the paper border pic- 
turing outdoor scenes. On outer sticks a cameo medallion and 
a mirror. 


Length, 105% inches. 
656—CHINESE CARVED Ivory Fan 


The sticks graduated and the body of the fan embroidered with 
a dragon, birds and flowers. In black lacquer case. 


Length, 11 inches. 
657—Two Pair GLassEs 
French gilt, pearl and enamel opera glasses. From Tiffany 
& Company. 
American field glass, “Auto Change, eight lenses.” 


658—Two Fieitp GuasseEs 
One French, in snake skin and aluminum, by A. Lefevre, Paris. 


One German, in brown leather, by Voigtlaender & Sohn. 


Fourth Afternoon 


659—Prayer Boor 
“The Garland of Prayer,” illustrated. In sterling silver cover 
by Tiffany & Company, set with a cross of amethysts. 
Length, 5 inches. 
660—THrREE ARTICLES oF PERsoNAL UsE 
Gun metal cigar case with initials “F. G.” in gold, and an in- 
terrogation and the response ‘‘Oui,” in diamond chips. Two 
binoculars, folding into cylinders. 


661—Two MINIATURE PaINTINGsS on IvorY 


“A Thoughtless Leader,” sign Ch. Maurin, 1810; “Jusqu’a 1a” 


(unsigned). In gilt frames. 
Heights, 51% and 434 inches. 


MINIATURES AND IVORY CARVINGS 


662—Two Miniature Parntines on Ivory 
Portrait of an English beauty in lively colors; signed, Dupre. 
Portrait of a young lady out for archery; signed, Tresh. Gilt 
frames. 


Diameters, 31, and 4 inches. 


663—Two German Miniature Parntines on Ivory 
Portrait of a lady dressed in Reynolds style; signed, Wehl. 
Height, 31, inches. 


Portrait of a lady in a Gainsborough hat; signed, Ivi. In French 


ormolu frames. 
Diameter, 3 inches. 


664—Two Austrrian Mintature Paintines on Ivory 


Countess Seilern, signed Kraft; Miss Ann Killigrew, signed An- 


drez. In ormolu frames. 
Diameters, 4 and 3%, inches. 


665—Miniature Parntine on Ivory 
Half-length portrait of a Court beauty in jewels and ermine. 


Signed, Riuré. In French ormolu frame. 
Height, 734 inches. 


666—Two Miniature Parntines on Ivory 
“The Harpist,” a smiling young woman with blonde cendré locks; 
signed K. Paloud. Double portrait, unsigned. In silver-gilt 


frames. 
Diameters, 31%, and 2% inches. 


667—MintaturE Parntine on Ivory 
Three-quarter-length seated figure of a young woman, with land- 
scape background; signed, Max. In folding ormolu frame en- 
closing two allegorical figure prints in color. 


Length of frame, 6 inches. 


Fourth Afternoon 


668—MiniaturE Partntine on Ivory 
Bust portrait of a Titian-haired beauty, décolleté, in a plumed 
Gainsborough hat. Signed, Regnol. In gilt frame, elaborately 
mounted in leather standing case tooled in gold. 


Diameter, 334 inches; height of case, 914 inches. 


669—Two Miniature Parntines on Ivory 


Ideal painting of a handsome young woman; signed, Hermandez. 
In metal frame studded with brilliants. Portrait of a lady 
in purple; signed, Helda. Gilt frame. 


Diameters, 554 and 71/, inches. 


670—Two MrinraturEe Paintincs on Ivory 


Portraits, *““Marie Antonette” and “Madame Sophie”; signed, 


Delacroix. In ormolu frames. 
Height, 5 inches. 


671—Two Miniature Parintines on Ivory 
“The Cup of Chocolate”; signed, Laure Lévy; and portrait of 
a young girl in white and blue, signed, E. Patout. Ormolu 
frames. 
Diameter, 414 inches. 
672—Two Miniature Parntines on Ivory 
“Portrait of a Lady,” after Sir Thomas Lawrence; signed, 
Aubry. Portrait of a smiling young lady in rich dark blue vel- 
vet; signed, Andrez. In ormolu frames. 


Diameters, 354 and 4%, inches. 


673—Six Miniature Paintines on Ivory 
Full-length portrait of a young lady in blue, seated in a park; 
signed, Laure Lévy. In ormolu frame. 
Height, 7 inches. 
“The Five Senses,” nude figures in wooded landscapes, each as a 
separate panel and all mounted together in a velvet frame. 


Height, each, 5 inches; width, 11, inches. 


674—Miniature Parntine on Ivory 
Three-quarter-length figure of an auburn-haired young lady with 
pensive smile, in a rich rose velvet gown, after Sir Thomas 
Lawrence. Signed, Gabie. In ormolu frame. 
Diameter, 534, inches. 
675—Frencu Ormotvu JEwEL Box 
Quadrilateral with rounded corners. Relief decoration all 
around of amorini with wreaths and garlands. On cover a 
porcelain medallion portrait of Napoleon; signed, Wagner. 


Length, 81, inches. 


Fourth Afternoon 


676—FrEeNcH OrMoLU JEWEL CASE 


Empire style. Oblong on four low feet. Conventional relief 
ornamentation and bead moldings all around. Im the cover 
two Napoleonic miniatures, signed Rodier, and a third unsigned. 


Length, 11% inches. 
677—PaIntTING on Ivory 


“A Day with Betty,” an interior with four young women; 


signed: “Copyright, 1913, by 8. G. Hooper.” 
Height, 5 inches; length, 77 inches. 


678—Two Paintines on Ivory 
Portrait of Helene de Montreville; signed, F. Lavoisjoir. Por- 
trait of Madame de Montessori; signed, J. F. Hall. In ormolu 


Empire frames. 
Height, 7 inches. 


679—Two Paintines on Ivory 


Three-quarter-length portraits of Elizabeth of France, after 
Rubens, and Maria Theresa of Spain, after Tocqué; signed re- 
spectively: Drouart, and Rousé. In ormolu Empire frames. 


Height, each, 734, inches; width, 6 inches. 


(Illustrated ) 


680—Two Parintincs on Ivory 
“Bataille de Friedland—1807,” and “Retraite de Moscou— 
1814.” Both signed: Michat. In ormolu Empire frames. 
Heights, respectively, 454 and 4°34 inches; lengths, 6 and 7%, inches. 


(Illustrated) 


681—Paintine on Ivory 


Portrait of a noted French beauty, in brilliant colors and lively 


pose; signed, Gabie. In ormolu frame. 
Diameter, 534 inches. 


682—Paintine on Ivory 
“Venice’s Homage to Catarina Cornaro”; an assemblage of 
more than thirty figures in brilliant, richly colored costumes, 
on the marble terrace of a palace, canopied in red for the 
occasion. Signed, P. Stadler. Ormolu Empire frame. 
Height, 5 inches; length, 1034 inches. 


683—Bronze Bas-RELIEF 


Bust portrait of Napoleon; signed, David d’Angers. Mounted 


on green velvet in ormolu frame. 
Height, 5°84 inches. 


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Fourth Afternoon 


684—BronzeE BAS-RELIEF 


Bust portrait of Napoleon, in profile to the left, on a plinth, 
with raised inscription: “Napoleon, Empr. et Roi.” Signed, A. 
Bovy. Mounted on marble, with ormolu spandrel ornaments, 
within an ormolu frame. 


Height of plinth, 91% inches; of frame, 18 inches; width of frame 125% inches. 


685—Writine CaAsE 


In ormolu and green levant, and lined with green moiré silk. Em- 
pire style. The metal ornamentation includes eagles and graceful 


female figures. 
Height, 121% inches; width, 9°% inches. 


6854a—Cuess IN MINIATURE 


Delicately carved ivory chessmen, white and red, with board, on 
carved tripod table; base has monogram “AT.” Chinese. On 


stand under glass dome. 
Height of case, 84 inches. 


686—MoTrHER-OF-PEARL TABLE SCREEN 


Quadrilateral panel of mother-of-pearl, carved in relief with a 
mountain paradise, with incrusted details; on the reverse a pea- 
cock and peonies, engraved. In carved teakwood stand. 


Height (including stand), 714 inches; length, 101% inches. 


687—JaPANESE LACQUER AND E@GsHELL CABINET 


In form of a Japanese house. Constructed of black lacquer 
faced with eggshells minutely broken, in the effect of a gray- 
white porcelain with the “fish-roe” crackle, and containing six 
covered boxes, seven trays, and various compartments, from 
the top of the roof down, the trays and boxes lined with ver- 
milion lacquer. Decorated with storks in gold lacquer, to the 


number of more than thirty. 
Height, 924 inches. 


688—AusTRIAN ENAMEL AND LapPis-LAZULI EwER AND SALVER 


Ewer conical, tray circular; both formed of plates of lapis- 
lazuli in metal mountings adorned with floral scrolls in varied 
enamels. - 

Height of ewer, 101% inches; diameter of tray, 9 inches. 


689—EvurRorEAN SILVER-GILT AND Ivory FLAGON 


Ivory cylinder carved with Bacchic decoration in relief, in Eng- 
lish silver-gilt mounting of conventional ornamentation; ivory 


seated figure surmounting cover. 
Height, 10 inches. 


Fourth Afternoon 


691 690 692 


690—JAPANESE CarveED Ivory FicurEeE Group 
An old man amusing two children with a trained monkey. By 
Hodo. 
Height, 101% inches. 
691—JapaNESE CaRrvepD Ivory Ficure 


Fisherman carrying on his shoulder a four-fluked, barnacle- 


coated grappling anchor. By Toshichika. 
Height, 10%, inches. 


692—JapANESE Ivory Carvine 
An aged seller of sweet cakes, with his basket in openwork, 
carrying an infant on his back. By Bansuken. 


Height, 1014 inches. 


698— JAPANESE Carvep Ivory FicureE 


Takenouchi Sukune, who brought Buddhism to Japan from 


Korea. Signed, Komei. 
Height, 111% inches. 


694— JAPANESE Carvep Ivory Ficure 


A young woman of pleasant features, standing, holding aloft 


a basket of flowers. By Godo. 
Height, 121, inches. 


Fourth Afternoon 


695 696 


695—JapanEsE Ivory Carvine 
An itinerant toy seller carrying a table of his wares on his 
shoulder and sounding his gong as he goes. By Udagawa. 


Height, 1414, inches. 


696—JapanEsE Ivory Carvine 
Figure of a farmer, carrying against his breast an onagadori, 
the “long-tailed bird” of Japan. By I-kko. 
Height, 1214 inches. 


697—JapaNESE Carvep Ivory FicureE 
A girl gathering chrysanthemums, by Hayao. 
Height, 121% inches. 


Fourth Afternoon 


698 699 


698—JAPANESE Ivory CaRVING 


A smiling girl with elaborately carved obi and straw sandals, 


trudging smilingly a flowery wayside, herself laden with flowers 
and fruit. 
Height, 1214 inches. 


699— JAPANESE Ivory CaRVING 


Statuette of Kwannon, standing on a thalamus, holding a how6é 
bird which perches with wings raised on her extended forearm. 
Signed: Bairyo. 

Height, 14 inches. 


“00—JAPANESE Carvep Ivory Group 


A grandfather, kneeling, dandling a small boy. By Unkai. 


Height, 1014 inches. 


Fourth Afternoon 


701—JAPrANESE Carvep Ivory Tusk VAsE 


All-over carving in relief and undercutting, with many figures, 
in representation of a shrine festival in a country town. By 


Yoshiyuke. On stand. 
Height, 15%, inches. 


102—JAPANESE CARVED Ivory Tusk VASE 


The Japanese ceremonial year in epitome; an all-over decoration 
of many figures, in relief and undercutting, with foliage and 
accessories, picturing the twelve months of the year as repre- 
sented by the particular festival of each one. On stand. 


Height, 15%, inches. 


703—JapanEsE Ivory Carvine 
Figure of a standing pigeon, on a natural tree-root base. 


Height (with stand), 135% inches. 


Fourth Afternoon 


704—JapanesE Decorated Ivory Tusk Vase 
Inlaid and incrusted with rich floral designs, and birds perched 
and flying, including a peacock on a rock, in mother-of-pearl, 
coral, tinted ivory, tortoise-shell and gold lacquer. On carved 


stand. 
Height, 2114 inches. 


705—JAPANESE CarvED Ivory Tusk VAsE 
Carved in bold relief with three-clawed dragons among the clouds. 
On wood stand carved as a dragon among waves. By Jumei. 


Height, 15% inches. 


Fourth Afternoon 


706—JAPANESE CarvVeED Ivory ANIMAL GRouUP 


Seven elephants in single file crossing a tusk bridge. Signed: 
Komin. On carved teakwood stand. 
Length, 23°, inches. 


T07—JapaAnEsE Ivory Carvine 


A lumberman, rolling a log, from which a toad is escaping. By 
Homin. 
Height, 914 inches. 


Y08—JapPANESE Ivory and Woop Carvine 


“The Bears’ Den’; four bears, carved of ivory, on different 
ledges of a mountainous mass of rockery carved in teakwood. 
Signed, Terui. 

Height, 914 inches. 


Y09—JAPANESE Ivory CARVING 


Figure of Benten, goddess of love, borne upon a dragon’s back. 
Signed, Shugetsu. 
Height, 1414 inches. 


Fourth Afternoon 


710—JapPanresE Ivory Carvine 


“The Monkey Trainer’; a man kneeling with bamboo pole at 
one end of a tusk bridge, holding in leash two dressed-up short- 


tailed simians. By Homei. 
Length, 251 inches. 


V11— Japanese Ivory Carvine 
Figure of a fisherman toiling uphill, carrying over his shoulder 
the great sweep with which he propels his boat. By Jumei. 


Height, 1014 inches; length of sweep, 1514 inches. 


712— JAPANESE CarRveED Ivory Tusk 


Carved in relief with chrysanthemums and irises and finished 


with a fine soft polish. Signed, Tanka. 
Length, 29 inches. 


71383—JapANESE Carvep Ivory Tusk 
All-over decoration in relief and undercutting of phcenixes and 


dragons, bats and storks. 
Length, 3314, inches. 


714— JAPANESE CarveED Ivory Dracon 


With joints and scales articulated. 
Length, 33 inches. 


Fourth Afternoon 


T15—JAPANESE CARVED Ivory Tusk 


Decoration, a dragon in relief among conventional clouds. By 


Tanka. 
Length, 281/, inches. 


716—JapanrEsE Carvep Ivory Tusk Vase witH Cover 
Carved in high relief and undercutting with dragons among leap- 
ing waves. On four feet similarly carved in the wave motive. 


By Sanemasa. 
Height, 12%, inches. 


Y17—EvuRorEAN CarveEp Ivory THERMOMETER 


In form of an obelisk on a broad base, surmounted by a sphere. 


Fahrenheit and Centigrade register. 
Height, 18 inches. 


718—Evrorean Ivory Carvine 
Standing figure of a nude water carrier, an amphora on her 
shoulder, and jeweled garlands incrusted on her head. On 
Siena marble base. From Tiffany & Company. 
Height, 161/, inches. 


719—JapanEsE Ivory STATUETTE 
Standing figure of Kwannon, richly bejeweled, carrying a rosary 
and a luxuriant floral spray, the carving intricately executed. 


Signed: Meido. 
Height, 151, inches. 
(Illustrated) 


720—JAPANESE CARVED Ivory FicurE Group 


An old man standing, and smilingly lifting high a small boy with 


a duster. Signed: Ho-Itsu. (Duster repaired.) 
Height, 16 inches. 
(Illustrated) 


721— Japanese Ivory STATUETTE 
Tall figure of a woman with voluminous but plain robes and 
large obi, carrying a fan; tusk stand. Signed: Asahi Mindo. 


Height, 201, inches. 
(Illustrated) 


722— JAPANESE Ivory Carvine 
An eagle with spread wings, perched on a natural, gnarled tree- 


stump. 
Wing-spread, 36 inches; height on stand, 45 inches. 


720 


Fourth Afternoon 


723—JapaNEsE Ivory Carvine 
An elaborated production, representing an old woman seated at 
the edge of a weathered and insect-bored outdoor bench, extend- 
ing a bowl of rice to a smiling boy on the bench who holds forth 
his hand toward it. On the bench are various accessories. 
Signed: Meiichi. 
Height, 1214, inches; length, 17% inches. 


724— JAPANESE Ivory Carvine 
An articulated lobster, executed with the greatest attention to 


detail. 
Length (tail to tips of feelers), 24 inches. 


725—JaPANESE Ivory CARVING 


Procession of eleven elephants crossing a bridge. Incised in- 


scription: ‘‘Carved by Hasegawa Gingetsu. 
Length, 211, inches. 


126—JaPANESE Boner Carvine 


Two dragons amid waves, their bodies forming an arch above a 


carved wood stand. 
Span, 15 inches. 


Fourth Afternoon 


727—LarcE JAPANESE Ivory Carvine 
“The Wood Cutter and his Son”; a hatted man standing on a 
large tusk log, at work on it with his saw, food utensils lying 
on a mat below, and his small son behind him much interested 
in a hen and chicks escaping from a basket coop. Signed: Carved 


by Yodokasu. On teakwood stand. 
Height, 15% inches; length, 24°, inches. 


728—ImporTant FreNcH Carvep Ivory STATUETTE 

Chrysis as Aphrodite; the tragic heroine of Pierre Louys’ novel, 
nude, standing on the summit of the Pharos at Alexandria, 
wearing her “heart’s desire’—the comb of Nitocris, the pearl 
necklace of the goddess Anadyomene, and the mirror of Sappho. 
Hanging from her arm, a drapery executed in Algerian onyx. 
The Pharos in soft gray stone. Signed: H. Allouard. 

Height of figure, 14 inches; total height, 221, inches. 


Exhibited at the Palais Galliera, Paris, 1903. Jewelry by Lalique, Paris. 
From Tiffany & Company, New York. In round glass case. 


728a—JAPANESE Ivory CARVING 
A parrot, on a tall teakwood perch. 
Length of bird, 1434 inches; height on perch, 261% inches. 


Fourth Afternoon 


729—Ivory Rewier Carvine 


“The Bull Fight”; section of an amphitheatre with two crowded 
galleries of spectators following keenly a fight with an enormous 
bull in the arena, where there are also many figures. In carved 


wood frame. 
Height, 101% inches; length, 15% inches. 


“80—Cuess SET IN CARVED AND INuLaID CASE 


Chinese chessmen, carved of ivory, white and tinted brown; the 
case Siamese, intricately carved in sandalwood with figures and 
animals, birds and foliage, and inlaid as a playing board with 


ivory and metals. 
Length, 1734 inches. 


780a—Maenetic TurtLe Ciock In SANDALWOOD CASE 


French works, magnetically governing a turtle which floats in 
water over a white metal dial. Siamese carved sandalwood case, 
the carvings including religious figures and foliar scrolls. Bor- 


ders inlaid with ivory and metal. 
Length, 15%, inches. 


Fourth Afternoon 


MISCELLANEOUS ART OBJECTS 


731—GERMAN Carvep Ivory Manicure Set In Manocany Box 


Eleven articles, eight of them with ivory handles carved with 
fat and smiling faces. Cover painted with a nymph reclining 
on the flowery bank of a stream. 
Length, 1414, inches. 
732—NEAPOLITAN TorvToisre-sHELL Dresser Mirror 


Plate glass mirror with beveled edge, in an openwork frame of 
compressed tortoise-shell, the decoration dominated by a winged 
figure blowing a trumpet. (Damaged.) 
Height, 171/, inches. 
733—Gi_t Merau Casket 


Oblong, on four eagle feet. Cover surmounted by a figure of 
Napoleon on horseback, and sides decorated with figure groups 
of triumph, in relief. 
Length, 1414, inches. 
734—SIBERIAN GEODE 


Large helmet-shaped section of one of the great hollow pebbles, 
the entire interior of amethyst crystals. A fox carved of car- 
nelian has been placed inside. In leather case stamped “J. B. B.” 
Diameter, 9 inches. 
735—MarsiE Inutay PLaaQuE 
A picture of two Eastern horsemen dashing through a moun- 
tainous country, inlaid in various marbles and touched with 
enamel. In gilt frame. 
Height, 51% inches; length, 8°4 inches. 
736—VENETIAN Mosaic PLaQuE 
Picturing a gondolier on the Lagoon, and distant roofs of the 
city. In gilt frame. 
Height, 7, inches; length, 12 inches. 
737—PorTrery PLaauE 
Circular and concave. Iridescent decoration of a landscape by 


the waterside. 
Diameter, 201, inches. 


738—EnaMELED Porrery PLAQUE 
Decorated in opalescent color with a young girl holding a 
mask. 
Height, 181% inches; width, 12%, inches. 
739—Two Turkish Enamet Trays 
Circular ; one with flat rim and one with a “piecrust” rim. Deco- 
rated with birds among blossoms and with panels with simulated 


Arabic inscriptions. 
Diameters, 1444 and 14°34 inches. 


Fourth Afternoon 


740—Camero Carvine By Grorce WoopaLu 
“Music”; a scrolled panel with a classic female figure seated on 
a marble bench, playing the lyre, in white on dark ground. In 
gilt and brocade frame. Signed: Geo. Woodall. 
Height, 1214 inches; width, 934 inches. 
(Illustrated) 


741—Camero Carvine BY GEorcE WoopaLu 
A companion to the preceding. “Literature”; a seated youth- 
ful female figure, with scroll and quill. Signed: Geo. Woodall. 
Height, 121%, inches; width, 10%, inches. 
(Illustrated) 


742—-Camro Carvine By GrorceE WoopaLu 
A circular plaque with dark background, carved in white with 
three maidens in filmy drapery, on a marble porch overlooking a 
body of water, with classic buildings on the distant shores and 
a marble pool in the foreground. In square brocade and gilt 


frame. Signed: Geo. Woodall. 


Diameter, 17 inches. 


Accompanied by photograph of the sculptor at work in his studio and by 
a sample of his material. 


(Illustrated) 


743—Parr JAPANESE Lacquer PLaAQvuEs 
Circular and concave, the rims delicately painted with gar- 
lands, and the bottoms of the cavettos inlaid with chickens and 
mandarin ducks in tinted ivory and mother-of-pearl in high 
relief. 
Diameter, 1814 inches. 
744—Pair CHINESE Sirk EmpBroiperep Trays 
Circular, in teakwood frames carved with handle slots. Richly 
embroidered in silk and gold thread with peacocks standing with 
tails spread, on a white silk ground, under glass. 
Diameter, 221, inches. 
745—LacauER Writine CasE 
Folding in oblong box form. Red lacquer with white metal 
mounts, decorated in gold and black lacquer with fighting cocks 
and flowers. Japanese workmanship; executed for a foreigner. 
Length, 1934 inches. 
746—JAPANESE 'TORTOISE-SHELL TRAY 
Circular and ovoidal, carved from a single shell. Interior deco- 
rated in gold lacquer with wild geese and shrubbery about a 
winding river. Rests on detached foot. Signed: Minota Naga- 


hisa. 
Diameter, 22 inches. 


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Fourth Afternoon 


747—East Inpian MorTuHer-oF-PEARL Inutaip Tray 


Conventional designs, including an animal medallion, inlaid in 


mother-of-pearl in black lacquer. 
Diameter, 12 inches. 


748—MoorisH Intaip PERFUME oR MEDICINE CHEST 


Conventional mosaic designs. Fitted with twelve glass-stoppered 


bottles decorated in gilt and enamel. 
Length, 8 inches. 


749—FrLacon Aanp Tospacco Box 


English ram’s-horn tobacco box, mounted in Sheffield silver plate, 
with a horse finial on cover. 


Metal flagon, of cone shape, with recurving and scrolled handle 
and thumb-piece. Surface in greenish marbleized effect, or in 
imitation of a dense patina on bronze. Maker’s mark: John 
Frick, New York. 

Respective heights, 97%, and 12 inches. 


749,s—-Pair Desk Boox Ho.upeErs 


Crudely painted in Japanese lacquer work with Chinese scenes. 


Height, 4°, inches. 


750—Two CuINnEsE Optum PireEs 
Cloisonné enamel decoration, one representing an imperial dragon 
among clouds, the other presenting floral and geometrical forms. 


Height, 151/, inches. 


%51—CHINESE CLOISONNE ENAMEL VASE WITH COVER 


On three elongated ball feet with monster-head knees. Two 
elephant-head loop handles. Cover surmounted by a Fu-lion 
with the brocaded ball. Archaic conventional decoration in- 
cluding the ogre eye, on turquoise-blue ground. 

Height, 121% inches. 


752—Pair JAPANESE CLOISONNE ENAMEL VASES 


Highly conventional decorative motives, including the Indian 
lotus, the howo bird and various emblems, in polychrome on 


white and dark green grounds. 
Height, 131, inches. 


“58—TIwo Turkish NARGHILES 


One in porcelain, and one of metal and wood and cocoanut shell; 
both with brightly colored accessories. 


Heights, 291, and 43 inches. 


Fourth Afternoon 


754—Pair AusTRIAN ENAMELED Tati Stranpine Cups wirH Covers 
Deep inverted-bell shape on baluster standards with broad bases ; 
dome covers surmounted by mediaeval figures. Decorated with 
figure compositions, on one cup bucolic scenes and on the other 


mythological representations. Gilt lined. 
Height, 27 inches. 


755—JAPANESE Sitver Enamet Vase 
Elongated ovoid form with low spreading foot, and tall slender 
neck lightly expanding at the lip. Around the base a turbulent 
sea in glowing azure enamel, from which a brilliant yellow dragon 
breathing flame emerges, glaring at a green dragon in the 
atmosphere above, which is represented in blue and silver on a 


stippled ground. 
Height, 2414, inches. 


756—Eepuant Foor Toracco Jar 
Huge elephant’s foot, mounted with Japanese bronze tobacco 
box, and a teakwood cover with agate and malachite handle. 


Height, 12 inches; diameter, 1414, inches. 


757—JapanrEsE Woop Carvine 
Nude figure of a powerfully built hunter, with loin dress of 
leaves, with his bird on his wrist, poised for flight. Carved 


wood, painted. 
Height of figure, 21 inches; total height, 27 inches. 


BRONZE, GILT-BRONZE AND OTHER METAL OBJECTS 


758—Two Merat Cicar LicHTERS 


In forms of an English bulldog and a dachshund. 


759—Two STATUETTES 
One a rabbit, in Vienna bronze; the other a setter retrieving a 


pheasant, in bronze with green patina. 
Height, 51, inches. 


760—Two JapaNEsE Bronze STATUETTES 
Elephants. One with ivory tusks. Reddish brown and green 


patina. 
Respective heights, 3 and 4 inches. 


%61—TIwo JAPANESE Bronze STATUETTES 


Elephants. One with raised trunk. 
Height, 4 inches. 


Fourth Afternoon 


%162—Two JAPANESE Bronze STATUETTES 


Elephants. One with raised trunk, the other walking. Dark 
brown patina. 
Height, 41/, inches. 


763 


JAPANESE BronzE Group 


Elephant in combat with two tigers. Dark and light brown 
patina. 
Height, 51/, inches. 


764—Two Vienna Bronze STATUETTES 


Scotch terrier and English bulldog. 
Heights, 5 and 51%, inches. 


765—BronzE STATUETTE 


Camel. Dark green patina. 
Height, 8 inches. 


766—Two JAPANESE BRONZE STATUETTES 
Rhinoceroses. One-horned species. Reddish brown patina. 
Height, 41/, inches. 
767—BronzE Group 


Seated setter dog with rabbit in his mouth. Reddish brown 
patina. Signed: Manneville, 1907. 


Height, 9 inches. 
768—JAPANESE Bronze STATUETTE 
A roaring lion. Dark, dull green patina. 
Length, 131%, inches. 
769—Two JAPANESE Bronze STATUETTES 
Running elephants. Dark reddish green patina. 
Length, 13 inches. 
770—JAPANESE Bronze Group 


Tiger and crocodile, on bank of a stream. Dark green and dark 


brown patina. 
Height, 7 inches; length, 12 inches. 


771—JapPpANEsE Bronze VASE 
Gourd-shape. Reddish brown patina. 
Height, 74/7, inches. 
V72—SILVERED Bronze STATUETTE 


In the form of a leaping carp. Base in representation of waves. 


Signed: H. Itoki. 
Height, 81/, inches. 


Fourth Afternoon 


773—SENTOKU BronzE INCENSE-BURNER 


Japanese. Figure mounted on an elephant. 
Height, 9 inches. 


773A—Two Japanest Bronze STATUETTES 


Roaring Tigers. Reddish brown patina. 


Respective heights, 8 inches and 1014 inches. 


773B—Two JAPANESE BronzE STATUETTES 
Lion and camel. Dull green patina. 
Respective heights, 8 inches and 10 inches. 


774—AnTIQUE CHINESE Bronze AND CLOISONNE INCENSE-BURNER 
Priest mounted on a horse. Reddish brown patina. 
Height, 13 inches. 


T75—JAPANESE BRONZE AND CLOISONNE GROUP 


In form of a scholar mounted on a mythical animal. Reddish 


brown patina. 
Height, 13 inches. 


T76—JAPANESE SILVERED Bronze Group 


Two fighting cocks. 
Height, 12 inches. 


777—Bronze Cigar Hotprer anp AsHu TRAY 


In the form of a bat-eared French bulldog seated beside a tub. 
Brown patina. Signed: Manneville, ’07. 


778—JAPANESE BronzE STATUETTE 


Walking camel. Dark brown patina. 
Height, 12 inches. 


779—JAPANESE BRronzE STATUETTE 


Walking camel. Dark brown patina. 
Height, 121/, inches. 


780—JAPANESE Bronze STATUE 


In the form of a tortoise. Green patina. 
Length, 16 inches. 


781—Two Bronzr STATUETTES 
Snake charmers. Tinted and gilded. On marble bases. 
Height, 9 inches. 
782—Two Bronze STATUETTES 


Dancing girls. ‘Tinted and gilded. 
Heights, 91, inches. 
783—Two GILtT-BRONZE STATUETTES 


Ballet dancers. By Olivio Resci, 1913. 
Heights, 81/, inches. 


Fourth Afternoon 


%784—Two GILT-BRONZE STATUETTES 


Companions to the preceding. 


785—Two Frencuo GILT-BRONZE STATUETTES 


One a nude figure of a dancing girl, by Clemencin, signed; the 
other, nude female figure, by Mannini, signed. On varicolored 


marble bases. 
Respective heights, 111, and 131/ inches. 


%786—Two GriutpEep Bronze STATUETTES 


The first, nude figure playing musical instrument and dancing, 
by E. Piron, signed; the other, nude girl drinking, by V. Siefert, 


signed. Marble bases. 
Respective heights, 12 and 131, inches. 


787—GILT-BRONZE STATUETTE 
Nude figure, “The Model.” On circular marble base. 
Height, 14 inches. 
788—GILT-BRONZE STATUETTE 


Nude female figure with removable costume. By C. Kauba, 
signed. On marble base. 
Height, 14 inches. 


789—GILT-BRONZE STATUETTE 


The Awakening. On brocatelle marble base. 
Height, 17 inches. 


790—GILT-BRONZE STATUETTE 


Nude figure, “The Dancer.” By A. Saladin; signed. On green 
onyx pedestal. 
Height, 161/, inches. 


791—GILT-BRONZE STATUETTE 


Half-draped figure of a female dancer. On verte antique mar- 
ble base. 
Height, 16 inches. 


192—GILT-BRONZE STATUETTE 
Tambourine dancer. By S. Luglh, on base of reddish marble with 
commemorative tablets in bronze. 
Height, 1614, inches. 
793—Duvu. GILT-BRONZE STATUETTE 
Dancing girl. By Paul Troubetzkoy, 1915; signed. 
Height, 131% inches. 
%94—GILT-BRONZE STATUETTE 


Football player. By Bofill; signed. 
Height, 11 inches. 


Fourth Afternoon 


795—GILT-BRONZE STATUETTE 


The Boxer. In characteristic pose. By Cunill; signed. 


Height, 1314 inches. 


796—GILT-BRONZE STATUETTE 


The Tennis Player. 
Height, 121% inches. 


~ 


(97—GILT-BRONZE STATUETTE 


The Jockey. Ivory face. With signatures of Max Dearly and 
B. E. Gaireaud. 


Height, 121% inches. 
798—Bronze Desk Ser 


Greenish-yellow patina. With decoration of horses and horses’? 
heads. Consisting of reading lamp, clock, paper holder, two 
match holders, stamp box and two calendar holders. Some 


pieces signed C. Sadek. 


799—FrReNcH GILT-BRONZE STATUETTE 
Dancing girl, Regina Badet. By M. Guiraud Riviére. On Siena 


marble base. 
Height, 18 inches. 


800—GILT-BRONZE STATUETTE 


Young woman dancing to the music of her piping. ~ Draperies 
tinted green. By Phiymy(?); signed. Verte antique marble 


base. 
Height, 19 inches. 


801—GiLpED AND TINTED Bronze STATUETTE 


Spanish dancer. Siena marble base. 
Height, 20 inches. 


802—-GiILDED, JEWELED AND TINTED Bronze STATUETTE 


Egyptian dancer. By J. R. Colinet (?). Signed. Variegated 
marble base. Top of base fitted for electric light. 


Height, 18 inches. 


803—Frencun GILT AND TinteEp Bronze STATUETTE 
Egyptian dancer. On green marble base. Signed on the base: 
Philippe. 
Height, 22%, inches. 
804—Frencuy GILT-BRONZE AND ENAMELED STATUETTE 


Toe dancer. Siena marble pedestal. Signed: Philippe. 
Height, 24 inches. 


Fourth Afternoon 


805—-FrRENcH GILT-BRONZE STATUETTE 
Bacchante. By J. L. Géréme. Signed. 


Height, 23 inches. 


806—FrENcH GILT-BRONZE STATUETTE 


Seated young woman holding a lily wand. Jeweled and enameled 


decoration. Signed: A. Vibert. 
Height, 15 inches. 


807—Frencuo Gitt ano Tintep Bronze STATUETTE 


The skirt dancer, Lois Fuller. Signed: Louchet. 
Height, 21 inches. 


S08—FrencH GILT-BRONZE STATUETTE 
Grecian dancer. By Philippe. Signed. Onyx base. 
Height, 201, inches. 


ee 


Fourth Afternoon 


809—SILVERED AND GiLpED Bronze STATUETTE 
The Comet. By Ch. Louchet. 
Height, 15 inches; length, 27 inches. 
810—BronzeE STATUETTE 
Grecian dancer. By Howard. Signed. 
Height, 191/, inches. 
811—GILT-BRONZE GROUP 
In the form of a boat with net and juvenile fishers. By Aug. 


Moreau. Signed. 
Height, 81% inches; length, 221/, inches. 


812—Frencn Gitt anp Trytep Bronze PiatEeau 
With ornamentation of grapes and vine. By A. Marionnet, 
Salon 1912. Signed. ; 
Length, 181/, inches; width, 16 inches. 
813—GILT-BRONZE STATUETTE 
‘Venus Among Waves.” The latter translucent glass. 


Height, 161% inches. 


8134s—FrENcH BRONZE STATUETTE 
“Cirer M’ssieu!”’ Figure seated on a red marble pedestal in the 
form of a balustrade. Green and brown patina. By Pepin. 


Height, 26 inches. 


814—Bronze Jar 
Greenish patina. With gilded figures symbolic of the Sun and 


Moon, in relief. By B. A. Larroux. Signed. 
Height, 11 inches. 


815—JapaNEsE Bronze Taste Lamp 
Fitted for electricity. Pierced and engraved ornamentation of 
mythical birds, grotesque masks and dragons. 
Height, 261% inches. 


816—HammMeErep Coprer Jar 

In the form of a high hat. 

Diameter, 8 inches. 

817—Two Bronze OrNAMENTS 

One, a group of two figures mounted on a camel; the other, ‘The 

Gleaner.” The latter signed: Dalou. 
Heights, 5 and 6 inches. 
818—Bronze Asu Tray 

Antique green patina. “The Peace Pipe.” By C. M. Russell. 


Signed, and dated 1914. 
Length, 9 inches. 


Fourth Afternoon 


819—Bronze PiaqQuE 
“Pandora.” By F. Levillain. Signed. 


Diameter, 7 inches. 


819s—PeErsian Brass Taste Lamp 


Vase-shaped. With engraved vine pattern on a red ground. 
Serpent handles. Pierced brass shade. Fitted for three electric 


lights. 
Height, 4414 inches. 


819ns—Enxectrric Reaping Licut 
With adjustable Siena marble base. 


819c—ComposiITION TELEPHONE CASE 


In the form of a globe with figure of a young woman and cupid. 


Marked: Copyright L. C. Mauer, January, 1915. 
Height, 14 inches. 


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VIEW OF EMPIRE BEDROOM 


FIFTH AFTERNOON’S SALE 


FRIDAY, OCTOBER 26, 1917 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 O CLOCK 


Catalogue Nos. 820 to 1031g, inclusive 


JAPANESE AND EUROPEAN BRONZES 


820—Two JapaNESE Bronze STATUETTES 
Walking elephants. Each finished with a dark brown patina. 


Respective heights, 5 inches and 51/4 inches. 


821—Two JAPANESE BRONZE STATUETTES 


Walking elephants. One with ivory tusks. Red and green pa- 
tina. 


Height, 414 inches. 
822—JapanEse BronzE Group 
Three elephants. Reddish brown patina. 
Height, 6 inches. 
823—JapanrEsE BronzE STATUETTE 
Walking elephant. Lifelike example. Green patina. 
Height, 5%, inches. 


824— JAPANESE Bronze STATUETTE 
Standing goat. Dark green patina. 
Height, 7 inches. 
825—JAPANESE BronzE STATUETTE 


Walking camel. With reddish brown patina. 
Height, 914 inches. 


826—Frencu BronzE AND MarsBuE ORNAMENT 


Napoleon standing beside a pedestal surmounted by an eagle. 
(As is.) 
Height, 10 inches; length, 81/, inches. 


Fifth Afternoon 


827—Frencuo Bronze Bust 
The French scientist Pasteur. Coated with a reddish brown 


patina. By A. Gaudez. 
Height, 14 inches. 


828—BronzE ORNAMENT 
Design of breaking waves and sportive water nymphs. By Cho 


Bracken. Signed. 
Height, 15 inches. 


829—FrencH Bronze Group 


Equestrian figure of Napoleon. Green patina. Verte antique 


marble base. 
Height, 13 inches. 


830—BronzEe STATUETTE 
“The Oarsman.” Golden brown patina. Marble base. 
Height, 20 inches. 


831—BronzE Group 


“Roman Carrying Off a Sabine Woman.” Brown patina. 
After the statue in the Wallace Collection, London, “Atelier of 
Giovanni da Bologna.” 


Height, 20 inches. 
832—FrencH BronzE Group 


Boy and fighting cocks. Brown patina. By Paul Chevre. 
Signed. 


Height, 191%, inches. 
833—JAPANESE Bronze STATUETTE 
An elephant with monkey clinging to upraised trunk. Reddish 


brown patina. 


Height, 16 inches. 


834—JapaNESE Bronze STATUETTE 
Elephant with monkey grasping its ear. Reddish brown patina. 
Height, 12 inches. 


835—JApPANESE Bronze STATUETTE 
Walking elephant with upraised trunk. Greenish brown patina. 
Height, 11 inches. 


836—JAPANESE BronzE STATUETTE 


Trick elephant on sphere. Ivory tusks. Dark green patina. 


With stand. 
Height, 15 inches. 


Fifth Afternoon 


837—JAPANESE BRONZE STATUETTE 
Lifelike model of a walking camel. Greenish brown patina. 
Height, 13 inches. 
838—JAPANESE BronzE STATUETTE 


Standing camel. Greenish brown patina. 
Height, 12 inches. 


839—JaPaANEsE Bronze Group 
Five lions roaring. Dark green patina. 
Height, 11 inches; length, 15 inches. 
840—JapaNnEsE Bronze STATUETTE 
Walking elephant. Greenish brown patina. 
Height, 131/%, inches; length, 18 inches. 
841—Two Bronze Groups 
Polo players. Brown patina. By I. Bonheur. Signed. 
Height, 13%, inches. 


842— JAPANESE BronzE STATUETTE 
Warrior with sword and lance. Gilded and colored. Carved 
wood stand. 
Height, 16 inches. 


843—FrencH GILDED AND TINTED BronzE Group 


Equestrian figure of Napoleon. By A. Vibert. Signed. 
Height, 17 inches. 


844—GILT-BRONZE GROUP 


Napoleon standing beside his horse. By Vannetti. Signed. 


Green marble base. 
Height, 17 inches; length, 191%, inches. 


845—Russtan BronzE Group 


“Chasse des Gazelles au Guépard Perse.” Reddish brown and 
gilt patina. By Dubucand. Signed. 


Height, 22 inches. 


846—Bronze Group 


Mounted Arab. Reddish brown patina with gilding. By Du- 


bucand. Signed. 
Height, 20 inches. 


847—GILT-BRONZE Group 


“The Quadriga.” 
Height, 1414, inches; width, 161%, inches. 


Fifth Afternoon 


848—Two JAPANESE BronzE STATUETTES 


“The Fan Dance.” Green patina. Carved wood base. 


Height of figures, 10 and 15 inches. 


849—Two Bronze STATUETTES 
Egyptian. Green patina. By E. Picault. Black marble bases. 


Height, 201, inches. 


850—Bronze Group 
“The Captive.” An Arab with a captive fleeing on a camel. 
Coated with a green patina. By J. B. Belloc. 


Height, 191, inches; length, 21 inches. 


851—GILDED AND CoLorRED VIENNA BronzE STATUETTE 


Arabian soldier. Green marble base. 
Height, 24 inches. 


852—BronzE STATUETTE 
“Prométhée.” Greenish brown. By A. Cambos. Fitted for 
four electric lights. 


Height, 29 inches. 


853—GILT-BRONZE STATUETTE 
Athlete about to throw a stone. Modeled from life. 
Height, 25 inches. 


854—BronzE STATUETTE 
Race-horse. Greenish-brown patina. Siena marble base. 


Height, 18 inches; length, 26 inches. 


855—BronzeE Group 


Jockey on race-horse. Reddish brown patina. By I. Bon= 


heur. Signed. 
Height, 21 inches; length, 24 inches. 


856—Bronze Bust 


Napoleon. Reddish-brown patina. By Colombo. Signed, and 


dated 1885. 
Height, 22 inches. 


857—GILT-BRONZE GROUP 
Equestrian statue of Napoleon. By Morise. Signed. 
Height, 25 inches; length, 24 inches. 


Fifth Afternoon 


858—Turee Puatep MeEtTaL STATUETTES 


Pointer, setter and Russian wolfhound. In lkelike poses. 


Respective heights, 10, 1014 and 138 inches. 


859—Bronze TABLET 


Low-relief portrait of Tolstoi. Reddish brown patina. By L. 
Racot. Signed. 


Height, 17% inches; width, 1314, inches. 
860—JapanresE Bronze PLaqQuE 
With high-relief figure of a Japanese baby boy. Very dark 
green patina. 


Diameter, 19 inches. 
861—THREE JAPANESE BronzE ORNAMENTS 
Goose and two goslings. Antique green patina. 


Respective heights, 14 and 19 inches. 


862—BronzEeE STATUETTE 


A cock-pheasant. Reddish brown patina. By P. Comolera. 
Signed, and dated 1862. 


Height, 15 inches; length, 31 inches. 
863—JAPANESE BronzE STATUETTE 
Seated hare. Natural pose. Dull green patina. 
Height, 161/, inches. 


864—BronzE STATUETTE 


Tiger crouching. By Amaphimester Proctor. Signed, and 
dated 1891, No. 2. 


Height, 1914 inches; length, 37 inches. 
865—BronzeE STATUETTE 
Fox. By H. Puirol. 
Height, 12 inches; length, 33 inches. 
866—JapaNESE BronzE Group 
Stag, doe and fawn. Naturally placed. 
Height, 141% inches; length, 34 inches. 


867—BronzE Group 
“Spanish Vaquero.” Finely modeled. By Dubucand. Signed. 


Height, 23 inches; length, 20 inches. 


868—GILT-BRONZE GROUP 


United States cavalryman. A splendid composition. By C. 


Kauba. Marble base. : 
Height, 29 inches. 


Fifth Afternoon 


869—GILT-BRONZE GROUP 


“Fortune Crowning the Winning Horse.” By J. L. Géréme. 
Signed. 
Height, 23 inches; length, 38 inches. 


870—Rvss1an Bronze Group 
“The Standard Bearer.’ Signed. 


Height, 31 inches; length, 23 inches. 


871—CLoIsonnNE aND Bronze Group 


Chinese. Deity mounted on an elephant. 
Height, 28 inches. 


872—BronzE Group 


“The Falconer.” By P. J. Mene. 
Height, 31 inches. 


Fifth Afternoon 


873—BronzE STATUETTE 


The Armorer. By E. Puinot. 
Height, 26 inches.. 


874—VIENNA BronzE STATUETTE 
Nubian boy musician, smoking. By A. Strasser. 


Height, 24 inches.. 


875—TinTED AND GILDED BronzE STATUETTE 


An Arabian girl with tray and dirk. Signed: A. Gaudez. 


Height, 34 inches. 


876—TintTEp Bronze STATUETTE 


Turkish dancer, “Zingari.” By Guillemin. Signed. 


Height, 36 inches.. 


877—BronzE STATUETTE 
“An Arabian Armorer.” By G. Gueyton. Signed. 
Height, 341/, inches. 


878—Vienna Bronze STATUETTE 


An Arabian woman holding a paroquet. 


Height, 33 inches.. 
Note: Used for newel post ornament. 


879—GILT-BRONZE GROUP 


“Cleopatra and Slave.” By H. Dumaige. Signed. Red mar- 


ble base. 
Height, 41 inches. 


880—TintED Bronze STATUETTE 
The Circassian Chieftain. By E. Guillemin. Signed. 


Height, 47 inches.. 


881—GitpEpD Bronze Group 
Three girls dancing around a gray marble pedestal surmounted 
by bust of Pierrette. By Ch. Peyre. Signed. Copyright, 1904,. 


by Georges Raingo. 
Height, 43 inches.. 


Fifth Afternoon 


882—-GILT-BRONZE GROUP 


A gun team is charging wildly over slightly rismg ground. The 
near leader, with his rider, has fallen. The rider of the wheel 
horse struggles madly to check his mount and save his com- 


panion. By S. Colona. Signed, and dated 1865. 


Height, 23 inches; length, 32 inches. 


Note: A reduced copy of a portion of the heroic monumental group. 


885—GILDED AND CoLorRED VIENNA BronzE STATUETTE 


Seated figure of an Arab, smoking. On pedestal covered with 


figured velvet. 
Height, 51 inches. 


886—MoorisH Bronze CAskKET 
With etched and silvered decoration of flowers and inscrip- 
tions. The interior lined with wood, inlaid with mother-of- 


pearl. 


Height, 1114 inches; 17 inches square. 


887—Frencu Bronze STATUETTE 
“Bull.” After Bayre. Granite base. 


Height, 23 inches; length, 25 inches. 


888—FrencH Bronze STATUETTE 
Wolf caught in a trap. Gilt bronze. By P. Pautrot. Paris, 


1869. Signed. 
Height, 25 inches; length, 28 inches. 


889—Frencu Bronze STATUETTE 
“The Challenge.” Walking stag. Greenish brown patina. By 


R. Rosche. Signed. 
Height, 25 inches; length, 29 inches. 


890—JapaNESE Bronze CaBINET 
In the form of one half of a peach fruit, with support of branch 
and leaves and flanked by three monkeys. Contains drawers and 


compartments. 
Height, 30 inches; width, 30 inches. 


Fifth Afternoon 


891— Bronze STATUETTE 
Camel. Very lifelike model. Greenish patina. By C. Romanelli. 


Height, 30 inches; length, 38 inches. 


892— JAPANESE Bronze Group 


Japanese hunter with deer over his shoulder. Carved wood 
stand in the form of a bridge. Dark green patina. 


Height, 29 inches. 


893—-JAPANESE Bronze Group 


“The Combat.” Bull and bear fighting. A strong rendering 
of the subject. 
Height, 12 inches; length, 27 inches. 


894— JAPANESE BronzE STATUETTE 


“Water Buffalo.” Coated with a dull green patina. 


Height, 19 inches; length, 28 inches. 


895—JAPANESE BroNZE STATUETTE 


Walking Tiger. A strong rendering of the subject. Reddish 
brown patina. 
Height, 221%, inches; length, 48 inches. 


896—J APANESE eae GRoUP 


Tiger in combat with two bears. Reddish green patina, 


Height, 16 inches; length, 38 inches. 


897—J APANESE BRONZE STATUETTE 


Walking Tiger. Reddish brown patina. Teakwood base. 


Height, 16 inches; length, 36 inches. 


898— JAPANESE BronzE Group 


Tiger and cub. Dark green patina. 


Height, 17 inches; length, 35 inches. 


899— JAPANESE BronzE STATUETTE 


Elephant. A lifelike representation. Dull green patina. On 
teakwood base. 
Height, 24 inches; length, 51 inches. 


Fifth Afternoon 


900—JAPANESE BRONZE STATUE 
Walking lion. Well modeled. Dull green patina. On teakwood 
base. 
Height, 291%, inches; length, 50 inches. 


901—-Two JAPANESE Bronze STATUES 


Seated Dogs Foo. Dark green patina. 
Height, 30 inches. 


CARVED, SCULPTURED AND TINTED MARBLES 


902—Bas-RELIEF MarsitE PLAQUE 
Head of Jason with his helmet surmounted by a dragon; elabo- 
rately carved and undercut walnut frame. 


Height, over all, 16 inches; width, 15 inches. 


903—BisauE ALTO-RILIEVO PLAQUE 
“The Chanters.” Signed F. K. Oak frame. 
Height, 211% inches; width, 12 inches. 


904—Paritan Marsie STATUETTE 
Terpsichorean figure. By A. Luchini. Signed. 
Height, 14 inches. 


905—Parian MarspLtE ORNAMENT 


Nude female figure reposing on an oak leaf. By L. B. Rinton. 
Signed. 


Length, 14 inches. 
906—Turee Tintep ALABASTER STATUETTES 
Young woman reading, draped figure, and children dancing. 


' Heights, 1814, 16144 and 91%, inches. 


907—Two Parran MarsBLE AnD GILT-BRONZE STATUETTES 
‘Arab at Prayer” and “Arab Soldier.” The former by Bofill; 
the latter by A. Gory. Both pieces signed. 
Heights, 25 and 251% inches. 


908—GILT-BRONZE AND Bisque Group 


A Roman parting from his family. The heads, arms and feet 
of bisque. Red marble base. 


Height, 17 inches. 


Fifth Afternoon 


909—Gray anp YELLow MarsLe OrNAMENT 
Urn-shaped. With chiseled and gilt mounts of dancing figures, 
garlands and leaves. 
Height, 1414, inches 
910—Patr or CoLuMN-sHAPED VasEs 
Of Siena marble, highly polished. Ornamented with bands, 
mouldings and figures representing Science and Music in gilded 
bronze. 
Height, 13 inches. 
911—GiILT-BRONZE STATUETTE 
“La Pensée.” Partly draped figure seated on a Siena marble 
throne. By L. Chalon. Signed. On Siena marble pedestal. 


Height of figure, 23 inches; of pedestal, 37 inches. 


912—Simena Marsite Crock 
The French movement set in circular case with mosaic decora- 
tion and plaques with signs of the zodiac. Rectangular base. 
Height, 151% inches; length, 14 inches. 


913—-Marsre Bust 
Of a Bacchante, with gilded and tinted bronze ornamentation 
of grapes and leaves, pine cone and Pan pipes. 
Height, 30 inches. 
914—Carrara MarsiE STATUE 
“The Sail.” By Caradossi. Signed. With Siena marble 


pedestal. 
Height of statue, 54 inches; of pedestal, 32 inches. 


915—Tintep MarsiE STATUETTE 
Girl playing mandolin. By A. Luchini. Signed. With Siena 


marble pedestal. 
Height of statuette, 311%, inches; of pedestal, 40 inches. 


915a—EmpirE STYLE VASE 
Green glaze, with decoration of painted medallions with scenes 
from the life of Napoleon, by F. Amblat. Mounts, handles, 
bands and griffin supports in gilded bronze. (Cover repaired.) 
Height, 26 inches. 


915n—Berumw Porceiain VAsE 
Green glaze, with painted medallion of Napoleon I at Fried- 
land, by F. Wagner, after Horace Vernet. Other decoration 
of flowers, scrolls and borders in gilt. 
Note: Reproduction of the piece in the museum in Versailles. 
Height, 36 inches. 


Fifth Afternoon 


916—Pair or Rorat Douxttron VAsEs 


Tapering ovoid bodies, decorated with paintings of landscapes, 
cattle and sheep by C. Beresford Hopkins. The neck, base and 
standard of one, decorated in green enamel and gilt, and of the 
other, in white enamel and gilt. On Siena marble pedestals. 


Height of vases, 41 inches; of pedestal, 30 inches. 


917—Carvep Marspiue PEDESTAL 


With decoration of an interlaced vine in low relief. 
Height, 31 inches. 


918—Carvep Wuitrt Marsie PEpESTAL 


With flutings and low-relief decoration of a vine. 
Height, 36 inches. 


919—EmprreE StyLtE Porcevain Revortvine PEDESTAL 


With portrait of Josephine and other decoration of Empire de- 
signs gilded. Cast gilt brass mounts. Top and base of white 
marble. 

Height, 42 inches. 


920—Revotvinc Marsie PEpDEsTAL 
White marble, with gray markings, oval top, fluted column and 
square base. 
Height, 441/, inches. 
921—Wuire Marsie Tasie 
With cast, chiseled and gilded mounts and underbraces. Re- 
movable top, which discloses secret recess. 
Height, 31 inches; diameter, 191% inches. 
922—Marsie ConsoLte TABLE 
Shaped top. Three supports, with carving at the knees of 
animals’ heads. Paw feet on square bases. 
Height, 31 inches; length, 3714 inches. 
923—Parr or Wuitre Marsrie Vases 


Urn shape. With carved decoration of garlands of fruit, 
rams’ heads and acanthus leaves. On square bases. Reproduc- 
tions of antique examples. 

Height, 36 inches. 


924—Carvep MarsBieE SEAT 


Rectangular top, with rounded edges. End supports, with deco- 
ration of scrolls, female heads and paw feet on oblong bases. 
Red velour cushion. 

Height, 1814 inches; length, 40 inches. 


Fifth Afternoon 


ORIENTAL AND OCCIDENTAL ARMS AND ARMOR 


925—Toracco Pirr 


Thlinket (Queen Charlotte Islands) native tobacco pipe made 
of lead; flaring bowl with small opening; massive curved stem 
inlaid with copper. 

Length, 10%4 inches. 


926—Manay Knirr 


Woman’s knife worn at back of girdle, thin semicircular blade 
with edge on inner side, horn grip with finger hole at top, buffalo 
horn sheath open on lower side, with metal band at tip. 


Length, 74 inches. 
927—Two Ortentat DaccErs 


Small daggers worn in girdle, double-edged curved blades, buffalo 
horn hilts, ornate metal sheaths. 
Length, 13 inches. 


928—ALBANIAN Dirk 
Straight double-edged blade of fine steel, grooved on both sides, 
ivory grip with metal bosses at both ends, red leather sheath. 


Length, 121%, inches. 


929—Two OritentaL DaccErs 
Curved double-edged blades, ornamented with inlay work, one 
with metal grip, the other of horn. Without sheaths. 
Length, 14 inches. 


930—Detui KNIFE 
Slender guttered blade slightly curved, wide stiffening ridge on 
back of blade, massive horn hilt. Lacks sheath. 


Length, 14 inches. 


931—-Hinpoo DacceEr 


Wide curved blade terminating in a sharp point, wide ridged 
back, hilt made up of sections of colored agates. Lacks sheath. 


Length, 1414, inches. 


932—Prrsian KNIFE 


Finely forged blade of dark laminated steel inlaid with gold. 
Cylindrical hilt with ball top of dark brown agate inlaid with 
gold line ornament. Metal sheath inlaid with gold, with hand 


grip of leather. 
Length, 1414 inches. 


Fifth Afternoon 


933—Irattan DaccEr 
Reproduction of a Florentine dagger of the sixteenth century. 
Straight double edge blade, with two blood grooves on either 
side, which have small hole piercings in series of four. The hilt 
of chiseled bronze represents a bearded warrior with helmet and 
suit of complete chain mail, standing with hands crossed behind 
back on a rock to which he is chained. Both blade and hilt 


of extra-careful workmanship. 
Length, 11 inches. 


934—Perrstan KNIFE 
Dark steel blade with metal hilt inlaid with gold ornament. Scab- 
bard of wood covered with thin engraved silver sheathing. 


Length, 144/, inches. 


935-——Hinpoo DaccER 
Curved double-edged blade of dark steel with center rib on both 
sides, inlaid with gold ornament. Massive chiseled bronze hilt, 
set with a faceted agate. Lacks sheath. 


Length, 15% inches. 


936—Hinpoo DaccErR 


Curved double-edged bright steel blade, chiseled on both sides 
with arabesque ornament. Curved hilt with bird head top of 


iron damascened with gold. Without sheath. 
Length, 14 inches. 


937—ARABIAN “*JAMBIZA” DAGGER 


Curved heavy double-edged blade of dark steel, with strong center 
rib on both sides; hilt of yellow horn with applied silver sides; 
sheath of silver in form of a ram’s horn, with massive cone shape 


tip; rings at sides for cords. 
Length, 18 inches. 


938—Ecyptian DaccEr 
Triangular deep guttered blade. Hilt and sheath of brass deco- 
rated with arabesque and floral ornament chased in relief. 


Length, 1614 inches. 


939—MoortsH DaccER 
Crudely forged slightly curved blade, lower half double edged; 


horn hilt with brass inlay; massive brass sheath with turn-up 


end, chased with arabesque ornament. 
Length, 1614, inches. 


Fifth Afternoon 


940—SovupanEsE DaccErR 


Two double-edged blades, reverse curved, etched with Arabic 
inscription, with center grip covered with colored glass beads. 


Length, 20 inches. 
941—Perrstan DaccEerR 


Double-edged blade, grooved on both sides; hilt of ivory with 
metal bosses; green leather sheath. 
Length, 17 inches. 
942—Prrstan DaccEr 


Curved double-edged blade, with center rib on either side; gold 
ornamental inlay under the hilt, walrus ivory grip, wooden sheath 
with inlaid metal ends, covered with velvet over the hand grip. 


Length, 191/, inches. 
943—TourkisH DAccER 


Narrow straight blade with center rib on both sides, walrus ivory 
hilt, wood sheath covered with silver repoussé with arabesque 
ornament in relief. 
Length, 20 inches. 
944—KEeyptTian DaccEr 


Slender blade, with walrus ivory hilt and metal sides set with 
carved corals and metal bosses to give firmness to the hand hold; 
chiseled silver sheath partly gilt. 
Length, 21 inches. 
945—Atpanian Dirk 


Slightly curved dark steel blade with faint traces of etched orna- 
ment; edge on inner side; elaborate silver hilt enriched with corals 
and niello inlay. Without sheath. 
Length, 1714, inches. 
946—JavanEsE Kris 


Very old wave-edge blade of laminated steel, guttered at hilt 
with tribal marks; grip of carved wood in the form of a grotesque 
human figure. Lacks sheath. 
Length, 1714, inches. 
947—JAvANESE Kris 


Dark steel double-edge blade, with one wave movement below hilt ; 
balance of blade straight. The widening of the blade at hilt 
is covered with a carved gold dragon on either side and set with 
many crude cut small diamonds; tribal marks in the carving of 
wooden grip. Sheath of wood covered with gold embellished on 
outer side with repoussé arabesque ornament in relief and green 
enamel. Unique and valuable specimen of antique Javanese art. 


Length, 19 inches. 


Fifth Afternoon 


948—Hixnpoo DaccER 


“Lahore Khanjar” curved blade of laminated steel, grooved on 
both sides; gold inlay below hilt; grip made in two sections of 
light green jade; jeweled metal band between sections; top of 
bronze in form of a leaf; scabbard of silver gilt repoussé in 
relief. 

Length, 16% inches. 


949—Two Circassian SHORT SworDs 


Wide double-edged grooved blade of dark steel; gold inlay in- 


scription; ivory hilt. The other with horn hilt. 
Length, 241/, inches. 


950—CircassIAN Sworp 


Straight double-edge blade tapering to a slender point, beveled 
on both sides from center, bright steel, etched inscription, hilt 
and scabbard of chiseled silver, decorated in arabesque orna- 


ment in relief and niello inlay. 
Length, 221% inches. 


951—CrrcassIAN Sworp 


Slender double-edge blade of bright steel, beveled on both sides 
from center, etched inscription, hilt and scabbard of silver ex- 
quisitely chased in relief and decorated with niello inlay and 
gilding. 

Length, 22 inches. 


952—CircassiAN SworpD 
Persian blade of dark steel, straight in form tapering to a fine 
point, double edge with deep groove on either side, hilt and 
scabbard of silver chased in floral and arabesque relief and deco- 


rated with niello and gilding. 
Length, 211, inches. 


953—Two Hinvoo “Karars” 


Straight-thrust dagger, with double grip and side hand guards. 
Outer blade opens by pressure on grip and contains an inner 
blade; the other with a thin double-edged flame blade. 


Length, 21 inches. 


954—Parr Scotrcu Fuintitock PIstoizs 


Pair of eighteenth century pistols, made by Ross, Edinburgh. 
Name on both barrel and lock; all parts of dark blued steel, 
elaborately chased and engraved; trigger of topaz in form of a 
thistle bud, one missing. On sides are long belt prongs. 


Length, 10 inches. 


Fifth Afternoon 


955—Patr SEVENTEENTH CentTuRY Furmnriock Pisrors 
Early type of pistol with ball butt; wood stocks decorated with 
wire inlay. 
Length, 1514 inches. 
956—Pair Turkish Fuinriock Pisrous 


Pistols of type of late seventeenth century. Long, slender bar- 
rels and slightly curved stocks, encased in low grade silver sheath- 
ing and decorated pineapple butts; metal parts chased in relief 
with floreated arabesque. 

Length, 20 inches. 


957—Two Turkisu Frumntiock Pistots 
Pistol of early eighteenth century. Italian barrel, made by Labri 
Cominaz. Lock still contains the flint; shghtly curving wooden 
stock; chased metal sheathing and pineapple butt. 


Length, 20 inches. 
Another of same period, similar mountings. 
Length, 201/, inches. 


958—THREE SpanisH FrintLock Pistous 
Horse pistols of eighteenth century. Long heavy barrels and 
massive locks; wooden stocks with chased brass butts (one lacks 
the hammer). 
Length, 20 inches. 
959—EIcHTEENTH CENTURY Russian Fumntiocx Pisrou 


Massive barrel and finely wrought lock. Barrel and stock en- 
cased in silver sheathing, decorated with fine wire filigree and 
shot or solid bead-work in relief; also niello medallions and 
coral inlays. 

Length, 20 inches. 


960—Two EIcHTEENTH CENTURY FiInTLOcK PIsToLs 


Massive European barrels; heavy stocks and ‘‘mace” head butt; 
Egyptian metal mounts, decorated with corals and paste tur- 
quoise. 
Length, 201, inches. 
961—Two E1cHTEENTH CENTURY FLINTLOCK PISTOLS 


European manufactured barrel and lock; massive wooden stock 
and ornamental brass butt; Mohammedan chased silver sheathing 
over barrel; the other, smaller, decorated with gold inlay. 


Length, 1814, inches. 
962—Two EIcHTEENTH CENTURY FuINTLOcK PIsTOLs 


Long barrel and compact lock; wooden stock and massive ornate 
brass but. 


Another, with armorer’s mark on barrel; steel mounts. 
Length of each, 20 inches. 


Fifth Afternoon 


963—SmaLL EI1cHtTEENtH CENTURY Bayonet Pistou 


Flintlock of European manufacture. Slender barrel and small 
lock of bright steel, with folding bayonet attached to muzzle. 
Slender stock of brass, lengthened by a silver dagger handle of 
Hindoo workmanship, set with a rose cut diamond on either 
side and a cabochon emerald in the end. All of Oriental cut. 


964—EIGHTEENTH CENTURY FuInNTLOcK PIstToL 


Italian barrel marked GEVSEPPE MERLI, encased in an Oriental 
chased metal sheath. Stock ornamented with corals. 


Length, 17 inches. 


965—Patr WHEEL-LOCcCK PIstToLs 


Swiss pistols of early seventeenth century, with long barrels and 
small locks, all metal parts gilded. Slender wooden stocks 
and odd form grips, inlaid with ivory panels of hunting scenes 


and floral ornament (some inlays missing). 
Length, 241, inches. 


966—Sma.LL EIGHTEENTH CENTURY NAavaL BLUNDERBUSS 


Wide flaring muzzle and massive lock; metal parts inlaid with 
silver ornament; short wooden gun-stock decorated with wire 
inlay. : 

Length, 24 inches. 


967—EIGHTEENTH CENTURY BLUNDERBUsS PISTOL 


Spanish naval pistol with flaring muzzle; barrel and lock chased 
with trophies in relief; gun-stock grip inlaid with flattened wire; 
brass plate on end of grip. 

Length, 18 inches. 


968—Two ABporIGINAL AXES 


Narrow blades of brown slate mounted in wooden handles, deco- 
rated with lashing of split cane and dark cord, also with cowry 
shell and pieces of abalone shell set in gum. Claimed to be of 


African origin, but not guaranteed. 
Length, 30 inches. 


969—Hinpnoo “SHAMSHER’’ 


Antique blade of beautiful laminated steel, inlaid with gold floral 
ornament and Arabic inscriptions. Hilt and guard of massive 
silver, chiseled in high relief with Borneo ornament. Without 
sheath. 

Length, 36 inches. 


Fifth Afternoon 


970—Two EIGHTEENTH CENTURY EGYPTIAN SCIMITARS 


Wide blade of dark steel curving from hilt to point; ribbed back, 
inlaid with Arabic inscriptions in gold; hilt and scabbard of 
repoussé metal of rude workmanship, which shows traces of gild- 
ing, the outer side incrusted with coral scarabs arranged in stars 
and lines, also paste turquoises. Both lack corals from settings. 


Length, 34 inches. 


971—Two Sworps 


Iron reproductions for decorative use of swords of sixteenth 
century. Straight double-edge grooved blade, curved quillons; 
the other with straight quillons and twisted guard. 


Length, 44 inches. 


972-—EarLty EIGHTEENTH CENTURY CoURT SworD 


Thin flat rapier blade, reticulated steel guard, chiseled with 
floral ornament. Plaited wire-wound hilt, hollow pierced ball 
pommel. Without sheath. 


Length, 32 inches. 


973—EIGHTEENTH CENTURY RAPIER 


French rapier of Louis XVI period. Deep guttered triangular 
blade; guard, finger grips and pommel of chiseled steel, deco- 
rated with military emblems; plaited wire-wound grip. 


Length, 36 inches. 


974—EIGHTEENTH CENTURY CouRT SworpD 


French sword of Louis XV period. Thin flattened lozenge blade, 
etched its entire length on both sides with military and floral 


emblems; steel mountings, wire-wound grip. 
Length, 35 inches. 


975—Two Pacrs’ Sworps 


Florentine small-sword worn by pages. Thin rapier blade 
mounted with small silver guard ornamented with pierced work 
and chain; carved ivory grip; the other of similar type, lacks 
chain; ivory and silver grip. 

Length, 29 inches. 


976—KuyBer Sworp 


“Salawar yataghan.” Wide-blade panel on both sides, edge 
raised and beveled; heavy stiffening rib on back, wrought of finely 
laminated dark steel; short massive hilt of metal ornamented 
with a diapering of small stars and filled with niello. Lacks 


sheath. 
Length, 31 inches. 


Fifth Afternoon 


977—SIAMESE SworpD 


Two-handed executioner’s sword. Massive blade slightly widen- 
ing toward the point, etched on both sides with mythological 
animals and floral scroll; long cylindrical grip of silver etched 
similar to blade; pineapple cone pommel. Lacks sheath. 


Length, 36 inches. 


978—SIAMESE SworpD 


Two-handed sword. Very old dark steel unornamented blade 
gradually widening toward the point; cylindrical two-hand grip 
of silver, repoussé with serpent and scroll ornament in high relief ; 
large pommel of pineapple type. Lacks sheath. 


Length, 36 inches. 


979—HountTine Sworp 


Decorative reproduction. Wide flat double-edge blade with ser- 
pent etched on either side, also ‘Wolf’ mark and several names 
etched in antique text and a number 1339. Reticulated guard, 


pronged stag-horn grip. Without scabbard. 
Length, 44 inches. 


980—ALBANIAN YATAGHAN 


Antique blade, flame shape, wrought of fine steel, edge on inner 
side. The blade is reinforced by a silver backing extending down- 
ward, from the hilt of which it is a part. Ivory and metal grip 
with wide-pronged pommel. 

Length, 32 inches. 


981—-Y ATAGHAN 


Antique flame-shape blade, etched with stars and line ornament 
and stiffened by a wide back rib; metal and walrus ivory grip 
set with corals and applied shot ornament; silver sheath, em- 
bossed with military and arabesque ornament. 


Length, 31 inches. 


982—TurkisH YATAGHAN 


Antique blade of fine steel, flame form, back stiffened with both 
rib and groove, stamped with armorer’s mark, also star and 
inscription inlaid in silver. Metal and walrus ivory hilt, deco- 
rated with corals and paste jewels. Silver sheath, embossed in 
high relief with military emblems and scroll ornament, also an 
Arabic inscription. 

Length, 34 inches. 


Fifth Afternoon 


983——Hinpoo CEREMONIAL Sworp “Kora” 


Processional sword carried by eunuchs. Wide curved blade of 
334 inches at widest part, wrought of fine laminated steel. The 
edge extends from point a third of length on back, the flat being 
carved with panels in relief of mythological subjects outlined 
with gold. Massive steel hilt with wide disk pommel and pro- 
jecting spike. 

Length, 36 inches. 


984—-CEREMONIAL Sworp “LAHORE Kora” 


Extra-wide blade measuring from 4 to 484 inches, saber form, 
with massive ribbed back, which is etched with a trilingual in- 
scription. On the flat are applied figures of mythological sub- 
jects and line in relief, in brass. Massive steel hilt, etched with 
sacred tiger, etc., etc.; wide disk pommel, with projecting spike. 


Length, 36 inches. 


985—JapanEsE Lone Sworp 
Slightly curved heavy blade. Large openwork guard; design of 
rabbit and bamboo foliage; black lacquer scabbard decorated 
with a dragon in clouds in colors; long two-handed silk-wound 


grip. 
Length, 381, inches. 


986—J APANESE SuHort Sworp 


Fine old blade with beveled back and short groove below grip. 
Mustard yellow lacquered scabbard, openwork small bronze 
guard, bronze handle knife in scabbard, silk-wound grip. 


Length, 25 inches. 


987—Two JAPANESE SHORT Sworps 
Nearly straight blade, black lacquer scabbard, bronze handle 
knife, iron guard with gold foliage applied; the other smaller, 
with knife in scabbard, small bronze guard. 


Length, 27 inches. 


988— JAPANESE SHORT SworD 


Heavy bright blade; black ribbed lacquer scabbard, with knife 
and chopstick; blackened bronze mounts and guard; applied 


gold ornament in relief. 
Length, 271/, inches. 


Fifth Afternoon 


989—JAPANESE SHORT SworpD 


Antique narrow short blade, contained in a long scabbard of 
dark brown lacquer; old iron guard engraved with heraldic 


flowers; silk-wound grip. 
Length, 32 inches. 


990—Two JAPANESE SHORT Sworps 


Heavy wide blade, black lacquer scabbard with knife, iron guard 
and mounts, decorated with gold ornament in relief; the other, 
smaller, of similar type, reticulated iron guard. 


Length, 27 inches. 


991—-Two JAPANESE SHORT SworpDs 


Heavy wide blade, polished black lacquer scabbard, knife deco- 
rated with fowls in gold relief, iron guard and mounts; the other, 
smaller, black lacquer scabbard decorated with foliage in colors, 


iron guard and mounts. 
Length, 28 inches. 


992—_ JAPANESE SHORT SWORD 


Finely wrought blade with armorer’s mark on tang; scabbard 
of banded black lacquer containing knife and chopstick, deco- 
rated with mythological animals, in gold rehef; finely wrought 


guard and mounts. 
Length, 251/, inches. 


993—JaPANESE SHORT SworpD 


Finely wrought old blade, with armorer’s mark on tang; scabbard 
of mottled lacquer, with bronze handle knife, white bronze mounts 
on both scabbard and grip, small guard to match, with twisted 
rope edge. 

Length, 26 inches. 


994—-Setr or Two MarcHep Sworps 


Finely wrought bright blades with armorer’s marks. Bright 
black lacquer scabbards decorated with raindrop ornament in 
low relief; knife in scabbard of short sword. Ornate bronze 
guards, carved in relief, of clouds with gold dragons; mounts 
to match the guards. An unusual and valuable set of swords. 


Respective lengths, 41 inches and 21%, inches. 


995— JAPANESE SHORT SworpD 


Antique blade grooved on both sides; armorer’s mark on tang; 
black lacquer scabbard; raindrop motif in low relief; knife, with 
bronze handle; bronze guard inlaid with a dragon in gold. 


Length, 28 inches. 


Fifth Afternoon 


996—JAPANESE SHORT SworpD 


Fine wide bright blade, with armorer’s mark on tang. Polished 
black lacquer scabbard, with knife, handle decorated with a sheaf 
of rice in relief; antique iron guard inlaid with bronze floral 


ornament. 
Length, 26 inches. 


997—JapanEsE Lone Sworp 
Wide massive bright blade, grooved on both sides, polished black 


lacquer scabbard, decorated with birds and butterflies in colors, 
metal cord loops, iron guard, grip of black lacquer carved to 


represent cord lashing. 
Length, 34 inches. 


998—-JapaNESE THEATRICAL SHORT Sworp 
Blade of antique type, curved and widening at point, scabbard 
and hilt, wide-ribbed and rolling ends in two shades of red 
lacquer; also has white silk cord loops curiously knotted. 


Length, 22 inches. 


999— JAPANESE THEATRICAL DAGcER 


Thin narrow blade, contained in a wooden carved figure of a 
demon with extended arm, crudely lacquered in red, yellow and 


black. 
Length, 181, inches. 


1000—JaranEsE DaccEr 
Short bright blade, carved with bamboo foliage and the blos- 
soming “Mai” tree. Metal scabbard overlaid with an ornate 
pierced silver sheathing of scroll arabesque and applied flowers, 
fruit and butterflies in colored enamels, in relief. 


Length, 15 inches. 


1001—Pair CHINESE Sworps 
Thin double-edge, beveled from center blades. Scabbards of 
polished green shagreen, bronze mounts chased in relief, carved 


wood grips, bronze pommels. 
Length, 24 inches. 


1002—CuInEsE Sworp 
Wide thin double-edge beveled blade, pierced with round holes 
filled with bronze inserts. White shagreen scabbard, carved 


wood hilt, mounts of white bronze. 
Length, 261/, inches. 


Fifth Afternoon 


1003—Ecyrtrian CHIBOUK 


Long-stemmed tobacco pipe used in the bazaars of Cairo. Wide 
flat-bottomed bowl, with pierced cover attached by chain, also 
a bowl cleaner of sword shape; stem covered with sheathing 
repoussé with tobacco and grape decoration, all in low grade 


silver. Large imitation of amber mouthpiece. 
Length, 48 inches. 


1004—MountTEep Tropuy or OrtentaL Arms 


Small Persian shield, halberd head, two large flintlock pistols, 
two Persian battle-axes, and two flame double-edged Hindoo 
swords. Eight pieces. 


1005—EI1cHTEENTH CrntTURY HiInpoo “DHaw’” 


Large highly convexed shield of steel, with massive border ring, 
decorated with four bosses and nine brass plaques embossed 
in relief with Hindoo deities and demons. Steel surface is etched 
with flowers and sacred animals. , 


Diameter, 271/, inches. 


1006—Two Hinpvoo “Dxwats’” 


Cavalry shield, convexed surface, decorated with pierced center 
panels of Arabic monograms and ribbons; four high cone bosses 
outer edge etched with inscriptions, brass rim; the other of 
black steel inlaid with arabesques and inscriptions in gold line. 


Diameter, 1814 inches. 


1007—Two Hinpnoo “Dnwats” 


Fencing shield, used in left hand, in conjunction with the long 
sword, etched with arabesque ornament and inlaid with gold. 


Diameters, 13814 inches. 


1008—Two Hinnoo HELMETs 


Oval skull caps of fine steel, etched with arabesque ornament, 
sliding nose protectors, socket for plume on either side, also 
for large plume on top. Chain veils to cover ears and neck. 


1009—Two Pa.LesTINE PLATES 


Very massive brass plates, decorated with Hebrew inscription 
and figures in panels, in relief and inlaid with niello. 


Diameters, 12 and 91/, inches. 


Fifth Afternoon 


1010—Two Circassian PrAaaQueEs 


Heavy brass Tiflis tray, decorated with arabesque and inscrip- 
tion in relief and inlaid with niello. 


Diameter, 151/, inches. 


Another, of iron, wrought very thin and most exquisitely inlaid 
with gold-line arabesque and niello. 


Diameter, 14 inches. 


1011—Two Patestine PuaaueEs 


Very massive brass trays of crude workmanship, decorated with 
panels of Hebrew figures and inscriptions and inlaid with niello. 


Diameter, 18 inches. 


1012—Turkisu Brass Tray 


Extra large size tabouret tray, profusely decorated with 
arabesque and inscriptions in chiseled relief ornament. Sul- 
tan’s monogram in center. 

Diameter, 251/, inches. 


1013—TIwo JapanrsE TEMPLE Sworps 


Slender straight blades, encased in carved bone sheaths made in 
sections over a wood case, delicately carved with the Dragon 
in the Clouds and scroll ornament. (Trifle cracked and small 
pieces missing. ) 

Lengths, 30 and 31 inches. 


1014—Manray Bouo 


Massive slightly curved blade of laminated steel, beveled back 
from point up half its length, remainder flat; silver banded hilt, 
massive grip of ivory, openwork carving of a demon with at- 


tendants. 
Length, 24 inches. 


1015—Japanetst DacceEer 


Small thin blade, contained in a two-section sheath of ivory 
carved in low relief of ladies and children in antique costume; 
small carved ivory guard carved with floral ornament; grip 
carved from the point of a tusk, an elongated dragon head. 


Length, 10 inches. 


1016—Two Japanese TEMPLE SHORT Sworps 


Thin blade, with dragon and three characters carved in the 
blade; sheath and hilt built up of bone sections, carved with 
figures of antique warriors; the other, similar, carved with 


figures of harvesters. 
Length, 201% inches. 


Fifth Afternoon 


1017—TI'wo JApanEsE TEMPLE SHORT SwoRrRpDSs 


Thin blades, carved with dragon and three characters; hilts and 
sheaths of built-up bone sections, carved with figures of har- 


vesters and warriors. 
Respective lengths, 201, and 22 inches. 


1018—Two Japanrse TEMPLE SHORT Sworps 


Bright steel blade; sheath and hilt of bone sections carved with 
figures of ladies and children in antique costume. 


Respective lengths, 2414, inches. 


1019—JapantsE T'eEmePitE Lone Sworp 


Bright blade; scabbard, guard and hilt of bone sections over a 
wood case, carved with fighting warriors; carving stained on 
high reliefs; long two-handed grip. (Cracked and small parts 
missing. ) 

Length, 411%, inches. 


1020—JapraneEsE TeEmpPpLtE Lone Sworp 


Bright blade; scabbard, guard and hilt of built-up bone sec- 
tions, carved with figures of warriors in armor; parts of high 
relief gilded. 

Length, 49 inches. 


1021—JapanrEsE TEMPLE Lone Sworp 


Massive sword curved both in sheath and hilt; bright blade, 
heavy scabbard, guard, and two-handed grip; built-up bone 
sections and carved with warriors and mythological monsters 
in relief (cord loop missing). 

Length, 55 inches. 


1022—JapanesE TeMPLE Lone Sworp 
Massive wide blade beveled on back, very heavy scabbard, guard 
and hilt; both carved and engraved with men, animals and 
birds in panels; engraved parts filled with black. Fine example 


of a modern votive sword. 
Length, 55 inches. 


1023—JapanesE TEMPLE Lone Sworp 
Slender bright blade; scabbard, guard and hilt of built-up sec- 
tions of ivory, walrus tusks and bone, carved in high relief; 
figures of fighting warriors, equestrian figures and mythological 
animals, extra large cord loops. (Cracked and repaired.) 


Length, 66 inches. 


Fifth Afternoon 


1024—Japanrse Tempite Lone Sworp 


Extra-long blade, measuring 3314 inches, contained in a very 
large scabbard; heavy guard and long two-handed grip, built 
up of sections of bone, carved in high relief with figures of 
warriors in armor, horsemen, dragons and floral ornament, care- 
fully stained on the high reliefs. (Small part of guard missing.) 


Length, 75 inches, 
1025 


Two JAPANESE Matrcuitock Guns 


Heavy barrel, inlaid with silver, birds and heraldic emblems. 
Lock of brass; wooden stock, inlaid with brass mythological 
animal and chrysanthemum rosettes. 


Respective lengths, 51 and 54 inches. 


1026—Two JarpanesE Matcuiock Guns 


Long octagonal barrel inlaid with silver emblems; brass lock, 
wooden stock inlaid with brass, wood ramrod; the other, similar, 


barrel inlaid with gold. 
Respective lengths, 52 and 491/, inches. 


1027—Two Japanese Matcuiock Guns 
Extra-long heavy barrel inlaid with silver, heraldic emblems; 
stock of dark wood inlaid with an arrow on under side in brass; 
brass lock; the other with arrow inlay on under side of stock. 


Respective lengths, 471% and 531/ inches. 


1028—EIGHTEENTH CENTURY TurRKIsSH FuiIntriock RIFLE 


Massive short laminated steel barrel, trifle belled at muzzle; 
heavy wood stock inlaid with star and crescent and other 
ornament in brass. Finely made lock. 

Length, 38 inches. 


1029—Two TurkisH Funtiock Muskets 


Heavy octagonal barrel with wide muzzle; metal bands hold 
stock to barrel; stock of wood inlaid with star and crescent; 
iron rammer; the other with light barrel, attached to stock 
with numerous metal bands; antique type of lock, chiseled orna- 
mentation. 

Respective lengths, 54 and 56 inches. 

1080—Two Turxkisu Furtiock RiFries 

Massive barrel a trifle belled at muzzle, ornamented with chiseled 
carving and gold inlaid Arabic inscription. Metal bands attach 
barrel to stock, the latter ornamented with brass inlay; iron 
rammer; the other with musket barrel, carved and inlaid with 
silver; antique type of lock, carved with relief ornament ; wooden 
stock inlaid with brass; iron rammer. 


Respective lengths, 49 and 51 inches. 


Fifth Afternoon 


10381—Araxsian Furntiock Gun 
Long slender barrel, decorated with chasing at breech; attached 
to stock with numerous thin silver bands; large very early type 
of lock; flattened grip of wood and ivory overlaid with en- 
graved and pierced silver plates and nail heads; iron rammer. 


Length, 54%, inches. 


1081a—Fivre JAPANESE Sworps 


Two with carved bone scabbards. 


10318—Srx DacceErs 


Plain blades. Some with horn handles. 


1031c—-SIxTEEN BAYONETS 


Triangular and knife-shaped. 


10381lp—F ive CaAvatry SABERS 


Plain scabbards. 


1031leE—Turee Dress ann Two Puan Sworps 


The first with fancy scabbards. 


1031lr—Two Suteups Anp T'wo Sworp Cases 


The former of hippopotamus hide and iron; the latter, leather. 


1031c—Fovur Canes 
Carved wood, ebony with inlay of silver, ebony with tusk ivory 


handle and bone. The last initialed J. B. B. 


a 


WOOUdHA HSOU-GTIO AO MHIA 


SIXTH AFTERNOON’S SALE 


SATURDAY, OCTOBER 27, 1917 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 O CLOCK 


Catalogue Nos. 1032 to 1254, inclusive 


ETCHINGS AND ENGRAVINGS 


1032—Two Ercuines 


Young Woman and Young Man in a Garden and “Going to 
Market.” By E. Main Leighton. Signed. Artist’s proof. 


Gilt frame. 


103831 wo Mezzorints IN Cotor 


ng By S. Arlent Edwards after Gainsborough. Stoned. 


frame. Lay Kode 7 Lads Sifprtd) 


1084—Two Ercuincs 


a 
ff ~ 
2 ry 
Las 
PEA L of a = 
Canr+y FP. ECT Me, t ee 


Gilt , 


After Alma-Tadema. Signed by the painter. Guilt frames. 


10385—ETcuinc 


Sleeping Princess. By John D. Miller. Signed. Artist’s 


proof. Gilt frame. 


1036—ETcuH1Ine 


La Duchesse de Chartres as Hebe. By Jean Patricot after 


Nattier. Signed. Remarque proof. Gilt frame. 


1087—ETcuine 


Madame Henriette as Diana. By Alphonse La Motte after 


Nattier. Signed. Remarque proof. 


1038—ErcHIne 


A Princess. By Armand Mathey. Signed. Remarque proof. 


Gilt frame. 


Sixth Afternoon 


10389—Ertcuine 
Floral Offerings. By Jules Jacquet after Herbert Schmals. 
Signed by etcher and painter. Guilt frame. 


1040—ErTcHiIne 


Baths of Caracalla. After Alma-Tadema. Signed by the 
painter. Gilt frame. 


1041—ErTcuine 


Mandolin Player. By A. Monginy (?’) after Meissonier. Ma- 
hogany frame. 


1042—ETcHING 


The Reader. By Le Rat, after Meissonier. Mahogany frame. 


1048—ETcHINnG 


Man seated by a window. By Achille Jacquet after Meissonier. 
Signed remark proof. Mahogany frame. 


1044— Ercuine 


Le Peintre d’Enseignes. By Achille Jacquet after Meissonier. 
Signed by both etcher and painter. Mahogany frame. 


1045—ENGRAVING 


Game of Chess. By A. Blanchard after Meissonier. Mahogany 


frame. 


1046— ENGRAVING 


Napoleon seated. By Jules Francois after Paul Delaroche. 
Mahogany frame. 


1047—Two Prints 1x Cotor 


“Napoleon and his Family” and “Napoleon and Staff.” Ma- 
hogany and gilt frames. 


1048—THrREE Prints 1n Cotor 


Scenes from the life of Napoleon. Mahogany and gilt frame. 


1049—ErTcHine 
An officer writing, soldiers standing at a table. By Jules 
Jacquet after Meissonier. Signed by both etcher and painter. 
Mahogany frame. 


Siath Afternoon 


1050—EtTcuine 
Napoleon, with King of Rome, receiving Cardinal(?). By 
J. Payrau after Vibert. Signed remarque proof. Mahogany 
frame. 


1051—Encravine 
Napoleon Buonaparte. By W. Say after Goubaud. Mahogany 
and gilt frame. 


ORIENTAL AND FUR RUGS 


1052—Kazax Rue 
Two diamond-shaped medallions in rectangular panels. One 


wide and two narrow borders. 


Length, 4 feet 6 inches; width, 3 feet. 


1058—Si1x GuiorpEs Prayer Rue 


Red prayer field with side columns and hanging lamp. The 
mihrab and cross panel with conventional floral designs.. One 
wide and two narrow borders with meander patterns. 


Length, 4 feet 8 inches; width, 4 feet 2 inches. 


1054—Siitx KasHan Taste Cover 
Many-pointed star center on an olive green ground with corner 
ornaments to correspond. One wide and one narrow border. 


4 feet 10 inches square. 


1055—AwnatToruiaAn Sitk Taste Cover 


Red center field with conventional star-shaped medallion. Cor- 
ner ornaments and three borders with characters and floral 


designs in red, green and white. 
4 feet 11 inches square. 


1056—AwnatTouian SiLK Rue 
Green field with two star-shaped medallions. Pink border. 
Length, 5 feet; width, 1 foot 10 inches. 


1057—Persian S1tk Prayer Rue 


Red prayer field with vase of flowers. Wide border of dark 


blue with palmettes and five narrow borders. 


Length, 5 feet; width, 3 feet 10 inches. 


Siath Afternoon 


1058—Sitk GuiorpEs Prayer Rue 
Pale olive green field. The prayer panel flanked by columns. 


One wide and numerous narrow borders. 


Length, 5 feet 2 inches; width, 4 feet. 


1059—Perstan Sruk GuHiorpvEs Rue 


Pale olive green field. With hanging lamp and double columns 
on either side supporting the prayer niche. One wide and 


eight narrow borders. 
Length, 5 feet 7 inches; width, 4 feet. 


1060—Si1Lk GuiorpEs Prayer Rue 


Green prayer field with columns at either side and a hanging 
vase. One wide and numerous narrow borders in yellow, red and 


blue. 
Length, 5 feet 7 inches; width, 4 feet 1 inch. 


1061—PeErs1an Sirk Prayer Rue 


Bright red prayer field with hanging lamp, five pine trees and 
two crouching tigers. One wide and two narrow borders with 
meander patterns in colors on a green ground. Stained. 


Length, 5 feet 9 inches; width, 3 feet 8 inches. 


1062—Si11.«x GutiorpEs Prayer Rue 


Pale yellow field with characteristic designs in rose, and shades 
of blue. 
Length, 5 feet 9 inches; width, 3 feet 10 inches. 


1063—DacueEstan Rue 
With connected geometrical patterns outlined in dark blue on 


a red field. One wide and two narrow borders. 


Length, 5 feet 10 inches; width, 8 feet. 


1064—Sink GuiorpEs Prayer Rue 


Olive green prayer panel with columns at either side. One 
wide and two narrow borders in red and two shades of blue 


on white and brown fields. 
Length, 5 feet 10 inches; width, 4 feet. 


1065—ANATOLIAN SiLK CusHION COVER 


Rose pink center panel with medallion and borders in pale 


shades. Double. 
Length, 6 feet; width, 1 foot 9 inches. 


Sivth Afternoon 


1066—AnaToLIAN Sitk Rue 


With medallions in green and white on a red field. Narrow 


border. Fringed ends. 
Length, 6 feet; width, 1 foot 10 inches. 


1067—Dacuestan Rue 


Dark blue field with geometrical patterns. One wide and two 
narrow borders. 
Length, 6 feet 2 inches; width, 3 feet 9 inches. 


1068—Sitk Prayer Rue 
Red panel flanked by columns and with hanging lamp. Wide 
border with meander leaf pattern, and four narrow borders. 


Length, 6 feet 2 inches; width, 4 feet 4 inches. 


1069—Perrsian Stux Rue 


Pale green center field with six medallions in dark and light blue, 
red and white. One wide and numerous narrow borders and 
bands in colors to correspond. 


Length, 6 feet 10 inches; width, 4 feet 5 inches. 


1070—Snuiraz Rue 


The center with three connected medallions on a striped field. 
Corner ornaments. One wide and two narrow borders. 


Length, 8 feet 10 inches; width, 5 feet 1 inch. 


1071—Witutron Hartt Runner 


Salmon pink center field with pear patterns. Connected floral 


border. 
Length, 18 feet 2 inches; width, 2 feet 3 inches. 


1072—Mosuut Lone Rue 


Connected medallions on a dark blue field with netted pattern 
in lighter tone. Wide border in salmon with conventional 
floral design and two narrow borders with meander patterns in 


pink and white. 


Length, 17 feet 7 inches; width, 3 feet 7 inches. 


1073—KirmansHau Rue 
Old-rose center field with decoration of connected floral scroll 
pattern in brown, white and two shades of blue. Wide border 
with conventional lotus pattern on a white ground. ‘T'wo nar- 


row borders. 
Length, 8 feet 11 inches; width, 4 feet 11 inches. 


Siath Afternoon 


1074—GorrEvan LarcEe Rue 
With all-over pattern of flowers and leaves in low tones, pale 
brown and blue predominating. Five borders with meander 


patterns. 
Length, 11 feet 8 inches; width, 7 feet. 


1075—Carret Rue 
Light brown with allover netted pattern, woven to imitate a 


Hamadan. 
Length, 15 feet 5 inches; width, 7 feet 8 inches. 


1076—AwnaToLiaNn Sitk Rue 
Ivory white and pale olive green center medallion on a red 
field with all-over design of reclining figures, birds of paradise, 
animals, dragons and trees in pale shades. The wide border 
with repeat pattern of flowering plants. 


Length, 15 feet 8 inches; width, 12 feet. 


1077—ANATOLIAN SILK CARPET 


Rose center medallion, with decoration of figures, flowering 
trees and birds, bordered by ivory white band on a red field, 
with pine trees and numerous animals in low tones. Wide 
border ornamented with hunting subjects. Numerous narrow 
borders with floral designs. 


Length, 15 feet 10 inches; width, 11 feet 4 inches. 


1078—Larce GorEVAN CARPET 


Ivory white center full with large conventional lotus and leaf 
designs in low tones, green and brown predominating. Corner 
ornaments in colorings to correspond to central designs. ‘Three 
wide and two narrow borders and numerous bands with 
meander patterns. 


Length, 18 feet; width, 14 feet 10 inches. 
1079—GorEVAN CARPET 


Tan center medallion on a red field. With decoration of 
connected floral designs in red, white and two shades of blue. 
One wide and six narrow borders with patterns to correspond. 


Length, 19 feet 11 inches; width, 14 feet 9 inches. 


1080—Larcr Rue 


Gorevan style. Red center field with conventional lotus flowers 
and scrolls in yellow, white, blue and tan. One wide and two 
narrow borders in colors to correspond. 


Length, 21 feet 6 inches; width, 16 feet 10 inches. 


Sixth Afternoon 


1081—Zesra-skiIn Rue 


1082—Lion-sxk1In Ruc 


With mounted head. 
Length, 6 feet 5 inches. 


10838—LionEss-sk1In Rue 
With mounted head. 
Length, 6 feet 5 inches. 
1084—TicEer-skixn Rue 
With mounted head. Rich tawny fur. 
Length, 6 feet 3 inches. 
1085—TicEr-sk1In Rue 


With mounted head. Rich tawny fur. 
Length, 6 feet 6 inches. 


1086—TiceEr-sk1In Ruc 


With mounted head. 
Length, 7 feet 2 inches. 


1087—AxasKkan Brown Bearskin Rue 


With mounted head. 
Length, 9 feet. 


LACE, SILK AND VELVET CURTAINS 


1088—Six Arapian Lace PaneEts 
With net centers and borders. Pattern similar to the preceding. 


Length, 6 feet; width, 3 feet 6 inches. 


1089—Two Arapian Lacrt PANELS 
Bold leaf and scroll pattern. On extension frames. 


Length, 7 feet 10 inches; width, 3 feet 2 inches. 


1090—Patr or Wrirnnow CaAseMENT PANELS 
With inserts of filet and Cluny lace. Cluny lace edging. 
Height, 8 feet; width, 4 feet. 


1091—Two Pairs or CasEMENT CuRTAINS 
With inserts of embroidery and filet and Cluny lace. 
Height, 6 feet 2 inches; width, 4 feet 3 inches. 


1092—Four Criuny Lact Winpow PANELS 


All-over openwork design. 
Height, 8 feet; width, 3 feet 8 inches. 


Sixth Afternoon 


1098—TuHrEE CASEMENT CURTAINS 


Italian lace. 
Height, 6 feet; width, 3 feet 8 inches. 


1094—Two Patirs or Srttk Damask Winpow Currarns AnD OvER- 
DRAPERIES 


With woven designs of baskets of flowers and draperies. 


Each: Height, 10 feet 8 inches; width, 4 feet 10 inches. 


1095—Two Patrs or YeLLow Sink VELourR PortTIERES 


With valances. Trimmed with Arabian lace and lined with 


green silk damask. 
Each: Height, 9 feet; width, 6 feet. 


1096—Parr or YELLOW Sirk VELOUR DRAPERIES 


With wide draped valance. Fringed and with silk cords and 


tassels. 


1097—Two Parrs or Ner anp Arapian Lack Winpow CurtTAINns 


With bold scroll designs. 
Height, 10 feet 10 inches; width, 3 feet 9 inches. 


1098—Parir SHOWER-BATH SILK CURTAINS 


Ecru, with green silk embroidery of Empire design. 


1099—THrREE SitK Winpow CurTAINS 


To match the preceding. 


1100—Two Rep Vetvetr PorrTteres 
Fringed. Lined with red brocatelle. With box lambrequin 


ornamented in gold galloon. 


Height, 8 feet 8 inches; width, 4 feet 4 inches. 


1101—Two Rep Vetver Portieres AND LAMBREQUIN 
Similar to the preceding, but lined with yellow brocatelle. 
Height, 8 feet 8 inches; width, 4 feet 4 inches. 


1102—Rep VELVET PoRTIERE 


Double faced. 
Height, 9 feet; width, 5 feet 6 inches. 


Sixth Afternoon 
ee ee eee 


11038—Turee Rep Vetiver Portizres 


Double faced. 
Two: Height, 8 feet; width, 3 feet. 
One: Height, 8 feet; width, 6 feet. 


1104—Rep Vetver Porrikre 


Lined with green brocatelle. 
Height, 8 feet 3 inches; width, 4 feet. 


1105—Pair or Green Raw Sitx Porrikres 
With border design in galloon. Lined with green silk damask, 
with fleurs-de-lis and garlands of flowers. 


Height, 10 feet 9 inches; width, 5 feet 10 inches. 


1106—Fovur Patrs or Rep Damask Porrikres 


Gallooned. 
Length, 7 feet 6 inches; width, 3 feet 11 inches. 


CLOCKS, MANTEL SETS, URNS AND FIRE SETS 


1107—SuHavine Mirror ann STanp 


With gilded bronze mounts and candleholders. Mahogany 


base. 
Height, 15 inches. 


1108—Manteu Ser 
Consisting of 


(a) Gilt-bronze clock, with decoration of wreath of flowers in 
porcelain. 


(s) Gilt-bronze candelabra, with ornamentation of porcelain 
statuettes and flowers. With rose-silk shades. For two 
lights each. Fitted for electricity. 


Height of clock, 15 inches; of candelabra, 11 inches. 


1109—Pair or CANDLESTICKS WITH RoskE-sILK SHADES 


Gilt-bronze and porcelain. To match the preceding. 


1110—Parr oF Sitver-citt Urns 
In the style of the First Empire. With ram’s heads, leaf scrolls, 


palmettes and paw feet. 
Height, 1214, inches. 


Sivth Afternoon 


ee HH EDA 


SII. 


1111—Patr or Urns 


Empire style. Cupid and Psyche. Venus and Cupid and other 
ornamentation of trophies within wreaths, masks and mold- 
ings in cast, chiseled and gilt ormolu. 


Height, 24 inches. 


1112—Manre.t Crock 
Movement set in globular glass case. Gilded stirrup support. 


Height, 18 inches. 


Sivth Afternoon 


1118—ManTex Ser 
Circassian walnut, with chiseled gilt-bronze mounts. Consist- 
ing of 
(a) Clock: With movement set in a circular case on a rec- 
tangular base. 
(8) Pair of urn-shaped ornaments. 


Height of clock, 15 inches; of urns, 18 inches. 


1114—Manreu Ser 
Mahogany and gilded bronze. Consisting of 
(a) Pillar Clock: With rectangular top and base and four 
Corinthian columns, with plaquettes and moldings of 
cast, chiseled and gilt bronze. The pendulum with bas- 
relief mask. 


(s) Candelabra: Corinthian column design. Branches, capitals 
and moldings of gilt-bronze. 
Height of clock, 28 inches; of candelabra, 26 inches. 


Note: Reproduction of the set at Malmaison. 


1115—ManrTeEu SEtT 

French. Cast, chiseled and gilt bronze, ornamented with colored 

enamels. Comprises: 

(a) Clock: With movement enclosed by beveled plate glass 
panels. Flanked and supported by columns. Strikes 
hours and half-hours and contains music box, singing 
bird and crystal glass columns to simulate flowing water. 

(8) Candelabra: With vase-shaped center, leaf-scroll branches 
and paw feet. Fitted for four lights each. 

Height of clock, 281%, inches; of candelabra, 321% inches. 


1116—ManrTeL SET 

In chiseled and cast ormolu and bronze with antique green pa- 

tina. Consisting of 

(a) Clock: With Corinthian column supports and broken arch 
top surmounted by figure of a griffin. The movement by 
Spaulden and Company. 

(8) Candelabra: Vase-shaped with decoration of scroll branches, 
lon masks, draperies and moldings. Fitted for six 


candles. 
Height of clock, 29 inches; of candelabra, 31 inches. 


1117—Marsxie PEpEsTAL 


In the Empire style. With tapering shaft, rectangular top and 
shaped base, with mounts of cast, chiseled and gilded bronze. 


Height, 43 inches; top, 24 inches by 11% inches. 


Sivth Afternoon 


1118—Corner PEDESTAL 


Marble top, with mythical bird supports gilded on a triangular 
base of mahogany. 


Height, 36 inches; width, 29 inches. 
1119—Parr or GILT-BRONZE ANDIRONS 


Scroll design. Surmounted by amorini. 
Height, 17 inches. 


1119,s—Pair or Bronze ANDIRONS 
Lion-head supports. 
Height, 27 inches. 
1119s—Parr or Brass ANnpDIRONS 
East Indian style. Elephants with houdahs on oblong bases. 
Height, 28 inches. 


1120—Pair or Verte ANTIQUE Marsprie ANpDIRONS 
With elaborate ornamentation in gilt bronze of winged and 
classic figures, wreaths and griffins. Ball tops. 
Height, 25 inches. 


1121—Parir or GILtT-BronzE ANDIRONS | 
Scroll feet and ball tops surmounted by seated lions. 
Height, 28 inches. 


1122—Pair or Bronze ANDIRONS 
With scroll feet. 
Height, 27 inches. 
11238—CHISELED GILT-BRONZE FENDER 
The ends surmounted by vases and cupids. — 


Length, 5 feet 3 inches. 


MODERN FURNITURE 


1124— JAPANESE LACQUERED STAND 


Carved lacquer in many colors and gold. Dragon and Dog 
Foo decoration. 


11244s—FootstToo. 
Gilded metal. Upholstered in green velour. 


1125—Manocany TasLeE 


Two drop leaves. Paw feet. 
Height, 29 inches; length, 36 inches. 


VIEW OF THE SOUTH END OF DRAWING ROOM 


Sivth Afternoon 


1126—Manocany JARDINIERE 
With mounts of female heads, moldings, wreaths and sphinxes 
in cast, chiseled and gilded bronze. Has extra marble top. 
Height, 391, inches; diameter, 311/, inches. 

1127—Two Easy ArMcHaIRs 


Upholstered in rose-velour. 


1128—Sint Cuair 


Kais-Khilim upholstery. With an over covering of a silk Ana- 
tolian rug. 


1129——Two Sipe Cuarrs 
Similar to the preceding. 


1180—Two Oax Sipr CuHarrs 


Red velour upholstery. With an over covering of a silk Ana- 
tolian rug. 


1181—Easy ArmMcHAIR 


Kis-Khilim upholstery. With an over covering of a silk Ana- 
tolian rug. 


1182—Easy ARMCHAIR 


Similar to the preceding. 


11383—Easy ArMcHAIR 
Similar to the preceding, but with straighter back. 


1184—Carvep anp Gitt Woop ARMCHAIR 


Louis XIV style. Upholstered in jardiniere velvet. 


1185—Whuittrt Manocany Music CABINET 


With one drawer and cupboard. Carved and gilded decoration. 
Height, 3 feet 10 inches; width, 1 foot 10 inches. 


1186—Carvep Aanp GiLtT-woop Drawinc-room SUITE 
Consisting of sofa, one armchair and one side chair. The 
frames with meander vine and acanthus-leaf carving. Up- 
holstered in French brocade. 


1137—ARMCHAIR AND SIpE CHAIR 


Louis XIV style. Upholstered to match the preceding. 


1188—Carvep anp GILDED Woop BERGERE 


Louis XV style. Upholstered to match the preceding. 


Sivth Afternoon 


1189—Carvep AND GILDED Woop DRrawinc-rRoom SUITE 


Louis XV style. Consisting of large sofa, armchair and side 
chair. Upholstered in woven French tapestry, with pastoral 
and landscape subjects. 


1140—THREEFOLD SCREEN 


Louis XVI style. The frame of carved and gilded wood, with 
decoration of garlands and torches. The upper panels, beveled 
plate glass; the lower, damask with ornamentation of suspended 


basket of flowers. 
Height, 5 feet 6 inches; extended width, 5 feet. 


1141—Carvep anp GILDED Woop PrprEstaL CABINET 


Louis XVI style. With curved glass door and sides, mirror 
back and three plate-glass shelves. 


Height, 4 feet 10 inches; width, 2 feet 2 inches. 


1142—Carvep anp GILDED Woop Grm CaBINET 


With decoration of ram’s heads, torches and garlands. Two 
glass doors and sides, mirror back and three glass shelves. Hoof 


feet. 
Height, 5 feet 11 inches; width, 3 feet 10 inches. 


1148—Carvep And GiLpED Woop TorcHERE 


Renaissance style. With six cornucopia-shaped branches and 
flame-shaped central ornament. Vase-shaped standard and tri- 
pod base with decoration of acanthus leaves and ram’s heads. 
Paw feet. Fitted for electricity. 

Height, 7 feet 6 inches. 


1144—Carvep, GILDED AND PaintED Woop ComMopE 


With five painted panels of pastoral subjects in the Vernis 
Martin style. Violet brocatelle marble top. 


Height, 3 feet 3 inches; length, 5 feet 6 inches. 
1145—T atu Crock 


Carved and gilded wood case, with column and medallion decora- 
tion of painted Vienna porcelain with portraits of children and 


young women. 
Height, 6 feet 2 inches. 


1146—Tatut Crock 


Movement by Elbott of London, with applhed gilt-brass nu- 
merals, silvered numeral ring and applied scroll decoration. 
Whittington and Westminster chimes on nine tubes. Case of 
carved French walnut, with Corinthian columns, plaques and 


moldings in gilt bronze. 
Height, 8 feet. 


Sixth Afternoon 


1147—Manocany TasiE 


Rectangular top, with molded edge and four Corinthian column 


supports. 
Width, 2 feet 2 inches; length, 5 feet 31, inches. 


1148—THREEFOLD SCREEN 


Green Caronna leather, with decoration of cartouche and bor- 
der, gilded and tinted. 


Height, 6 feet 5 inches; extended width, 5 feet 6 inches. 


1149—Two Carvep Woop Frames 
Damascus. With meander floral and vine pattern in low relief. 


Size of openings, 10%4 inches by 14 inches and 9% inches by 16 inches. 


11494—Two Carvep Woop FrAMEs 
Similar to the preceding. 
Size of openings, 1214 inches by 16 inches and 1414, inches by 25 inches. 


1149ns—Carvep Woop FRAME 


Similar to the preceding. 
Size of opening, 2714 inches by 3514 inches. 


1149c—Carvep Woop Frame 
Similar to the preceding but with reserve oblong panels. 


Size of opening, 3814 inches by 35%, inches. 


1150—Carvep Woop Frame 
Similar to the preceding. 


Size of opening, 22 inches by 40 inches. 


1151—Damascus Woop SrToou 
Carved in the East Indian style. 


1152—Damascus Woop TaBLE 
In the East Indian style. With carvings of elephants, tigers, 
birds and dragons. 


Diameter, 20 inches. 


1153—Damascus Woop TaBLE 
In the East Indian style. With carvings in low relief of vine 
and figure ornamentation. Four supports in the form of ele- 


phants’ heads. 


Diameter, 27 inches. 


Sivth Afternoon 


1154—Damascus Woop T'asLe 
In the East Indian style. With carved edge and skirt. Tripod 


supports surmounted by grotesque animals. 


Diameter, 29 inches. 


1155— Damascus Woop TABLE 


In the East Indian style. With carvings of figures, vines, birds 


and grotesque animals. Six legs. 
Diameter, 45 inches. 


1156—Two Damascus Woop CaBineEts 


In the East Indian style. Each in two sections. With meander 
and vines carved in low relief. With glass doors and sides and 
mirror backs. Fitted with electric lghts. 


Height, 6 feet 3 inches; width of base, 22 inches; of top, 15 inches. 


1157—Damascus Woop Door Casine 
Carved and pierced. With designs of vines, seated figures and 
grotesque animals. On either side, columns with entwined ser- 
pents, and at the base four dragons. 


Height over all, 10 feet; width, 7 feet. 
Height of opening, 7 feet; width, 3 feet 3 inches. 


1158—Two Damascus Woop CaBInETs 


Carved to match the preceding. With glass door and sides 
and one glass shelf. Set with Persian miniatures of Taj-Mahal 
portraits of Indian princes and interiors. 


Height, 33 inches; width, 14 inches; depth, 16 inches. 


1159—Aronan Exvectric Puayver Piano 


Damascus wood case, set with Persian miniatures of the Pea- 
cock Throne, palaces and portraits of princes and princesses. 
With thirty-five music rolls. 


1160—Damascus Woop Piano BEeNcH 
Carved to match the preceding and set with two miniatures of 
the Taj-Mahal. Loose cushion covered with Anatolian silk 
mat. 


Sixth Afternoon 


1161—Tuvrkisu Corner 


With elaborately embroidered hangings in red silk and plush 
looped with filigree bands. With folding couch. 


1162—Pair or Persian Damask PorrierRe#s 


In red, blue and gold. 
Height, 8 feet; width, 2 feet 2 inches. 


1163—Pair or Rep VeEtvet PorrikrrReEs 


In the Turkish style. With elaborate embroidery of hanging 
lamp, flowers and floral scrolls in gold and silver threads and 


sequins. 
Height, 7 feet 8 inches; width, 4 feet. 


1164—Massive Carvep Manocany SIDEBOARD 


The upper portion fitted with two crystal cabinets; the lower 
portion, with two cupboards and seven drawers lined with green 


velvet. 
Height, 6 feet 414% inches. 


1165—Carvep MAnHocGAany SIDEBOARD 
Corresponding with the foregoing, but smaller. 
Height, 5 feet 8 inches; length, 7 feet. 


1166—Pair or CarvEep Manocany CaBINETS 


For crystal glass. With two glass doors, glass sides, mirror 


back and four glass shelves. 
Height, 5 feet 6 inches; width, 4 feet 11 inches. 


1167—Carvep Manocany CrystaLt Guass CABINET 
Similar to the preceding. 
Height, 5 feet 7 inches; width, 4 feet 1 inch. 


1168—Pair or Manocany Corner CAasinets 
With elaborately carved frames, mirror backs, three glass 
shelves and curved glass door. 


Height, 5 feet 8 inches; depth, 2 feet 6 inches. 


1169—Manocany Dininc-room TaBLe 
Elaborately carved supports, underbraces and skirt. 


Width, 5 feet; extended length, 14 feet. 


1170—Ser or Manocany Drninc-room Cuarrs 
Consisting of two armchairs and twelve side chairs. Uphol- 
stered in green Caronna leather. The upper portion of the 
high backs of elaborately carved and pierced mahogany. 


Sivth Afternoon 


1171—Very Larcte Hicgu-pack ARMCHAIR 


The back, legs and underbraces with elaborately carved designs 
of masks, leaves and fruit. Seat and arms covered with 
Caronna leather. 


1172—Pair or GREEN SitkK VELOUR PoRTIERES AND VALANCE 
With applied decoration of leaf scrolls in green satin. Lined 
with green silk damask. Fringed. 


Height, 9 feet 9 inches; width, 4 feet. 


1173—Patr or Green SitK VeLour PorTizRES AND VALANCE 
To match the preceding. Lined with yellow silk damask. 
Height, 8 feet 7 inches; width, 4 feet. 


1174—GreEN Sitxk VeELour PorTIERE AND VALANCE 
To match the preceding. Lined with red silk damask. 
Height, 8 feet 7 inches; width, 3 feet 10 inches. 


1175—Enmprre Suite or Beproom FurnNITURE 


Mahogany, with elaborate cast, chiseled and gilded brass mounts 
in the style of the First Empire. Consisting of 


A) Twin beds: With canopies, coverlets and rolls of green 
P g 

velour with applied ornamentation of Empire design in 

gold threads and galloon. With box springs and mat- 


tress. 
(s) Chiffonier: With marble top and columns. 
(c) Dressing bureau: With swinging mirror and marble top. 
(») Dressing table: With oval swinging mirror and marble top. 
(z) Cheval glass. 
(x) Two armchairs and side chair: Upholstered in green velour. 
(c) Couch: With roll and cushion, upholstered in green velour. 
(x) Bedside table. 
(1) Footstool. 


1176—Turee Winvnow DraAreEerRies witH Corps 


Green silk velvet with fringed edge. Box frame covered in green 
velvet ornamented with Empire designs in gold threads and 


galloon. 
Height, 9 feet; width, 7 feet 6 inches. 


1177—Patr oF Porrirres 


Double faced. With casing. To match the preceding. 
Height, 9 feet; width, 7 feet. 


WOOUdHA SAGVUdG NVNVHONG SHUNVE ALWT AHL 


Sixth Afternoon 


1178—Pair or Winpow Curtains 
Filet and Cluny lace and cut work. Empire designs. 


Height, 9 feet; width, 3 feet. 


1179—Beriuin Carret Rue 


Green ground with Empire floral designs and border in yellow. 


1180—Two Mirrors wirH Casines 


The mirrors, beveled plate glass. The casings, covered in green 
velvet and ornamented with Empire designs in gold threads 


and galloon. 
Height, 9 feet; width, 3 feet 9 inches. 


1181—Crrcasstan Watnut BEproom SvITE 
Molded edges and columned corners. Consisting of 
(a) Three-quarter bedstead: With box spring, mattress, two 
pillows and roll. 
(s) Chiffonier. 
(c) Dressing bureau. 
(p) Night table. 
(£) Round table. 
(x) Two armchairs and side chair. 


(c) Easy armchair. 


1182—GENTLEMAN’s WARDROBE 


Circassian walnut. With three drawers in the upper part and 
cupboard below with numerous pull shelves. 


1183—Two Pairs or Wrypow Curtains AND Parr or PorTIERES 


Brown plush, with applied woven silk border. Portiéres, dou- 


ble faced. 
Curtains: Height, 8 feet 6 inches; width, 4 feet. 


Portiéres: Height, 7 feet 3 inches; width, 4 feet 2 inches. 


1184—Parr or Lace Curtains 
Height, 8 feet 6 inches; width, 5 feet. 


1185—Berum Carrer Rue 
Tan. 


15 feet by 18 feet. 
1186—Rocxine Cuatr, Two Sroots anp Two SIpE CHAIRS 


In white mahogany. Carved decoration of female heads and 
acanthus leaves. Upholstered in striped rose satin. 


Sixth Afternoon 


1187—SviTe or Manocany Furniture 
Fine grain, with inlays of oval medallions and floral bells in 
satinwood. Consisting of 
(a) Double bedstead: With curled hair mattress, box spring 
and two pillows. 
(8) Dressing bureau: With swinging mirror. 
(c) Chiffonier: With swinging mirror. 
(p) Two square tables: With undershelves. 
(x) Oval table. 


(r) Two side chairs. 


1188—Two Patrs or Winpnow DRAPERIES 


Striped rose satin. With rose velvet valances, with applied 
and embroidered decoration of vase of flowers, floral sprays and 
ribbon bowknots. 


1189—Parte or PorrieREs 


Striped rose satin. Double faced. 


1190—Two Pairs or Winnow Courrains 
Net with stitched decoration in scroll pattern. 


Height, 9 feet; width, 4 feet 8 inches. 


1191—Witton Carrer 
Rose ground, with scroll and leaf decoration. 


About 50 running yards. 


1192—Satinwoop BEDROOM SUITE 
With carved and gilded ornamentation. Caned. Consisting of 


(a) Single bedstead with box spring and mattress. 
(x) Dressing table and chair. 

(c) Chiffonier. 

(p) Chaise longue. 

(m) Bervere, 

(*) Center table. 

(c) Cheval glass. 

(Hu) Bookcase. 


(1) Nightstand. 


Siath Afternoon 


1198—Two Pairs or Winnow DrareriEs wItTH LAMBREQUIN 
Rose brocatelle. Fringed. 
Height, 8 feet 6 inches; width, 4 feet. 
1194—PorTIERE 
Rose brocatelle to match the preceding. 


Height, 6 feet 6 inches; width, 6 feet. 


1195—Turee Pairs or Lace anp Net WIinpow Curtains 


Renaissance. 
Height, 8 feet 4 inches; width, 4 feet. 
1196—Wi1LtTon CARPET 


Rose ground, with conventional diamond pattern. 


About 36 running yards. 


BILLIARD AND SPORT ROOM 


1197—Four Smautu Pepestat TABLeEs 


Oak. 


Diameter, 14 inches. 


1198—Oax Hart TREE 
Brass hooks. 


1199—Smoxker’s TasLe 
Swiss. In the form of a bear holding tray. 


Height, 44 inches. 


1200—TweLvE Carvep Oax ARMCHAIRS 


Hepplewhite design. Leather seats. 


1201—Oax Carp TasBLeE 
With tripod support. 


Diameter, 45 inches. 


1202— Futrti-sizE CoMBINATION BrtuiArp aNpD Poou TABLE 


_ Brunswick-Balke-Collender Company. Oak. With set of com- 
position pool and billiard balls and set of ivory pool and billiard 
balls. With cues and combination rack. 


1203—Two Sets or Dominoes 


One of ivory, the other mother-of-pearl. 


Sivth Afternoon 


1204—Batut Dicr anp Dict Boxes 


Set of ball dice in oak case, and a pair of ivory dice boxes, with 
two sets of dice. 


1205—TuHreEE CrisppaceE Boarps 


Two of walrus tusk ivory, engraved, and one of ivory tusk, 
engraved. 


1206—Mriniature Gem TABLE 


With mother-of-pearl chips. 


1207—Fovur Oax Cueck Racks 
With checks. Initialed B. 


1208—SmatuL Cuips AND PINocHLE COUNTERS 


Set of small size chips in traveling case, and set of mother-of- 
pearl pinochle counters. 


1209—Set or Ivory Binuarp Batis 


In oak case. 


1210—Ser or Ivory Poot Barts 


In oak case. 


1211—Baccarat SEtT 


With cards. In oak case. 


1212—GameE oF MANIFESTO 


Oak case. 


1218—MorTuHeEr-oF-PEARL Curie CasE 


With spread eagle on the cover. Fitted with mother-of-pearl 
chips in separate boxes, and are fitted in an oak case. 


1214—Ser or Ivory CHEssMEN 


In blue morocco case. Fitted in an oak box. 


1215—Burzit Watnut Humivor 
Ivory edge. Fitted in an oak case. 


1216—Extra Carp Taste Tor anp CHECKER Boarp 
With set of ivory checkers. 


WOISVNWASD HHL dO WHoNdoOo V 


SN ANDRA 


4 


Ye 


Sivth Afternoon 


1217—GameE or Mrnorvu 


Oak case. 


1218—Hazarp Layour 
With cup. 


1219—Hyromeovus Ser 
With table and bowl. 


1220—Cnecker Boarp anp Espony Brave 


The former inlaid with mother-of-pearl. 


1221—Oak Rovutetre Ser 
Complete. With layout and wheel. 


1222—Keno Ser 
Complete. 


1223—Faro Taste anp Layovur 


Complete. With metal and glass dealing boxes. 


1224—Banxine Crap Layout 


Oak frame. 


OIL PAINTINGS OF FAMOUS RACE-HORSES 
By Henry Stull 


1225—“O1sEAvu”’ 


1905. 
Height, 24 inches; length, 28 inches. 


1226—“THe Rack For THE SuBuRBAN Hanpicap, 1902” 
Gold Hells first, Pentecost second, Blues third. 


Height, 241% inches; length, 361, inches. 


1227—““Masor DAINGERFIELD”’ 


Winner of the “Brooklyn Derby,” the ‘Tidal Stakes” and the 


“Realization,” 1902. 
Height, 25 inches; length, 30 inches. 


1228—“TuHe Race ror tHE Bricuton Hanpicap, 1902” 
Gold Heels first, Blues second and Argregor third. 
Height, 231/, inches; length, 36 inches. 


Sivth Afternoon 


1229—“RacrE For THE Woop.tawn Vases, 1901” 


Gold Heels first, Hernando second, Watercolor third. Copy- 
rightesl O02, 
Height, 24 inches; length, 36 inches. 


1230—“Finisu oF THE SEA GATE Stakes, 1901” 
Gold Heels first and Bonibert second. 


Height, 20 inches; length, 30 inches. 


1231—“TuHe AnnvuaL Cuampion, 1902” 
Major Daingerfield first, Zoroaster second. Won by a head. 


Height, 241% inches; length, 291, inches. 


1232—“‘Gotp HEELs”’ 
Winner of the Woodlawn Vase, the Advance Stakes, the Sub- 
urban, the Brighton Handicap and the Brighton Cup, 1902. 


Height, 241/, inches; length, 291, inches. 


1233—‘AccouNnTANT”’ 
Before winning the $25,000 Annual Champion Stakes, 1906. 


Height, 24 inches; length, 281, inches. 


1234—““Two Parr” 


A pair of work horses look out from their stall over a half- 
door. Looking up at them is a pair of yellow and white setters 


ready to jump and play. Signed at the lower right: R. Atkin- 
son Fox. 
Height, 36 inches; width, 28 inches. 


1235—“‘Loox Nort on THE WINE” 


A fine Angora cat is seated on a table and looks down into a 
glass of wine. Beside the table is a wine-cooler, and a richly 
embroidered green satin curtain forms the background. Signed 
at lower right: Karl Kahler. 

Height, 40 inches; width, 80 inches. 


1236—Twewve Cororep LirHocRAPHs 


Sporting subjects. By Ludwig Hohlwein. Black wood frames. 


1237—Four Sporting Prints 1x CoLor 


Fores’s National Sports: Plate 1—“Saddling”; Plate 2—“A 
False Start”’; Plate 3—“The Run In”; Plate 4—“‘Returning to 
Weigh.” Oak frames. 


Sixth Afternoon 


1238—Grovur or Mountep Racine Puatres AND Two HorsEsuors 


The plates were worn by Gold Heels and Major Daingerfield in 


winning races. 


1239 


LEATHERETTE PANEL 


In colors. ‘Meeting of the Pickwick Club.” Framed. 


1240—ComPpuetTe Firrincs or GYMNASIUM 


Boxing gloves, dumb-bells, Indian clubs, punching bag, rowing 
machine, and other apparatus. 


OFFICE FURNITURE 


1241—Oak Typrewritinc Desk anp CHair 
Underwood Standard Typewriter No. 4. 


1242—Two Oax CuHairs 


Leather seats and backs. 


1248—Oaxkx HicuH Back ArMcCHAIR 


Upholstered in illuminated leather. 


1244—Cyumnper Tor Tasue 


Oak, with two drop leaves. 


1245—Rouu Tor Desk 
Oak. 


1246—Two Coat Trees 
Mahogany. With bracket feet. 


12464s—Two Coat TrEEs 
One oak, the other mahogany. With bracket fect. 


1247—Oax Drop-tEaF TABLE 


Oak, with four spindle supports. 


1248—Turee Orrice CuHairs with ARMS 
Oak, with curved backs. 


Sivth Afternoon 


12484—THREE OFFICE CHAIRS 


Oak. To match the preceding. 


12488—Orrice CuHarr witH ARMS 


Oak. Revolving. 


1248c—Two OrrFficre CHAIRS 


Mahogany. Curved backs. 


1248p—Two Orricre CHarrs 


To match the preceding. 


1248r—Two Orrice CHaArRS wITH ARMS 


Mahogany. With leather seats and backs, one revolving. 


1249—Manocany Desk 
Rectangular top. Two pedestal ends, with seven drawers each. 
Height, 5 feet 6 inches; width, 4 feet 6 inches. 
1250—Manocany CovucH 


Heavily upholstered in dark green leather. 


1251—Routut Tor Dzrsx 


Golden oak. With numerous drawers and compartments. 


1252—-GoLpEN Oak CENTER TABLE 
With straight legs and curved underbraces. 
Length, 5 feet; width, 3 feet 10 inches. 
1253—Manocany Larce Tasie 


Rectangular top. With four drawers. Square legs, which rest 


on bracket feet. Molded stretcher. 
Length, 8 feet; width, 4 feet. 


1254—Manocany CABINET 
In three parts. With six doors and three top shelves. 
Height, 4 feet 914 inches; length, 12 feet 8 inches; depth, 1 foot 6 inches. 


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VIEW OF THE PORCELAIN BEDROOM 


SEVENTH AFTERNOON’S SALE 
MONDAY, OCTOBER 29, 1917 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 O CLOCK 


Catalogue Nos. 1255 to 1449h, inclusive 


TABLE AND OTHER SILVERWARE 


1255—Twewve Sinver Menu Howupers anp MIxErs 


Plain design. 


1256—Eicunt Sinver Menu Howpers 


Four in the form of dogs and four with tortoise-shell panels. 


1257—Twenry-rour Puace Carp Hompers 


Fire gilt and enamel. Butterfly design. 
1257sa—TweLve Sitver Lemon SQueezers 


1258—SILverR STRAINER, T'wo Ecec-curs anp KnireE SHARPENER 
The first with ivory handle. 


1259—Cicar Currer, Box OrENER and CorkKSCREW 
Silver-mounted. The last with buckhorn handle. Three pieces. 


1260—Two Cups, Corkscrew AND Cork 


Silver and silver-mounted. 


1261—Twenwve CIGARETTE AND TweELvE Cigar Houpers 


Silver, with ash trays attached. 


1262—Two ArprLe CuTrrers, CANDLE AND GRAPE Scissors 
Silver and plate. One of the first with tray. 


Seventh Afternoon 


1268—Vinecar Cruret, JAM GuAss AND Burtrer DisH 


Silver-mounted. The first green glass. 


1264—Twenty-Frour Sitver MINIATURE FLOWERPOTS 


With artificial roses. 


1265—Four Sitver Bonznon DisHEs 


Pierced and engraved. 


1266—Two Sitver Bonson DisHEs AND FLtowER HoupEer 


The former pierced and engraved. 


1267—CueesE Dish Hoxtper ann Two Ecce Houpers 
The former silver, with plate and cover, and marked J. B. B.; 
the latter silver-plated, with glass linings. 


1268—CockTaiLt TUMBLER AND MUFFINEER 


The former with silver rim; the latter silver. 


1269—Twetve Sivver Aso Trays 


The center enamel under glass, with monogram. (Some im- 
perfect.) 


1270—TweEt.veE SHEFFIELD PLatTEpD MIxEers 
Two stands. 
1271—Srx LarcE Anp Six SMALL SILverR Guass Hoxupers 


With glasses. 


1272—F ive Botrrite Houpers ann Two Cocktail, SHAKERS 


Silver-plated. 


127383—Two SweretMeatT DisHes, CHEESE Dish anp THREE PLATE 
STANDS 


Silver, silver plate and glass. 


1274—Butrer Knives, Ice-cream Spoons anp CHEESE Knives 
Silver-plated. Various designs. 


Seventh Afternoon 


— 1275—Twetve Oyster Forks anp Six Nurpicks 
Silver-plated. Two forks do not match. 


1276—NINETEEN CrAB AND LogpsteR Knives AND Forks 


Gilded, with mother-of-pearl handles. Six crab forks, seven 
crab knives, and six oyster forks. 


1277—Twetve LEMONADE Spoons 


Silver, with gilt bowls. Gorham and Company. 


1278—Srrvine Fork anp Spoon anp THREE Cake KNIVES 


Silver-plated. Gorham & Company. 


1279—Servine Fork Aanp Spoon anv Ict Tones 


Silver. 


1280—Two Cake SERVERS 
Silver-plated. Gorham, and Reed & Barton. 


1281—F ive Carvine Knives anp STEELS 
Silver-plated handles. 


1282—Crump Tray anp SCRAPER 


Silver-plated. Gorham & Company. 


1283—Twetve Burrer PLATES AND Six SPREADERS 


The former plated; the latter mother-of-pearl. 


1284—-Two Preprprer SHAKERS 


Silver. One with gilt top. 


1285—Four PErprER SHAKERS 


Silver. Vase-shaped, on square bases. 


1286—Fovur Satt Howpers 


Silver. Similar to the preceding. 


1287—TIwo Nut Crackers 


Silver-plated. In form of women in bathing costume. 


1288—Whuisxry Friask anp Cup 


Silver-mounted. 


Seventh Afternoon 


1289—Setr or Sitver FLATWARE 


Versailles pattern. Gorham and Company. Initialed B. 


(a) Eleven salt spoons. 

(b) Twelve after-dinner coffee spoons. 
(c) Six chocolate spoons. 

(d) Twelve egg spoons. 

(e) Twelve berry forks. 

(f) Eleven pastry forks 

(g) Twelve grapefruit spoons. 
(h) Twelve butter spreaders. 
(i) Twelve oyster forks. 

(j) Twelve ice-cream forks. 
(k) Twelve asparagus tongs. 
(1) Twelve ice-cream forks. 
(m) Twelve salad forks. 

(n) Twelve entrée knives. 

(o) Twelve fruit knives. 

(p) Twelve fish knives. 

(q) Thirty-six teaspoons. 

(r) Twelve bouillon spoons. 
(s) Twelve soup spoons. 

(t) Twelve tablespoons. 


(u) Twenty-four dessert forks and spoons. 
(v) Twenty-four entrée knives and forks. 
(w) Twenty-four dinner knives and forks. 
(x) Twenty-four game knives and forks. 
(y) Carving set. 

(z) Eighteen odd pieces. 

(aa) Two sugar, four sauce and two berry 
spoons. 

(bb) Two sugar sifters, one jelly server, 
large berry spoon, salad set, cake 
server, gilt bowls, ice-cream knife. 

(cc) Berry spoon, ice-cream knife, ladle, 
cake knife, pie knife, cake cutter, 
cake server. Gilt bowls. 

(dd) One soup ladle, one lemonade ladle. 
Gilt bowls. 

(ee) Large gravy spoon, crumb scraper, 
berry and nut spoon. 

(ff) Six serving forks and asparagus 
server. 

(gg) Five vegetable servers. 


1290—Twetve Fincer Bowts, PLates anp FLrowrer Hompers 


Silver. The bowls and plates with relief edges and pierced. 


1291—Two Bonson Passine Spoons 


Silver. Relief and pierced. 


1292—TweLve InpivipvuaL Butrer PLATEs 


Silver. Relief rim. Initialed B. Gorham and Company. 
(Illustrated) 


12983—Twetve Breap anp Butrer PLATES 


To match the preceding. 


(Illustrated) 


1294—TweLveE Dessert PLATES 


To match the preceding. 


_ (lllustrated) 


1295—TweLvE DINNER PLATES 


To match the preceding. 


(Illustrated) 


1296—Twetve Derr PLATEs 


To match the preceding. 


(Illustrated) 


Seventh Afternoon 


1297—Twetvre Atmonp Trays 


Silver. Repoussé floral decoration. Initialed B. 


1298—Twetve InpivipuAL PEPPER SHAKERS 


Silver. Repoussé floral pattern. Initialed B. 


1299—Twetve InpivinuaL Sautt DisHEs 
Silver. With glass linings. Initialed B. 


1800—Twetvre AFTER-DINNER CorreE CuPrs AND SAUCERS 


Silver. With porcelain linings. 


1301—Twetve Atmonp Trays 


Silver. Semicircular. Monogram J.B.B. 


1302—Twetve Bovuitton Cur Houpers 


Silver. Lenox porcelain bowls. Initialed B. 


1303—Twetve Ecc-curs 
Silver. Gilt lining. Initialed B. 


1804—Twetve Cusrarp Cur Honpers 
Silver. Initialed B. Porcelain bowls. 


13805—Twetve CorpiaL Curs on Tat STANDARD 
Silver, with gilt lining. Tulip shape. Gorham & Company. 


(Illustrated) 


1306—Twetve Cocxtait Cups 
To match the preceding. With engraved chicken cock. 


(Illustrated) 


1807—Twetve CHAMPAGNE BowLs 


To match the preceding. 
(Illustrated) 


1808—TweLvE GoBLETS 
To match the preceding. 


(Illustrated) 


LOST : 80&T 
SO&T 9081 


Seventh Afternoon 


1309—Twentve Derr PLATES 


Silver. With raised ornamentation of flowers and leaf sprays. 
Initialed, J. B. B. 
Diameter, 7 inches. 
1310—Fovur Bonzon DisHEs 


Silver. In form of miniature round table with tripod support. 


1811—Two Ovat PLATTERS 


Silver. Leaf edge. S. Kirk and Son. 
Length, 15 inches. 
1312—Rovunp Tray 


Silver. With relief scroll edge monogram, J.B.B. Gorham & 
Company. 
Diameter, 1414 inches. 


13138—Two Cake PuaTteEs 
Silver. Engraved and pierced borders. Scalloped edges. 
Diameter, 101% inches. 
1314—Two Cake PLatEs 
Silver. Pierced design. Initialed, B. Gorham & Company. 


Diameter, 12 inches. 


1815—Rowunp Tray 


Silver. Shaped, raised rim. Engraved decoration. Mono- 
gram, J.B.B. Bigelow, Kennard and Company. 


Diameter, 14 inches. 


1316—CHEEsE DisH 
Silver. With engraved pattern. 


1317—Rowunp Caxe DisH 
Silver. Engraved and pierced floral pattern. 
Diameter, 1214 inches. 
1318—Russian EnamMeEL Sucar Bown, Spoon anv Tones 


On silver-gilt. Conventional floral decoration in brilliant colors 
on a white ground. 


(Illustrated) 
13819—Russian ENAMEL AND SILVER-GILT TEA SET 


Egg-shaped. With floral designs in relief in brilliantly colored 
enamels. Engraved ground. Gold lined. 


(Illustrated) 


1320—Twetve Russtan ENAMEL AFTER-DINNER CuPS AND SAUCERS 


With spoons to match. Gold lined. Similar to the preceding. 


13821—-Twetve Russtan Enamet CorpiAL GLAssES AND TRAY 


On silver-gilt. Similar to the preceding. 


61éT SI&T 61€1 


Seventh Afternoon 


1322 1323 1322 


13822—Parir or Russtan ENAMEL AND SILVER-GILT Bonson DisHEs 
With imitation jewels. 


1823—Twetve Russian ENAMEL AND SILVER-GILT IcE-cREAM BowLs 
On tall stems. With spoons to match. 


13824—Rvssian ENAMELED AND SILVER-GILT TABLE SERVICE 
Floral design in colored enamels in relief on a chased gold 
ground. Consisting of 


(a) Twelve oyster forks. (e) Twelve dessert forks. 
(b) Twelve dinner knives. (f) Twelve ice-cream spoons. 
(c) Twelve dinner forks. (g) Twelve teaspoons. 

(d) Twelve tablespoons. (h) Twelve fruit knives. 


13825—Four Saut SELLERS AND SPOONS 


Russian enamel and silver-gilt. 


13826—Russtan ENAMEL AND SILVER-GILT SERVING TRAY 


With double-headed eagle, flowers and scrolls in brilliantly 
covered enamels. 


Diameter, 22 inches. 


Seventh Afternoon 


chi aet 
Fi. WE 


1327—Twetve Russtan Enamet Dessert PLATEs 


To match the preceding. 


Diameter, 71/, inches. 


1328—FEicuHtTreen Russian Enamet Dinner PLaArtes 
Decoration in brilliantly colored enamels on silver-gilt. 


Diameter, 10 inches. 


Seventh Afternoon 


13829—Russtan Enamet. PuncH-Bowi AND LADLE 


The former with elaborate low-relief ornamentation of male and 
female heads, scrolls, eagles and other designs on an engraved 
silver-gilt ground. Gold lined. 


Height of bowl, 9¥, inches. 
13830—Larce Fruir DisH 


Silver. Raised and pierced floral and scroll design. Mono- 
gram, J.B.B. Bigelow, Kennard and Company. 
Length, 14 inches. 


13831—Turee Servine Trays 


Silver. With egg and dart rims. Flowers, fruits and scrolls 
in relief. 


Diameters, 10, 14 and 16 inches. 
13832—F isu Puarrer 
Silver. Iris pattern in relief. Monogram, J.B.B. 
Length, 26 inches. 


1833—Meat PuatrreR witH Gravy TREE 


To match the preceding. Monogram, J.B.B. 
Length, 23 inches. 


Seventh Afternoon 


18384—Larcre Rounp Tray 


Silver. With repoussé and relief decoration. Applied cipher, 


J.B.B. 
Diameter, 23 inches. 
13835—Larce Tray 


Silver solder. With floral and leaf scroll edge. Two handles. 


Tiffany and Company. 
Length, 24 inches; width, 1714 inches. 


1886—Fovur CANDLESTICKS 
Silver. With floral pattern in repoussé, 
Height, 121% inches. 
1337—Fovur ComprnatTion Firowrer Houper Aanp CANDLESTICK 


Silver and other metals. Colonial design. 
Height, 13 inches. 


18388—Five Friower VAsEs 


Silver. Two sizes. 


1339—Ferrn Disu, Breap Tray anp Triancutar Tray 


Silver-plated. 


1340—Ice Tus anp CHEESE DisH anp TRAY 


Silver. The cheese dish, glass. 


1341—MixEer 
Silver. Bucket shape, with bail handle. 


1842—Warer PircHER 
Silver. With repoussé flower and leaf ornamentation. Egg 
and dart rim. Monogram, J.B.B. 


1843—Warer PiIrcHER 
Silver. Repoussé leaf scrolls. Tiffany and Company. 


1344—Warer PircHER 
Silver-gilt. Bather, waves and seagulls in repoussé. 


1345—Satap Bown, Fork anp Sproon 
The former silver, gilt lined. Gorham & Company. 


1846—Water PITCHER 
Silver. Colonial design. 


1347—Warer PircHeR AND SALAD Bow. 


Silver. Applied rib decoration. 


Seventh Afternoon 


1348—Two Grave DisHEs 
Silver. Shell shape. With pierced ornamentation and rope 
edge. Dolphin supports. Handle terminating in bust of a 


woman. 
Diameter, 101%, inches. 


1349—GrarE Disu 
To match the preceding. 


1850—Two-HANDLED VASE 
Silver-plated. Urn shape. With scroll handles and repoussé 


ornamentation. 
Height, 13 inches, 


1351—Warer Pircuer anp Tray 
Silver. Repoussé ornamentation of melons and pitcher plant. 


Shreve, Crump and Low Company. 
Height, 14 inches. 


13852—Cuarine DisH anp STAND 
Silver. With pierced and relief ornamentation of leaf scrolls. 
Paw feet. Ivory handles to dish and cover. 


138538—Lovis XVI Design TurREEN witH Cover 
Silver. Graceful shape. With repoussé ornamentation of gar- 
lands of fruit, ribbon bow knots and leaf scrolls. Gorham 
and Company. 


1354—Larce CENTERPIECE 
Silver. Elaborate ornamentation of scroll and leaf patterns in 
repoussé and relief. Has large central flower bowl, four small 
bowls on scroll branches, and six candle holders with pierced 
shades lined in apricot silk. Monogram J.B.B., gilded on 
circular base with gadrooned edge and paw feet. Four claw 
feet. Fitted for electric lights. About 500 oz. 


(Illustrated) 


1855—Parr oF CANDELABRA 
Silver. To match the preceding. For six lights each. About 


175 oz. each. 
Height, 36 inches. 


(Illustrated) 


Seventh Afternoon 


7S > oe, 


Se a ee a ee an a ee re ee ee 


1356—PRrREsSENTATION Cup witH THREE HANDLES 


Silver. With signatures of the donors: C. B. Dillingham, Sam. 
H. Harris, Geo. M. Cohan and others. Weight, 70 oz. 


Height, 11 inches. | 


13857—CoFFrrEE SERVICE 


Silver. Repoussé and chiseled. Floral and leaf scroll designs. 
Consisting of coffee-pot, sugar bowl and sugar tongs, creamer 
and tray. Monogram, J.B.B. 


1358—Tra anv Correr SERVICE | 


Silver. Lobed bodies. With leaf decoration on handles and | 
spouts. Initialed, J.B.B. Consisting of coffee-pot, teapot, 
hot-water kettle, sugar bowl, two pairs of sugar tongs, waste 
bowl and tray. Gorham and Company. 


Seventh Afternoon 


1359—Puncu Bow. 
Silver ornamentation of vertical strappings decorated with 
flowers. Two ring handles. Weight, 202 oz. 


Diameter, 151% inches. 


13860—Lovine Cup 
Silver. Vase shape, with three handles. Inscribed: ‘‘James 
B. Brady. ‘For he is a jolly good fellow’; from ‘The Colony,’ 


April 19, 1909.” 
Height, 11 inches. 


13861—Tanxarpd AND CovER 
Silver. The cover surmounted by a bisque statuette of Pegasus. 


Height, 11 inches. 


13862—Tankarp 
Silver. On ball feet. Monogram, J.B.B. 


13863—TankarpD WitH COVER 
Silver. Marked: Reproduction, London, 1708. 


13864—Two Tanxkarps witH Covers 
Silver. One marked: Reproduction, London, 1685. 


1365—Two Borris HoLpers 
Silver. One with rose design and the other with shell design 
in relief, 


Seventh Afternoon 


1366— Huminor 


Oak with silver-plated inlay decoration of nude figures, musical 
and other trophies, vases, grotesque masks and sphinxes. Metal 
lining divided in compartments. 


Height, 4% inches; 12 inches square. 
1867—Cicar Box anp Two CicarREtTTE Boxes 


Plain surface. With monogram J.B.B. Two with cedar-wood 
lining. 


1368—Two Cigar LigHTERS AND Cigar CUTTER 


Silver-mounted. The former Barbarossa tusks; the latter, ele- 
phant tusk with elephant head in silver. 


1869—Travetmnc Crock AND OpEra GLASSES 
In 14-K. gold cases. With monogram J.B.B. 


13870—Soap CasE 
14-K. gold. 'To match the preceding. 


1371—CicaretTtTE Case, Memoranpum Boox anp PENcIL 


14-K. gold. To match the preceding. 


13872—Carp Case, SpecTacLe CasrE, ann Two Parrs or Sock Supr- 
PORTERS 


14-K. gold. To match the preceding. 


1873—Twenty Toret ArriIcuLES 


14-K. gold. To match the preceding. 


1374—Turee Picrure Frames 


14-K. gold. Two rectangular and one oval. To match the 
preceding. 


1875—Pair or ToiLtet Borries 
Cut glass, with 14-K. gold stoppers. To match the preceding. 


13876—Traveting Ciock anp Mremoranpum Boox 
14-K. gold cases. Engraved initial B. 


13877—F iF TEEN Tortet ARTICLES 


14-K. gold mounts. To match the preceding. 


Seventh Afternoon 


JEWELRY 


13878—PEARL AND DiAmMonpd COLLARETTE 


Composed of fifteen strands of pearls (1467 in all), with a 
central plaque of exquisite workmanship in platinum and set 
with four large diamonds and numerous small brilliants, the 


pearls intercepted by four bars of platinum incrusted with 


brilliants. 
Width, 1%, inches. 


1879—Diamonp AND PEARL SAUTOIR 


Artistically mounted in platinum, the ornaments of which are 
incrusted in diamonds, in all 422 pearls and 88 diamonds. 


1380—BaroeaurE PEARL COLLARETTE 


Eight strands intercepted by five filigree gold bars, which are 
set with small sapphires. 


1381—Larcr 14-Carar Gorp Mesn Bac 
With drop fringe. Chased mounts and jeweled clasp button. 


1382—Gouip Mesu Bac 


The frame incrusted with four diamonds and five olivenes. 


1383—GoLtp CoLLARETTE 


Composed of nine plaques of openwork foliated pattern, each 
set with a large amethyst and small pearls. 


13884—Goup CoLLARETTE 


Formed of eight strands of elongated gold beads, which are 
separated by four bars which are incrusted with small pearls. 


1385—LavaALLIERE 
Unpolished moonstone. Mounted with small pearls, brilliants 
and jet. 


1886—Heavy Goip BracELerT 
Chased and set with one large sapphire and numerous small 
diamonds. 


1887—Larce Opat Broocu 


Mounted in gold and surrounded by numerous small diamonds. 


Seventh Afternoon 


13888—Goup Fincer Rine 


Large cabochon sapphire; surrounded by a band of nineteen 
diamonds, which are set in platinum. 


1389—OPpaL-MATRIX JEWELED RING 


Large cabochon opal in a Roman gold setting, with modeled fe- 
male heads, and studded with chip diamonds and emeralds. 


1390—Goup Fincer Rine 


Leaf design, with setting of a large baroque and small brilliants. 


13891—Parr Prarut Curr Links 


Mounted in platinum. 


1892—Pair Puatinum Curr Links 


With star ruby settings. 


1898—Lapy’s WatcH 


Lapis-blue enamel, with bowknot pin to correspond. 


13894—Two Parr Goutp Lact Pins 


One pair of fret pattern with sapphire settings, and the other 
pair of satin finish and small pearls. 


13895—InTaciio Broocu 
Mounted in gold. 


13896—Larce Baroaut Broocu 
Mounted in gold. 


13897—ScarF Pin 
Platinum stirrup incrusted with brilliants and sapphire. 


13898—Scarr Pin 
Egg-shape pearl, mounted in platinum and with small brilliants. 


1899—ScarF Pin 


Jockey cap. Wrought in gold and platinum and incrusted 
with small ruby, sapphire and diamonds. 


1400—ScarrF Pin 
Mexican opal, mounted in platinum. 


Seventh Afternoon 


1401—Scarr Pin 
Opal, mounted in gold bezel. 


1402—Scarr Pin 
Opal, mounted in gold bezel. 


1403—ScarF Pin 
With sapphire and brilliant setting. 


1404—-Two Scarr Pins 


Owl and lion-head designs, set with topaz. 


1405—LarcEr Goutp ScarFr Pin 


Pheasant in filigree. 


1406—Turert Preces oF JEWELRY 


(a) Gold and enamel coat chain, Page & Shaw Souvenir. 
(s) Gold and enamel finger ring, Page & Shaw Souvenir. 


(c) Gold tie clip. 


1407—Turee Pieces oF JEWELRY 
Small pink coral bracelet, gold lip-salve holder and gold barette. 


1408—Lapy’s CicareTTe Case 
Enameled and decorated with a miniature of a young girl. 


1409—TorToIsE-SHELL LORGNETTE 


Gold frame. 


1410—NECKLACE 
Antique design. Composed of Indian jade and gold pendants, 
which are incrusted with jewels. 


1411—Lapy’s BELT 
Wrought in metal and enamels of antique Venetian design and 
incrusted with amethysts and turquoises. 


1412—Lapy’s Brit 
Composed of twenty old silver Kuropean coins. 


14183—GentTLeEMAN’s Pocket KNIFE 


Red gold mounting. 


Seventh Afternoon 


1414—GENTLEMAN’s Pocket KNIFE 


Mounted in gold and platinum. 


1415—Goup Pocxer Marcu Box 
Of striped design. 


1416—Gotp Pocxer Marcu Box 


Engine-turned ornamentation. 


1417—Vest-pockeT Swiss Watcu 
Movement by C. H. Meylan. Flat gold case, of octagon shape. 
Nineteen jewels. 


1418—OrpeEn-FacE REPEATING WATCH 
Movement by Edward Richard, Switzerland. Gold case. Twen- 


ty-nine jewels. 


1419—Vest Watcu CHatn 
Link design, wrought in platinum and red gold. 


1420—Go.xp THeEaAatrRE Pass oF THE Late Mr. Brapy 


A gold case with diamond clasp. Inscribed: “James Buchanan 
Brady, No. 7 West 86th Street, New York,” and containing a 
gold and enameled card decorated with a portrait of the late 
Mr. Brady and inscribed as follows—“By these presents I 
command all our people to pay court to the bearer, James 
Buchanan Brady—pass himself and party to all part of 
Theatreland where Klaw & Erlanger attendants are on guard.” 
(Signed) A. L. Ertancer. In extra leather case. 


1421—GENTLEMAN’S Pocxetr PursE 


Leather, mounted in gold. Ruby and diamond clasp. 


1422—-GoLp FLASHLIGHT 
Engraved and marked with initials J. B. B. 


1423—BanceEs, AND SOCIETY AND CiuB EMBLEMS 
Case containing fourteen in gold and other metals, enameled 
and incrusted with jewels. Among them a Special Deputy 
Sheriff’s badge, Seventh Regiment Veterans, New York Athletic 
Club and other society and club emblems. 


Seventh Afternoon 


1424—Curr Links, Srups anp Burrons 


“A racing set.””. Wrought in gold. 


1425—Curr Links, Srups anp Burrons 


“A sporting set.” Wrought in gold. 


1426—Cuarn, Curr Links anp Burrtrons 


“A mourning set.” 


1427—Two Fos Seats 
Opals. Mounted in gold. 


1428—Five Smautut PENDANTS 


Scarab, carnelian and other specimens. Mounted in gold. 


1429—-Lor GouLp JEWELRY 
Cuff links and buttons. ‘Ten pieces. 


1480—Ei1cut Razors 


A set of seven with ivory handles by Wostenholm & Sons and 
marked with the days of the week, in red leather case. One 
safety razor in red leather case. 


1431—Turee Lapy’s Carp CasEs 


Silver. Plain surfaces. With chains. 


1431lsa—TwHree Lapy’s Sitver Carp Cases 


Similar to the preceding. 


1431n—Turee Lapy’s Sivver Carp Cases 


Similar to the preceding. 


1431c—Two Lapy’s Sitver Carp CAsEs 


Similar to the preceding. 


1431p—Carp Cast ann Two Lapy’s Pursts 


Silver. Engraved surfaces and with chains 


1431e—Lapy’s Sinver Pursrt AaAnp A Carp Cask 


The purse of ribbed pattern, the card case with engraving a 
fine lines. Blank spaces for monograms. 


Seventh Afternoon 


14831z7—Two Sinver CIGARETTE CASES 


One with engraved leaf-scroll pattern, the other with etched 


key border. Gilt lined. 


1431¢e—THrREE SILVER CIGARETTE CASES 


Silver. One with chased flower and leaf-scroll pattern, the other 
two with basket pattern and chased and etched leaf-scroll 
borders. 


143lH—Two Sritver CIGARETTE CASES 


One with etched and oxidized decoration, the other with netted 
and floral patterns on an oxidized background. 


14311—Two Sitver CIGARETTE CASES 


With engraved and chiseled decoration of leafy scrolls. Plain 
cartouches for monograms. 


14813—Si1LvER CIGARETTE CAsE 


Rectangular. With enameled decoration of dog retrieving a 


duck. 


1431xKk—Two Casts ror Puayine Carps AND A Pocket FLASK 


One card case with plain surface, the other chased; the flask 
with repoussé ornamentation. 


14311—Two Har Brusues, Parer Crip anp ERASER 


Silver mountings. 


1431mM—TureEe Evyecuass Cases 


Red plush, gray and green silk. With silver mountings. 


14382—Traveune Case 


Sole leather. Cut-glass and silver fittings. 


1433 


Dress-suIt CasE 


Sole leather. With cut-glass and silver-gilt fittings. 


1484—Cigar AND CIGARETTE Cask, CotLaR Box anp Necktie CAsE 


Sole leather and pigskin. 


1435—Desk Ser 


Silver-plated. Consisting of two calendars, pad-holder, call 
bell and pen-holder. 


Seventh Afternoon 


1436—FLasHLIGHT AND Paper CuTTER 


The former gold-plated. 


1437—GavEL 
With silver mounting. Presented to Mr. James B. Brady by 
members of the Forenoon Grand Jury, 1909. 


1438—E.xeven Tortet ARTICLES AND Desk FirtTines 


Various. 


14389—FovuntTain PEN, Cigar AND CIGARETTE Cases AND Matcnu Boxes 


Silver. Fourteen pieces. 


1440—Twenty-rour ToiLter ARTICLES 


Silver and cut glass. 


1441—SrErven BrusHEs 


Silver mounts. Initialed B. 


1442—TrRavELING CLockK AND Six Borries 


The former in silver case; the latter silver-mounted. 


1443—Ten Toiwret ARTICLES 


Silver-mounted. 


1444—ExnaporatTE Desk SET 


Silver repoussé decoration of sea-nymphs and seaweed. Com- 
prises paper holder, inkstand, paper cutter and desk pad. 


1445—Desk SEtT 


Staghorn, silver-mounted. Comprises magnifying glass, paper 
cutter and blotter. 


1446—Fovur Picrure Frames 


Silver. One with mother-of-pearl mounting. 


1447—Two Picture FRAMES 


Silver. One square and the other oval. 


Respective heights, 181% and 14 inches. 


1448—Four Picrure FrAMEs 


Silver. Oval. 
Height, 13% inches; width, 111% inches. 


Seventh Afternoon 


1449—Srix Sriver Picture FRAMES 
Similar to the preceding. 


1449as—Five Cut-cuass Toitet Borryues 


Silver-gilt and enamel tops. ‘Two styles. 


1449n—TweLve Curt-cuass Tortet BoTrLeEs 


With gilt lettering. Bey, 
eight, 614 inches. 


1449c—TweLve Cur-cuass Tomer BotTries 


With gilt lettering. Hoist Ge 
eight, 71, inches. 


1449p—F ive THErmMos Borries 


Red, green, pink, brown and white bases. 


1449r—WickER AND REp Morocco Writine Box 


With cases, letters and papers and Waterman’s fountain pen. 


1449r—Fivre Savine Banks 


In form of gun shells. Inscribed: “Preparedness.” 
Length, 6 inches. 


1449c—Set oF Rep Morocco TRAVELING CASES 


For neckties, handkerchiefs and gloves. Seven pieces. 


1449H—F ive Britt Foups anp PocKETBooKks 


Pigskin, morocco and illuminated leather. 


EIGHTH AND LAST AFTERNOON’S SALE 


TUESDAY, OCTOBER 30, 1917 
AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.380 O CLOCK 


Catalogue Nos. 1450 to 1748, inclusive 


TABLE CHINA 


1450—Seven Porcetarn Menu Carbs 
Easel design. Gilt decoration. Two styles. 


1451—Nixne DrespEN StyLte PorceLatin PLACE CaRDSs 
With floral decoration. 


1452—TureE Cups AND SAUCERS 


French and German porcelains. One with paintings of cupids, 
one a battle scene, and one in king’s blue glaze with reserve 
panels with floral decoration. 


1453—TwertLve Drespen Styte Nur Cups 


With painted decoration of barnyard scenes. 


1454-—Six Royat Worcester AFTER-DINNER CoFFEE CuPrs AND 
SAUCERS 
Five with painted decoration of fruit, and one with pigeons. 


Gilt lined. 


1455—Fovur Coatport CHocoLate Cups AND SAUCERS 


Variously colored glazes, with jeweled ornamentation in blue. 


1456—Six Vienna Porcerain Bovuitton Cups AnD SAUCERS 
Mat gilt band with painted decoration of classical subjects. 
Gilt lined. (One as is.) 


Eighth and Last Afternoon 


1457—SEvEN GERMAN PorcELAIN BoviLLoN Curs AND SAUCERS 


Green lustre ground, with decoration in mat gilt of eagle, letter 
N and wreaths. Covers with paintings of scenes from the 
life of Napoleon. 


1458—TwreLve GERMAN PoRCELAIN COVERED CuPrs AND SAUCERS 


Pale yellow glaze, with jeweled and gilded decoration. The 
covers with paintings of famous beauties. 


1459—Frencu Porcevain Tere-A-T&TE SET 


In style of the Empire. With burnished gilt band and crowned 
N. Consisting of coffee-pot, sugar bowl, creamer, two large 
and two small cups and saucers and tray. 


1460—Twewve Frencu PorceEtAIn Dessert PLATES 
To match the preceding. 
Diameter, 81% inches. 
1461—Mintron Tray 


Dark blue glaze, with decoration in gilt and a central medal- 
lion with ornamentation of brightly plumaged birds. Two scroll 
handles. 

Length, 13 inches. 


1462—Fivre Decoratep Puace PLATES 


Four Vienna, and one Cauldon. The former decorated with 
paintings of landscapes and enamels by Pohl. The latter 
with painting of “The Retreat,” by Lewinsky after Schreyer. 


Diameter, 101%, inches. 


1463—Five Decorated PorcEetain PLaATEs 
German, French and two English. With paintings: one of 
young woman; one, “The Kiss”; one, chrysanthemums; one, 
shepherd and sheep, and one a portrait of Columbus. Various 
sIZes. 


1464—Twetve Havitanp Piuact PLATES 


With outer bands of king’s blue glaze decorated in mat gilt. 
The center with paintings of beautiful women by A. Soustre. 
After Chaplin. 
Diameter, 914, inches. 
1465—Twextve Minron Game P1uaTEs 
Cream-white glaze, with paintings of game birds. Border with 
_green enamel and gilt decoration. Signed: A. H. W. 


Diameter, 9 inches. 


Highth and Last Afternoon 


1466—Twetve Royvat Dovutton Dinner PLATES 


With paintings of cattle by C. Beresford Hopkins. The bor. 


ders, pale yellow with gilt decoration. | 
Diameter, 10% inches. 


1467—Twetve Vienna Porcetatn Pract PLates 
Painted decoration of various subjects. 
Diameter, 91, inches. 
1468—Twetve Drespen Styte Dessert PLaTEs 
Each with six painted medallions of scenes in foreign lands. 


Diameter, 91% inches. 


1469—Twetve Drespen StyLe Game PuLatEs 
The borders with landscape decoration. Edge scalloped. 


Diameter, 1014 inches. 


1470—Twenive Skvres Dinner PLateEs 
With paintings of children. Signed: E. Sieffert de Sévres. 
Scalloped edge. 


Diameter, 10 inches. 


1471—Twetve Drespen Styte Dinner Puartes 
Lemon-yellow glaze. The borders jeweled and decorated with 


pastoral subjects. 
Diameter, 10 inches. 


Eighth and Last Afternoon 


1472—Twe ive RoyaLt DovuLtton Puace PuLatTEs 
With paintings of fair women by F. N. Sutton. Borders of 
pale green and yellow with decoration in gilt. 


Diameter, 10144 inches. 


1473—Twetve Dresp—EN StyLteE Pruace PLATES 


With paintings of scenes from various operas. Borders in mat 


and polished gilt. 


Diameter, 1014 inches. 


1474—Twe ive Roya Worcester GAME PLATEs 
With painted decoration of flamingos in their natural haunts. 
The gray borders with grapes and leaves engraved and in low 


relief, 
Diameter, 1014 inches. 


1475—NinE Minton Oyster PLAtTEs 


Cream-white glaze. With raised rim. Decorated in gilt. Re- 


cessed center. 
Diameter, 101, inches. 


1476—ELEVEN GAME PLATES AND PLATTER TO MaAtcH 


Bavarian china. With decoration of various game animals 
and dogs. 


Diameter of plates, 10 inches. 
Length of platter, 17 inches. 


Eighth and Last Afternoon 


1477—Twetve CoaLtport SERVICE PLATES 


With wide king’s blue border decorated in burnished and mat 
gilt. Rope edge. 


Diameter, 1014, inches. 


1478—Twetve EncuisH CHINA PLATES 


Decorated in gold on a black ground in the Chinese style to 
imitate lacquer. 
Diameter, 10 inches. 


1479—SEvEN Puace PLATteEs 


French and Vienna porcelain with paintings of scenes from the 
life of Napoleon after famous artists. 


Diameters, 9 and 9%, inches. 


1480—TweLve Cavutpon Fisu PLATEs 


With paintings of various game fish by I. Birbeck, Senior. 


Diameter, 9% inches. 


1481—Twenty-Frour Royat Doutton GAME PLATES 


With painted decoration of various game birds. Some signed: 


S. Wilson, and others: Joseph Hancock. 


Diameter, 9 inches. 


1482—-TwreLve Wepewoop PLATES 


With paintings after English sporting prints by Henry Alken 


illustrating Jorrocks’s ‘“Jaunts and Jollities.” 
Diameter, 101/, inches, 


Eighth and Last Afternoon 


1483—Twetve CauLtpon GAME PLATES 
With paintings of fox-hunting subjects by J. Ellis. The border 
with decoration of narrow band of gilt. Scalloped rim. 


Diameter, 91/, inches. 


1484—TweLve Frencu PorceLaIn GAME PLATES 


With paintings of racing subjects by A. Soustre. Narrow gilt 


band with scroll decoration. 
Diameter, 91%, inches. 


1485—Twevve Dresp—en Game PLATES 


With paintings of game. Scalloped edge. Mark, crossed 


swords in blue. 
Diameter, 10 inches. 


1486—Srx Sevres StyLeE PLATES 


Decorated with paintings of scenes from the life of Napoleon 
after Vernet. With a wide king’s blue border ornamented with 


gilt bands in the Empire style. 
Diameter, 1014 inches. 


1487—Twentve Russian CuHina DInNER PLATES 


With paintings of Russian subjects. Made by Korneloft 
Brothers for Tiffany & Company. 
Diameter, 11 inches. 


1488—TweLvE PuaTEs 
To match the preceding. 


Diameter, 10 inches. 


1489—Tnirtry-stx Breaxrast PLATES 


To match the preceding. 


Diameter, 91, inches. 


1490—TwrtvEeE Soup PLATES 


To match the preceding. 
Diameter, 10 inches. 


1491—-Twetve Sour PuatTes 


To match the preceding. 
Diameter, 914 inches. 


1492—-TweLve Dessert PuatTeEs 


To match the preceding. 
Diameter, 8 inches. 


1498—Twetve TEacurs AND SAUCERS 


To match the preceding. 


1494—TwereLve RAMEKINS AND SAUCERS 


To match the preceding. 


Highth and Last Afternoon 


1495—AvstTRiaAN Cuina DINNER SERVICE 
Decorated in blue, gold and coral red in the style of old Bloor 


— 
bo > & bo DO eH bO 


36 
12 


1 
1 
1 
2 


Derby. Consisting of 


Soup tureens and covers, 1 ladle. 
Vegetable dish with handle. 
Compotiers. 

Salad bowls. 

Deep large plates. 

Meat platters. 

Fish platter. 

Soup plates. 

Dinner plates. 

Dessert plates. 

Coffee pot. 

Teapot. 

Chocolate pot. 

Gravy boats with covers, 1 tray. 


oo 
bo bo 


—_ 
= DO = = bo Orb bo bw 


Milk pitcher. 

Tea cups and saucers. 

After-dinner coffee cups and saucers. 
Oyster plates. 

Mustard cup and cover. 

Small compotiers. 

Water bottles. 

Mugs for bottles. 

Egg cups. 

Serving cups on foot. 

Bouillon cups and saucers with covers. 
Sugar bowl and cover. 

Cake plates. 

Serving tray. 


1496—Limoces Cuina DINNER SERVICE 


Decorated with bands of king’s 
Made to order for James 


gilt. 
Different size meat platters. 
Soup tureen with cover. 
Vegetable dishes with covers. 
Vegetable dishes. 
Bouillon plates. 
Olive dishes. 
Large plate. 
Soup plates. 
Breakfast dishes. 
Dinner plates. 
Dessert plates. 


1497—Minton DINNER SERVICE 


Cream-white glaze, with mat and polished gilt band. 


12 


= 


monogram J.B.B. Comprises 


Dinner plates. 

Soup plates. 

Bread and butter plates. 

Extra large plates. 

Large meat platters. 

Fish platter. 

Cake dishes. 

Small meat platters. 

Odd size vegetable dishes. 

Vegetable dishes with covers. 

Oval vegetable dishes with covers. 
(1 cover as is.) 

Asparagus plate. 

After-dinner coffee cups. 


hi 
11 

1 

1 

1 
11 
10 
12 
12 
12 
12 
12 
12 
12 


14974s—TWweLvE FrencH PorRCELAIN 


With borders of greenish gold. 


1497n—ELeven Asparacus PLATES 


Gilt borders. 


Minton. 


1498—Six STEINS 
In pottery and porcelain. Various styles and decorations. | 


blue, detached rose sprays and 
B. Brady. Consisting of 


Bread and butter plates. 
Fish platter. 

Compotiers. 

Gravy boats (1 cover). 
Butter dish and cover. 
Cake plates. 

Salad bowl. 

Odd _ dishes. 

Small individual cake plates. 
Coffee cups and saucers. 
Chocolate cups and saucers. 
Individual vegetable dishes. 


With 


Gravy boat and tray. 
Asparagus dishes. 

Large breakfast cup and saucer. 
Mustard cup and saucer. 

Soup tureen. (Cover missing.) 
Oatmeal plates. 

Cereal or grapefruit bowls. 
Baked apple dishes. 

Bouillon cups and saucers. 
Butter chips. 

Tea cups and saucers. 

Coffee cups and saucers. 

Fruit dishes. 


Kgg cups. 


Asparacus DISHES 


Eighth and Last Afternoon 


1499—Six PotrrEery STEINS 


Rookwood, Weller, Lenox and other makes. Some with in- 
scriptions. 


1500—SEvEN STEINS 
Four, Tiffany Favrile and other glass; three, pottery. 


1501—ELrven Pottery STEINS 


Rookwood and other makes. With decoration of landscapes, 
hunting scenes, flowers and verses. 


1502—Four Mues anv Four STErIns 
Chinese, Lowestoft, Coalport and Capo di Monte. 


1503—Ei1cut STEINsS 


Doulton, Mettlach and other potteries, and of which two are 
glass. 


1504—E1cutr Guass STEINS 


Decoration of figure and sporting subjects. 


1505—Fovur Streins ann Two Mues 


Glass, stoneware and pottery. 


1506—THREE STEIns AND Four Mues 


Capo di Monte, Adams and Sévres reproductions. 


1507—NineE Stems anp Mues 


Mettlach, silver lustre and Chinese. Grotesque subjects. 


1508—Nine Potrery STErns 


One with decoration of imitation coins, the others painted and 
with relief decoration. 


1509—Six STEINsS 
Polychrome Delft, Staffordshire and faiences. 


1510—SerEvEN STEINS 


Rookwood, Lenox, Mettlach and stoneware. With decoration 
of figures. One with silver deposit ornamentation. 


1511—F ive Sterns 


Crown Derby, faience, oak and ebony. 


Eighth and Last Afternoon 


1512—Larer TANKARD 


Section of a tusk. With hammered copper base and cover. 
Silver-plated strappings. 


1518—SEveEn TANKARDS 


Silver-plated, pewter and painted woods. 


1514—Five Mvucs ano THREE STEINS 


Pewter, copper and copper lustre. 


1515—Fovr SrTerns 
Copper. Some with pewter handles. 


1516—Two Sreins anp Two Tankarps 


Pewter, copper and white metal. With decoration of coat-of- 
arms and figures. 


1517—Six Porrrery STEINs 
With decoration of fish, portraits, tenpins and balloon. 


1518—F ive Tanxarps 


Lowestoft and other porcelains and potteries. With decora- 
tions of a ship under full sail, birds, flowers, landscapes and 
figures. 


1519—Fovur Tanxkarps 
Vienna, Capo di Monte and Copeland. 


1520—Four Grass Tanxkarps 
With decoration of castles, medallions and diaper patterns. 


1521—F ive STeEIns 


Bohemian and Austrian glass. With pastoral and hunting sub- 
jects and inscriptions. 


1522—Two Tanxkarps 
One leather, with plated escutcheon and band; the other Doul- 
ton, in the form of a large pipe. 


1523—F ive STEIns 
One of oak and four of pottery; one with silver-plated mounts 
and lining. 


Eighth and Last Afternoon 


1524—Fovur Tanxkarps 
Doulton, Mettlach and other styles. With various decorations. 


TABLE AND OTHER GLASS WARE 


1525—Twetve CorpiAL GLASSES 


Goblet form. Sterling silver, mounted. 


1526—Six Iypivipvat Guass Cruets 
With silver tops, handles and label plates. 


1527—Twretve CHAMPAGNE GLASSES 


Tulip-shaped bowls, with standards and applied decoration of 
silver. (One as is.) 


1528—Two WuiskEY BorrLEs AND GLASS WITH SPOON 


The former with compressed triangular bodies. Applied flower 
and leaf decoration in silver. 


1529—S ix Cur-cuass IcE-crEAmM Bowts 


With sterling holders. Initialed J. B. B. 


1580—Twetve Crystat Guass Berry DisHEs 


Silver rims. With decoration of strawberries and leaves. 


15381—Twetve SILVER GRAPEFRUIT Guass HoLpErs 


Pierced bowls and solid stems. Initialed B. With seventeen 
grapefruit bowls, ten orange bowls and twelve orange-juice 
glasses. 


1582—DeEcAaNTER AND WHISKEY JUG 


The former ruby glass, with scroll mountings in sterling silver ; 
the latter Lenox porcelain, with painted decoration and sterling 


silver mounting. 
Respective lengths, 71/4, inches and 12 inches. 


15388—CurTt-ciass Water PITCHER AND GLASS 


Silver-gilt mountings, with relief ornamentation of leaf scrolls, 
leaves and figures. 


1534—Guass CrackER JAR 
Top in form of a bulldog head, silver plated. 


10 inches. 


Highth and Last Afternoon 


1585—TaxsLE ORNAMENT 


In the form of a chicken cock in cut crystal glass with silver 


head, tail and legs. 
Height, 13%1/, inches. 


1586—IcE-waTER SET 


Consisting of two glasses with ormolu mounts, pitcher with 
sterling silver mounts, and ormolu and marble tray. In the 
Empire style. 


1587—Guass ORNAMENT 
In the form of a vase. The lower portion to represent an 


aquarium. 
Height, 18 inches. 


1588—Cut-exiass VASE 
With cast gilt-brass mounts. In the Empire style. 
Height, 21 inches. 


1539—Twetve Tati TumMBLERS AND JUG 


With enameled decoration of fox-hunter on horse and with 
narrow gilt band. 


1540—PircuHer AND TWELVE GLASSES 


Painted decoration. 


1541—EncrRAVED GLAss 


Decorated with boar-hunting scene. 


1542—Two ALE GLassEs 
On tall foot. With engraved inscription, “The King, God 
Bless Him!” and imbedded English threepenny coin. 


15438—Two Larcre Guass TUMBLERS 


Pressed. 


1544—Tweive Musuroom Covers 


Engraved band. 


1545—Srx Guass Cigar Trays 


Colonial cut. 


1546—Twetve CockTalL GLAssEs 
Tapering bowls on tall foot. With decoration of narrow gilt 
band and horse’s head in enamel. 


Eighth and Last Afternoon 


1547—SeEveN Guass GOBLETS 
With etched decoration. 


1548—TweELvE GRAPEFRUIT GLASSES 
Plain. On tall stem. 


1549—EnLeven LEMonNADE GLASSES 


With flaring lip. Vertical cutting. 


1550—Twetve Ciaret GLASSES 


Yellow bowls and plain stems. 


1551—Fir TEEN CockTaiIL GLASSES 


Ruby glass, with intaglio cutting of chicken cock and grasses. 


1552—Twetve CockTAIL GLASSES 


Ruby glass with decoration of chicken cocks and scrolls. 


1553—Twetve CLARET GLASSES 


Cut. Six with red and six with green bowls. Clear stems. 


1554—Twetve Hock GLAssEs 


Cameo-cut green and clear glass. 


1555—Twetve Hock GuassEs 


Six in green and six in red glass. Elaborate cutting. 


1556—Twetve Cur Hock GLASSES 


Ruby bowls on tall stems of clear glass. With decoration of 
sprays of cherries. 


1557—Twetve Hock Guassks 


Ruby bowls on tall twisted stems of clear glass. The bowls 
decorated with classsic figures in gilt. 


1558—TuHirTEEN CHAMPAGNE GLASSES 
With twisted stems and feather cutting. 


1559—Ser or TasieE Guass 


Fan and star cuttings. Consisting of twelve cocktail glasses, 
twelve claret glasses, twelve sherry glasses, eleven port glasses, 
twelve ale glasses, twelve champagne glasses, twelve tumblers, 
thirteen goblets, twelve frappé glasses, six whiskey glasses, 
twelve cordial glasses, ten finger bowls. 


Eighth and Last Afternoon 


1560—Set or TasiE Guass 


The bowls with wide gilt bands engraved and with monogram 
J.B.B. Stems and foot cut. Consisting of 


(a) Twelve cocktail glasses. (d) Twelve goblets. 
(b) Twelve sherry glasses. (e) Twelve champagne glasses. 
(c) Twelve claret glasses. (f) Eleven cordial glasses. 


(g) Twelve finger bowls with plates. 


1561—T'wetve CauLpon TERRAPIN PLATES 


Gold lined. With painted decoration of various members of 
the terrapin family. Scalloped edges, with king’s blue border. 


Diameter, 7144, inches. 


1562—Twetve Frencn Cuina Dessert PLATES 


Gilded surface. Pierced border. 


Diameter, 8°, inches. 


Note: These plates were used with the foregoing set of glass. 


1563—Crystat Guass Lovine Cup 
Intaglio decoration of flowers and fruit. Three handles. 


Height, 12 inches. 


1564—Crystat Guass Puncu Bow. 
Intaglio cut. On tall foot. With separate column support. 
Height, 1814 inches. 


1565—Twetve Guass PLaTEs 
With intaglio cutting of game birds. 
Diameter, 9 inches. 
1566—Two Cvut-ciass PLATTERS 
| With intaglio cutting of a lobster in the center. 
Length, 1314 inches 


1567—Twetve Guass DisHEs 
Deep form. Pressed key border. 
Diameter, 9 inches. 
1568—Turee Crystat Guass GOBLETS 


Intaglio cut. 


1569—ELreveEN CHAMPAGNE GLASSES 


To match the preceding. 


Eighth and Last Afternoon 


1570—Rock CrystaLt Guass TasBLE SERVICE 


With intaglio cutting of vases and dolphins. Consisting of 
twelve cocktail glasses, eleven sherry glasses, twelve port glasses, 
twelve champagne glasses, twelve punch glasses, twelve goblets, 
twelve frappé glasses, twelve cordial glasses, three decanters, 
and twelve finger bowls with plates. 


Note: Only two sets of this glass were made by James Hoare, of the 
Corning Glass Company of Corning, N. Y. 


(Illustrated) 


1571—T'wreLvE CHAMPAGNE GLASSES ON TaLL Foor 


To match the preceding. 


1572—Twetve HicgHBaLL GLASSES 


To match the preceding. 


1573—NineE TUMBLERS 
With rib and diamond cutting. 


1574—F ivr Cut-cuass DIsHEs 


Various sizes and shapes. To match the preceding. 


1575—Cur-eviass Cruet, CeLtery Disu, Vas—E anp CreLery HoLpEer 


The last with silver rim. To match the preceding. 


1576—Pair or Cur-cuass HorsE-RADISH AND CRACKER DISHES 


On three feet. To match the preceding. 


1577—ELeveN Servine Disues anp Nine Cut-ceruass IcE-cREAM 
DIsHEs 


To match the preceding. 


1578—Cur-ciass Berry Dish anp SEerRvine DisH 


To match the preceding. 


1579—Cur-cLass IcE-CREAM PLATTER AND NINE IcE-cREAM PLATES 


To match the preceding. 


1580—TIwo Cur-cxuass Fruir DisHes 
Trefoil shape. To match the preceding. 


MOLIAUMAS ATAVL SSVIO IVLSAYO MOOU—OLST “ON 


Eighth and Last Afternoon 


1581—Cvurt-eiass Butter Disu 
With bell-shaped cover. To match the preceding. 
Height, 7 inches. 


1582—Cut-cuass WuiskEy Jue anv Ice DisH 


To match the preceding. 


1588—Cut-ciass CRACKER JAR 
To match the preceding. 
Height, 91% inches. 
1584—Two Cut-cuass Fruit DisHets 


To match the preceding. 


Diameter, 10 inches. 


1585—Two Curt-ceuass PITrcHERS 


To match the preceding. 
Heights, 6 and 12 inches. 


1586—Two Cut-cuass DECANTERS 


Compressed globular bodies. Side handles. To match the 
preceding. 
Respective heights, 81% inches and 101, inches. 
1587—Two Cut-crass Decanters 


Compressed globular bodies. One with long neck and the other 
with loop handle. (The former chipped.) To match the 
preceding. 
Heights, 13 and 1381, inches. 
1588—Curt-ciass Icep TEA Ewer 


Pear-shaped, with loop handle and curved spout. To match 


the preceding. 
Height, 131, inches. 


1589—Cut-ciass VAsE 
Modified hour-glass shape. To match the preceding. 
Height, 121, inches. 
1590—Turee Cur-ciass FLrowrer VaAsrEs 
Trumpet shape. To match the preceding. 
Height, 15 inches. 


1591—Cout-criass Satap Bow. 
Deep cutting of fan and other designs. 


Diameter, 10 inches. 


1592—CutT-eiass Puncu Bownr 
To match the preceding. 


Highth and Last Afternoon 


1598—Pair or Cur CrystaLt Guass Firowrer VaAsEs 


Modified hour-glass shape. With decoration of flowers and 


grass. 
Height, 24 inches. 


1594—Very Larcre Cur-ciass VASE 
Chrysanthemum cutting. 
Height, 351, inches. 


1595—CrystaL Guass CANDELABRA 


Fitted for nine electric lights. With tulip-shaped shades, vase 
standard and circular foot. Cut and engraved ornamentation 


of flowers and sprays. 
Height, 36 inches. 


1596—Cur-ciass Taste CENTER 
Plate-glass mirror, with repoussé sterling silver border with 
grapevine pattern. 


Diameter, 28 inches. 
1597—Cur-ceLtass PLATEAU 
Round. 
Diameter, 20 inches. 
1598—Hors p’CG2uvres Dish anp Two Cretery Boats 


The former cut glass, the latter cut crystal glass. 


1599—Srer or Hors v’Huvres Trays 
In a sterling silver holder. Five compartments. 


Diameter, 10 inches. 


1600—Two Cut-ciass Bow1s 


With sterling silver rims. The rim of one plain, and the other 


repoussé. 
Diameter, 9 inches. 


1601—Cur-ciass CLiaret PircHerR AND WuiskEy BoTTLE 


The former with repoussé sterling silver top. 


Heights, 111, and 10 inches. 


1602—Cur-ciass FrowEr Ho.upEer 
Tall form. Diamond cut. 
Height, 12 inches. 
1603—Cur Crystat Guass Frower VAsE 
Lily-shaped. With decoration of thistle and grasses. 
Height, 15%, inches. 


Kighth and Last Afternoon 


TABLE LINEN, BEDCOVERS IN LACE AND 
NEEDLEWORK 


1604—Lor or Doizies anp Napkins 
Twelve brown linen lobster napkins embroidered, and twenty- 
four cretonne doilies trimmed with cotton fringe. 


1605—Tuirty-FIvE Dormirts and Twetve Luncu NAPKINS 


The former lace and embroidery, the latter Madeira. 


1606—TIwo Cuuny Lack CENTERPIECES 


With linen centers. 


1607—Two ScarrFs 
Linen centers, with filet inserts and eyelet embroidery. Wide 
Maltese lace border. 


Length, 35 inches; width, 18 inches. 
1608—LuncHEON SET 
Madeira embroidery. ‘Twenty-five pieces. 


1609—Forty-EIGHT TUMBLER AND PLATE DoILIEs 


Renaissance and Cluny lace edgings. Linen centers. 


1610—Nine Puate Dotties 
With embroidery of roses in colors. Cluny lace edge. 


1611—TwentTy-THREE TUMBLER AND PuiatEe Doli izs 
White linen, with embroidery of thistle in colors. Shaped edge 
worked in green silk. 


1612—Twenty-rour TuMBLER AND PriatEe Dor.igrs 


Linen, with embroidery of sprays of roses in natural colorings. 


1613—Twenty-two Doities anp CENTERPIECE 
With embroidery of roses in colored floss silks. Scalloped edges. 


1614—Four Drawn Fiver Pittow Covers 
With figures symbolic of Earth, Water, Air and Fire. 


1615—Fovur Finet Lace Covers 


With figure patterns. Various sizes. 


Kighth and Last Afternoon 


1616—Fovur Finer Lace Scarrs 


Similar to the preceding. 


1617—Fovur Pittow Covers 


Eyelet embroidery and filet and other laces. 


1618—LuNcHEON SET 


Maltese lace. Twenty-four pieces. 


1619—LuNcHEON SET 
Eyelet embroidery and filet. Star-shaped. T'wenty-four pieces. 


1620—THrREE Ovat CENTERPIECES 


Cut work and filet inserts and edgings. 
Length of two, 27 inches; of one, 36 inches. 


1621—LuncHEON SET 


Linen centers, with Madeira embroidery and filet inserts. Cluny 
edging. Oval and round. Nineteen pieces. 


1622—FourTEEN Linen NAPKINS 


Madcira embroidery, with small insert of filet. 
24 inches square. 


1623—Ten Linen Napkins 
Similar to the preceding. Filet differing slightly in design. 
24 inches square. 
1624—Twetve Linen Napkins 


Similar to the preceding. Differing slightly in design of em- 
broidery and filet insert. 


24 inches square. 
1625—Twevve Linen Napkins 


Similar to the preceding. 


1626—TIwexve Linen NAPKINS 


Madeira embroidery corner. Filet lace insert and edge. 


1627—Six Taste SaQuaReEs 
Linen and drawn work. Initialed J. B. B. 


1628—Srx Covers 


Linen, with cut work and lace. 


Eighth and Last Afternoon 
1629—Six Bureau, MantTEL anp TaBLE SCARFS 


Eyelet embroidery and Cluny lace. Various sizes. 


1630—Larcr CENTERPIECE 
Italian lace border, with filet inserts. Linen center. 
Diameter, 50 inches. 
1631—Larcre Rounp CLoTH 
Linen, with twelve-inch border paneled alternately in Madeira 


embroidery and filet. Inner band six inches wide, with panels 
corresponding with border. 
Diameter, 66 inches. 
1632—Larcrt Rovunp CioTH 


Similar to the preceding. With seventeen-inch border and ten- 


inch inner band. 
Diameter, 76 inches. 


1633—Rovunp CiotTH 
All-over Madeira embroidery and Cluny. 
Diameter, 72 inches. 
1634—Rovunp CriotH oF Firer Lace 
With designs of griffins, angels, dragons and medallion heads. 
Diameter, 72 inches. 
1635—Rovunp CiLotTH 


Cluny lace and Madeira embroidery. With filet center and 
inserts. 
Diameter, 84 inches. 


1636—Rounp CLotTH 


With twenty-one-inch border of Madeira embroidery, with 
Italian cut-work inserts and filet lace. 'Ten-inch inner band 
similar to the border. 


Diameter, 90 inches. 
1637—LuncHEON SET 
Very elaborate drawn-work. Tablecloth and eight napkins. 
Napkins with initials J. B. B. 
Cloth: Length, 2% yards; width, 2 1/3 yards. 
Napkins, 27 inches square. 
1688—Very EvasoratrtE LuncHron SET 


Linen. Round cloth, with Italian needlework inserts of por- 
traits and coats-of-arms. Other designs in cut work and em- 
broidery. Initialed in same work, J. B. B. The napkins with 
coats-of-arms in needlework and embroidery. ‘Thirteen pieces. 

Cloth: Diameter, 3 yards 8 inches. 


Napkins, 27 inches square. 


Eighth and Last Afternoon 


16389—TaBspLEcLOTH AND NAPKINS 


Linen. The cloth with central medallion and border of Ma- 
deira embroidery and cut work. The napkins with corner work 
to match. Thirteen pieces. 


Length, 2 yards 29 inches; width, 1 yard 31 inches. 


1640—TaBpLECcLOTH AND NAPKINS 


Elaborately embroidered in orchid design in colors. Eleven 


pieces. 
Cloth: Length, 2 yards 26 inches; width, 2 yards 20 inches. 


Napkins, 20 inches square. 


1641—TasLEecLoTH AND NAPKINS 
Hemstitched cloth of plain damask, with roses embroidered in 
natural colors, cut work and Cluny lace edge. Linen napkins 

with embroidery in colors. 
Cloth: Length, 3 yards; width, 2 yards 16 inches. 


Napkins, 22 inches square. 


1642—TapLecLorH AND TxHirty-FourR NAPKINS 


Damask, rose and scroll designs. Initialed B. Twelve napkins 
to match cloth. 


Length, 8 yards; width, 2 yards 16 inches. 
1643—TasLecLotrH AND TwWELvE NAPKINS 


Similar to the preceding. Differing slightly in design. Initialed 
B. | 


1644—Two TaspLEcLOTHS 


Damask. With designs of butterflies, birds and ferns. 


Initialed B. 
Length, 2% yards. 


1645—Two Rounp TABLECLOTHS 


Satin damask. With large design of roses. Embroidered 
scalloped edge. Initialed B. 


Diameter, 31%, yards. 


1646—TasLre Cover 


Design in squares, alternate filet lace and embroidery, Cluny 


bandings and border. 


21, yards square. 


1647—TaxsLEe Cover 
Linen, with design in bands of filet and drawn work. 


2 yards 6 inches square. 


Eighth and Last Afternoon 


1648—Larcret Taste Cover 


Linen, with double border edging and five large inserts of hand 
run filet. Drawn-work design. 


Length, 3 yards; width, 2, yards. 
1649—TasLEe Cover 
Heavy linen. Banded and trimmed with Renaissance lace. 
Elaborately embroidered in colors. 


Length, 3 yards; width, 2%, yards. 


1650—Two Smatt Pittows 


With embroidered linen and filet lace covers. Applied satin 
roses. 


1651—Two Sma. Pititows 


Filet and embroidered linen covers. Applied satin flowers. 


1652—Two Smauu Pirttows 


Filet and embroidered linen covers. Applied gold lace and 
ribbon bands. 


1653—Two Smart PitLows 


Filet and embroidered linen covers; the former with designs 
illustrating literature and art. 


1654—Covucn CusHIoNn 
Filet lace cover. With design of cupids at play. 


1655—Two Covucu CvusHions 


Filet lace covers. Edged with gold lace and satin roses. 


1656—Lacet Scarr 
Spanish blond. 


1657—Two Pairs or WuiteE SILK STOCKINGS 


One with chameleon in colored beads, and the other with lace 
insert. In case. 


1658—Two Parirs or Srockines 


One yellow silk, trimmed with iridescent sequins, and the other 
of black silk with lace insertion. Im case. 


1659—Turee [rattan NEEDLEworRK MEDALLIONS 
Cupids. Framed. 


Highth and Last Afternoon 


1660—TuHree [rattan NeepLEworK MEDALLIONS 


Similar to the preceding. 


1661—Lacr Pane 
Filet and Cluny. Framed. 


1662—Two Lacr PaneEts 
Italian. Portraits of Napoleon. Framed. 


Height, 29 inches; width, 161, inches. 


1663—Two Fiter Pane.s 
Classic and hunting subjects. Framed. 


Heights, 51 and 52 inches; widths, 131, and 191, inches. 


1664—Lacre PaNneL 
Filet. Classic subjects. Framed. 


Height, 5914 inches; width, 151, inches. 


1665—Rowunp Tasie Cover 


Linen, with cut work and embroidery. Elaborate inserts, bands 
and edgings of filet and other laces. Framed. 


Diameter, 6 inches. 


1666—Lacr Cover 
Antique filet, with designs of Diana, Venus and Cupid, nymph 


and faun, cornucopiz# and masks. Framed. 


Height, 7 feet 6 inches; width, 4 feet 11 inches. 


1667—Sumrptuovus TasLteE Cover 


The center with cut-work border and sixteen inserts of Italian 
needlework and filet. The outer portion with cut work to 
correspond and eight large panels of filet. Filet border, with 
design of spread eagles. Framed. 


Length, 11 feet 8 inches; width, 7 feet 6 inches. 


1668—Sumrervuous TABLECLOTH 


Linen, with elaborate designs in Italian cut-work and embroid- 
ery. Twelve inserts of Italian needlework and sixteen of filet. 
Seven-inch filet lace border. 


Width, 2 yards 8 inches; length, 3 yards 17 inches. 


Eighth and Last Afternoon 


1669—Linen anp Lacr CurTAIN 


Filet center, with bold design of figures, scrolls, cornucopize 
and mask. Side panels of cut work, with filet inserts. Lace 
band and edging. Box cornice covered with rose satin and 
with lace and cut-work panel. . 


Height, 9 feet; width, 4 feet 10 inches. 
1670—LInEN anv LacEe CuRTAIN 


Filet center of three panels with classic figure subjects. At 
either side, cut work and embroidery. The lower portion of 
cut work, with bands, inserts and edging of various laces. Box 
cornice covered with rose satin and lace and with cut-work 


panel. 
Height, 9 feet 9 inches; width, 5 feet. 


1671—Pair or Net Winpow CurtTaAIns 
Arabian. 
Height, 9 feet; width, 4 feet. 
1672—Fitet Lact Covers ror BEDROOM 


Some with gold lace border and applied pink satin roses. 'Thir- 
teen pieces. Various sizes. 


1673—Bep SET 


Consisting of bedspread and three pillow covers. Silk Cluny 
lace lined with light brown satin. 


1674—ARaABIAN Net Bep Cover ann Two ScarrFs 


Ribbon and floral design. Cluny edge. Lining of pink satin. 


1675—BeEpsPREAD AND Five SaQuareEs 


Scrim and linen lace. 


1676—F ive BepsereAps AND Four Pintow S1ips 


Linen elaborately embroidered and scalloped. 
Length, 2% yards; width, 2 yards. 


1677—BEDSPREAD AND Srx Pittow Suips 


Linen. Cut work, emroidery, filet insert and edging on one 
end. Pillow slips, embroidered and scalloped. 


Length, 3 yards; width, 2 yards 15 inches. 


1678—Bep Cover 


Fine scrim. Elaborate filet lace center. Banded and edged 


with Cluny. 
Length, 3144 yards; width, 2 yards. 


Eighth and Last Afternoon 


1679—Brp Cover 


Voile, with elaborate center of filet lace, embroidery, Cluny 
bandings and applied pink satin roses. Edged with narrow 
Cluny lace. With pink satin underslip. 


Length, 3 yards; width, 2 yards. 


1680—LINEN BrEpDsPREAD 


With elaborate design reproducing the candlewick style of em- 
broidery. 


Length, 3 yards; width, 2 yards 16 inches. 
1681—Bep Cover 


Nainsook elaborately embroidered. Sixteen filet inserts. Hem- 
stitched. 


Length, 234 yards; width, 2 yards. 
1682—Linen BEpDsPREAD | 


With inserts, bands and border of filet lace. Designs in squares. 
For double bed. 


2 yards 6 inches square. 


1683—Two EmprormErrepd Bep Covers 


Madeira embroidery and filet inserts. For single beds. 


1684—Turee Pittows anp Bouster Rou 


Net and lace covers. With yellow satin slips. 


1685—Two Linen SHEETS 
With solid embroidery. 


1686—Two Sueretrs anp Two Pittow Stuies 


With solid embroidery of chrysanthemum and shamrock. 


1687—Two SuHeEts anv Two Pittow Sites 
With solid embroidery. Initialed B. 


1688—Fovur Linen SHEETS AND Six Pin~Low Sips 
Hemstitched. 


1689—Fovur LINEN SHEETS 
To match the preceding. 


1690—Fovur Liven SHEETS AND Six Pittow S.ips 


To match the preceding. 


Eighth and Last Afternoon 


1691—Four Linen SHEETS AND Srx Pittow Sips 


Similar to the preceding. 


1692—-Twetve Guest Toweus ann Tren Larce Towerts 
Linen huckaback with embroidery. 


1693—Twetve Larct Towerts 
Linen huckaback. Hemstitched and embroidered. Initialed B. 


1694—Tren Larct Towerts 


Very fine linen huckaback. Hemstitched and embroidered. 
Initialed B. 


1695—Twetve Larct Towerts 
Damask. Hemstitched. Initialed B. 


1696—ELEvVEN Larcr ToweEtLs 


Hemstitched huckaback, with elaborate drawn-work.  Ini- 
tialed B. 


1697—Twetve TowELs 
Huckaback, with cross stitch embroidery. Initialed B. 


1698—NinE Larce ToweEts 


Linen damask. With elaborate embroidery and deep fringe. 
Initialed B. 


1699—BeEp BLANKET 
White and rose pink check border. 


1700—Two Bep BLANKETS 


One with pink border and the other with yellow border. 


1701—Two Brep BLANKETS 
Green and white check border. 


1702—TI'wo Brep BLANKETS 


To match the preceding. 


Eighth and Last Afternoon 


CUSHIONS AND OTHER TEXTILES 


17083—EmpromeEreED SILK PicTURE 
Japanese. Candlelight effect. Framed in Japanese cedar. 


Height, 21 inches; width, 18 inches. 


1704—Two Pittows 


Decoration of eagle and American flags. 


1705—Turet Coucu CusHIoNns 


Two covered with Turkish embroidery and one with Bagdad 
embroidery. 


1706—Turert Coucn CusHIONS 


Covered with Turkish embroidery in gold and silver threads. 


1707—TureEEe Covucu CusHIONS 


Two Persian, with embroidery and lace covering; the other 
Turkish, with embroidered design of star and medallion in 
colored silks and silver threads. 


1708—TureE Covucu CusHIONS 


Red and green satin with Turkish embroidery. 


1709—Lone CusHION 


Covered with embroidery in the Persian style. With applied 
decoration of figures. Jeweled and beaded ornamentation. 


1710—TI'wo Lone CusHIONS 


Covered with Anatolian silk mats. One with red center panel 
and the other with green. 


1711—T'wo Lone CusHIons 


Covered with Anatolian silk mats. One with salmon-pink me- 
dallion on a white field; the other, to represent a prayer rug. 


1712—Lone PitLow 


Ruby-red velvet center, with embosed velvet ends. Trimmed in 
gold lace. 


Eighth and Last Afternoon 


1718—Lonce CusHIonN AND COVER 


Turkish embroidery in gold threads on a white satin ground. 


1714-—-Two Lone CusHions 


Covered with Anatolian silk mats. With medallions in pale 
blue, olive green and white on a rose field. 


1715—Two Lone CusuHtons 


One with French brocade covering trimmed with gold lace; the 
other yellow damask, one side covered with gold lace. 


1716—Two Lone CusuHions 


With brocade coverings, gallooned. One fringed. 


1717—Turer Lone CusnHions 


Covered with Anatolian silk mats, One with red center panel 
and the other green. 


1718—Empsossep VELVET CoucH CusHION 
Sprays of roses. With initials J. B. B. 


1719—Four Covucu Cusnions 


Upholstered in French brocade and woven tapestry. Corded 
and fringed. 


1720—F ive Coucn CusHIoNsS 


Four with embroidered designs of Persian figures and one, 
black velvet, with central medallion of a bird. 


1721—-Turete Lone CusHions 
Covered with brocade. Gallooned and fringed. 


1722—-TurEet Lone CusHIons 
Covered with brocade. Gallooned and fringed. 


17283—Fovur Coucu CusHIons 


Covered with cretonne. 


Eighth and Last Afternoon 


1724—Four Sink GAvuzE ScCARFS 


Similar to the preceding. One with silver lace trimming. 


1725—TuHrREE Sink GAUZE SCARFS 


Persian. With embroidered medallions in yellow, blue, green 
and pink silks and gold thread. Gold lace, trimmed. 


1726—TuHrREE SMALL COVERS 


Turkish embroidery in gold and silver threads. Designs of 
mosques, flowers and birds. 


1727—Turee EMBROIDERED COVERS 


Turkish. Green and red satin, with stars, crescents, char- 
acters and flowers in gold and silver threads. Various sizes. 


1728—Two Persian Covers 


Black with embroidered ornamentation of animals and flowers. 


1729—Two EmprompErED Covers 
Turkish. One with green satin ground and the other red. 


34 inches square. 


17380—Two EmBrolmIpERED COVERS AND A SCARF 


Persian. 


1731—Fovur EMBROIDERED COVERS 


Turkish. Red and green satin, with star, crescent and other 
designs in gold and silver threads. Various sizes. 


1732—Two Rep Satin Covers 


Turkish. With all-over designs of mosques, star, crescent and 


Turkish characters. 
38 inches square. 


17338—Turee Rep Sitk Covers 


Turkish. With embroidered and applied ornamentation of 
characters, stars and crescent in colored silks and gold and 


silver threads. 
36 inches square. 


1734—Two EmpromperED Covers 
Turkish. One with yellow ground and the other with old gold. 


42 inches square. 


Eighth and Last Afternoon 


1735—Four EMBROIDERED STRIPS 


Red, brown, terra-cotta and white. With various designs in 
colored threads. 


1736—Two SHAwLs 
Paisley. 


17387—Fovur Parts or CostuME 
Bokhara. 


1738—JapANESE Kimono 
Cloth-of-gold brocade, with brilliantly plumaged birds and 
flowers. With obi of cloth-of-gold. 


1739—CnuinEsE Lone Coat 
Salmon-pink gauze, with embroidered designs of dragons pur- 
suing the sacred pearl, cloud forms and waves. 


1740—Two LAMBREQUINS AND SKIRT 


One of the lambrequins woven, and the other Chinese em- 
broidery. Skirt Chinese, with embroidered floral designs in 
blue and white. : 


1741—Roser-sitk TasLeE Cover 
With applied ornamentation of galloon and gold lace. 
Length, 46 inches; width, 35 inches. 


1742—-GoLp AND SILveER TaAaprestry STrip 
Geometrical patterns. With pink border. 
Length, 5 feet 10 inches; width, 2 feet 2 inches. 


1748—Four EMBROIDERED PERSIAN CURTAINS AND COVERS 


Conventional floral patterns in brilliant colors. 


1744—GREEN AND Brown ScarF anp Turkish Hanerne 
The latter of red, pink and green satin, with applied decoration 
to represent a prayer rug. 


1745—Parr or Winpow Draperies with LAMBREQUINS 
Brown plush, trimmed with imitation leather. 


Height, 9 feet 3 inches; width, 4 feet. 


Eighth and Last Afternoon 


1746—Patr or BrocapvEe PorriERES 
Double faced. 


1747—Patr or Bacpap PorrTirEREs 


Five strips each. 


1748—Tarrstry Cover 


With central medallion enclosing wreath and vase of flowers 
and borders of sprays of flowers on a gold and silver ground. 
Brilliant colorings used. 


Length, 6 feet 6 inches; width, 5 feet 9 inches. 


AMERICAN ART ASSOCIATION, 


MANAGERS. 


THOMAS E. KIRBY, 


AUCTIONEER. 


FOR INHERITANCE TAX 


AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


INTELLIGENT APPRAISEMENTS 


OF 


ART AND LITERARY PROPERTY 
JEWELS AND PERSONAL EFFECTS OF EVERY 
DESCRIPTION 


IN CASES WHERE 


PUBLIC SALES ARE EFFECTED 


MeN OMINAL CHARGE ONLY WILL BE MADE 


THE AMERICAN ART ASSOCIATION 


MADISON SQUARE SOUTH 
NEW YORK 


TELEPHONE, 3346 GRAMERCY 


COMPOSITION, PRESSWORK 


AND BINDING BY 


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